Name | Vorname | Titel1 | Funktion | Dauer | Jahr | Commission Invent | Inventionen |
---|---|---|---|---|---|---|---|
Abbado | Claudio | Mein stiller Freund | Textbeitrag | 1991 | 1991 | ||
Abel | Günter | Begrüßungsvortrag | Vortrag | 1998 | 1998 | ||
Agger Einbond Farhang Leventhal |
Savannah Aaron Alireza Chelsea |
diverse Werke als Studien-Abschluss ECMCT | C* | 2008 | 2008 | ||
Aharonián | Coriún | Gran Tiempo | C | 15:30 | 1974 | 1984 | |
Aharonián | Coriún | Kleine Geschichte der EM in Lateinamerika | Textbeitrag | 1984 | 1984 | ||
Allende - Blin | Juan | Dsiga Wertow: Pionier der Geräuschkunst | Vortrag | 1986 | 1986 | ||
Allende - Blin | Juan | Rapport sonore / Relato sonoro / Klangbericht | C | 24 | 1983 | 1985 | |
Almada Clay Järmann Kristinsson |
Daniel Art Olaf Gunnar |
44°15' auf 40° West | P* | 12:30 | 1990 | 1991 | |
Alsina | Carlos Roque | Éloignements | MI | 16:15 | 1990 | 1991 | |
Alsina | Carlos Roque | Klavierstück Nr. 6 | C+ | 18 | 1986 | 2008 | |
Alvarez | Javier | Temazcal | C+ | 7:54 | 1983 | 1994 | |
Amacher | Maryanne | The critical band | P | 1980/85 | 1985 | ||
Anderson | Elizabeth | Ether | C | 13:45 | 2001 | 2002 | |
Aperghis | George | Alter-Face | MI | 10 | 2004 | 2008 | |
Applebaum | Mark | Pre-Composition | C | 11:39 | 2003 | 2008 | |
Armstrong | Iain | Matchine | C | 6:20 | 2005 | 2010 | |
Armstrong | Iain | Set Adrift in Stolen Moments | C | 11 | 1999 | 2000 | |
Ashley | Robert | eL / Aficionado | P | 90:00 | 1991 | 1992 | |
Ashley | Robert | Improvement (Don Leaves Linda) | P | 90:00 | 1984/91 | 1992 | |
Audactor - Baalman | Prof. Dr. Hortensia | Wie Pflanzen hören … | Textbeitrag | 2005 | 2005 | ||
Aufenanger | Friedhelm | Sous l'amour | MI | 13:40 | 1991 | 1992 | |
Auinger Huber |
Sam Rupert |
ain't that a shame! | P | 2000 | 2000 | 2000 | |
Auinger Huber |
Sam Rupert |
shining | P* | 1998 | 1998 | 1998 | |
Auinger Odland |
Sam Bruce |
Requiem for fossil fuels | SA C+* | 48 | 2004/07/08 | 2004 | 2004 2008 |
Auinger Offenhuber Strobl stadtmusik |
Sam Dietmar Hannes |
besenbahn kapitel 3 felsen m18 mauerpark zurückbleiben bitte |
AV | 2001-07 | 2008 | ||
Auinger Studenten der UdK Berlin (Sound Studies) |
Sam | Klangspeicher | SA | 2008 | 2008 | ||
Azguime | Miguel | Itinerário do Sal | AV P* | 50 | 2006 | 2006 | 2006 |
Bachmann | Claus-Henning | Medien und Musik - Eine Schwarzmalerei | Textbeitrag | 1986 | 1986 | ||
Baginsky | Zbigniew | Nokturn – Kolysanka | MI | 1989 | 1992 | ||
Balakauskas | Osvaldas | Opera strumentale | MI | 1983-88 | 1990 | ||
Bangerter | Ma-Lou | Vorsicht Bissiger Hund | P* | 23:00 | 1989 | ||
Bannerman | Alastair | In th'air or th'earth | C | 12 | 1997 | 2000 | |
Barlow | Klarenz | Deutscher Sang | C | 30 | 1982 | 1986 | |
Barraque | Jean | Chant après Chant | MI | 20:33 | 1965/66 | 1994 | |
Barreiro | Daniel | Maresia | C | 11:55 | 2005-06 | 2010 | |
Barrett | Natasha | Abemolpas | C | 10:17 | 2004/05 | 2006 | |
Barrett | Richard | M87 (Solo) | C* | 28 | 2002 | 2002 | 2002 |
Barrett | Richard | SIMORGH | C | 10:59 | 2010 | 2010 | 2010 |
Barrett | Richard | Tutti 1 und Tutti 2 und Zugabe | C* | 45 | 2002 | 2002 | |
Barrett Parker |
Richard Evan |
Duo | C* | 28 | 2002 | 2002 | 2002 |
Barroso | Edgar | ODD | C | 10:36 | 2006 | 2006 | 2006 |
Barroso Röbel |
Edgar Axel |
Spectral Modeling Synthesis | Vortrag | 2006 | 2006 | ||
Bartetzki | André | Z0 | C | 2010 | 2010 | ||
Bartetzki Minard Kemter |
André Robin Dieter |
RUMOR | SA | 2002 | 2002 | 2002 | |
Bartók | Béla | 4. Streichquartett | MI | 1928 | 1989 | ||
Bartók | Béla | Sonata for violin solo | MI | 25:44 | 1944 | 1989 | |
Batchelor | Peter | Kaleidoscope | C | 18:10 | 2004 | 2010 | |
Batchelor | Peter | Reel | C | 13 | 1997 | 2000 | |
Battier | Marc | What the GRM brought to music: from musique concrète to acousmatic music | Textbeitrag | 2007 | 2008 | ||
Battista | Tonino | C’est ça, c’est tout | C* | 2000 | 2002 | ||
Battistelli | Giorgio | Ostinato | P | 20:00 | 1986 | 1986 | |
Bayle | François | Erosphère | C | 1979 | 1984 | ||
Bayle | François | L’ invention du son | Vortrag | 1998 | 1998 | ||
Bayle | François | La fin du bruit | C | 31 | 1978/79 | 1998 | |
Bayle | François | la forme du temps est un cercle: Si loin, si proche | C | 22 | 1999 | 2000 | |
Bayle | François | La Main Vide | C | 42:41 | 1993/95 | 1996 | |
Bayle | François | Les couleurs de la nuit | C | 1982 | 1984 | ||
Bayle | François | Motion - Émotion | C | 22 | 1985 | 1998 | |
Bayle | François | Univers nerveux in memoriam K. Stockhausen | C | 22:30 | 2005 | 2008 | |
Bayle Frisius |
François Rudolf |
Workshops für Schulklassen: acousmatische Musik, GRM | Workshop | 1984 | 1984 | ||
Bayle Kamler |
François Piotr |
Lignes et Points | F | 7 | 1966 | 1998 | |
Bayle Parmegiani |
François Bernard |
Le Paradis | C | 1974 | 1984 | ||
Bayle Teruggi |
François Daniel |
Workshop Aakusmonium | Workshop | 1996 | 1996 | ||
BEAST | Birmingham ElectroAcoustic Sound Theatre | Textbeitrag | 2010 | 2010 | |||
Bedard | Martin | Excavations | C | 10 | 2008 | 2008 | |
Behrman | David | A Migratory Tale | C* | 9:30 | 1989 | ||
Behrman | David | All Thumbs | C* | 6:00 | 1989 | ||
Behrman | David | Figure in a Clearing | C* | 14:40 | 1977 | 1989 | |
Behrman | David | Homemade Synthesizer Music with Sliding Pitches | C* | 21:20 | 1972/2002 | 2002 | |
Behrman | David | Interspecies Smalltalk | P* | 31:00 | 1989 | ||
Behrman | David | Leapday Night | C* | 32:37 | 1989 | ||
Behrman | David | Pen Light | SA | 1998 | 2002 | ||
Behrman | David | View Finder | SA | 2001 | 2002 | ||
Beil Scherer |
Michael Gerhard |
UND ACHT | AV+ | 11 | 2000 | 2002 | |
Bejamin | Garfield | Re:# akou a sema | C | 13:13 | 2010 | 2010 | |
Bentley | James | Bruit | C | 1997/98 | 2000 | ||
Berezan | David | Baoding | C | 7:24 | 2002 | 2010 | |
Berg | Alban | Klaviersonate | MI | 11:56 | 1909 | 1994 | |
Berio | Luciano | Circles | MI | 19:00 | 1960 | 1986 | |
Berio | Luciano | Diffèrences | C+ | 1959 | 1994 | ||
Berio | Luciano | Thema (Omaggio a Joyce) | C | 1959 | 1986 | ||
Bernardini | Nicola | Recordare | C | 6:30 | 1999 | 2000 | |
Bértola | Eduardo | Penetraciones I | C | 5:35 | 1970/71 | 1984 | |
Bertoncini | Mario | Alleluia | MI | 1982 | 1984 | ||
Bertoncini | Mario | Chanson pour instruments à vent | P* | 10:50 | 1974 | 1982 | |
Bertoncini | Mario | Pagine per Dieter | MI | 1985 | 1985 | ||
Bertoncini | Mario | Tune | MI | 9:20 | 1965 | 1994 | |
Bertoncini | Mario | venti | C* | 1982 | 1985 | ||
Beyer | Frank Michael | de lumine | MI | 11:57 | 1978 | 1992 | |
Beyer | Frank Michael | Echo | MI | 16:28 | 1985 | 1986 | |
Beyer | Frank Michael | Sinfonien für acht Stimmen | MI | 16:33 | 1988 | 1992 | |
Beyer | Frank Michael | Streichquartett Nr. 3 "Missa" | MI | 25:43 | 1985 | 1989 | |
Beyer | Frank-Michael | Action | MI | 1991 | 1994 | ||
Bianchini | Laura | Happening | C* | 1989 | 1990 | ||
Bianchini | Laura | NO. DI. - Note difference | C+ | 9:38 | 1987 | 1990 | |
Bianchini | Laura | Voix d’ailleurs | C+* | 2000 | 2002 | ||
Bianchini | Riccardo | Haiku | C+ | 8:41 | 1976 | 1990 | |
Biezan Knittel Krupowicz Litwinski Mitan Sudnik Szymanski Zelinska |
Andrzej Krzysztof Stanislaw Mieczyslaw Andrzej Tadeusz Pawel Lydia |
between United space |
P | 1983 | 1983 | ||
Bilbao | Stefan | Klangsimulation durch physikalische Modelle | Vortrag | 2006 | 2006 | ||
Birtwistle | Harrison | Chanson de Geste | C+ | 1973 | 1996 | ||
Birtwistle | Harrison | Three Pieces | MI | 10:48 | 1993 | 1994 | |
Bittová Fajt Keller |
Iva Pavel Petr |
quasislowakisch | MI | 50:00 | 1989 | ||
Blacher | Boris | Ariadne Duodram für zwei Sprecher und Elektronik nach einem Text von Friedrich Wilhelm Gotter |
C+ | 33:30 | 1971 | 1986 | |
Blacher AfEM |
Boris | Der Astronaut | C | 6:14 | 1968 | 1986 | |
Blackburn | Manuella | Origami | C | 5:10 | 2007 | 2008 | |
Blinkhorn | Daniel | Jeu fabriqué | C | 9:59 | 2007 | 2008 | |
Block | René | Akademisch waren sie eigentlich nie | Textbeitrag | 2002 | 2002 | ||
Blomqvist | Anders | Akrobat 02 | Bildspeel | 11:24 | 1988 | 1989 | |
Blomqvist | Anders | Tass | C+ | 9:40 | 1999 | 2002 | |
Blomqvist Doukkali |
Anders Josef |
Jaguar Revisited | Bildspeel | 1983 | 2002 | ||
Blomqvist Doukkali |
Anders Josef |
Sincere | Bildspeel | 1989 | 2002 | ||
Blondeau | Thierry | Etude au Doppler | C | 2002 | 2002 | 2002 | |
Blondeau | Thierry | Invention | MI | 6:44 | 1990 | ||
Blum | Eberhard | Sprachen der Künste | Textbeitrag | 1985 | 1985 | ||
Blum | Eberhard | SPRACHEN DER KÜNSTE III | Textbeitrag | 1986 | 1986 | ||
Bodin | Lars Gunnar | Epilogue - Rhapsodie de la seconde récolte | C | 11:27 | 1979 | 1982 | |
Bodin | Lars Gunnar | For Jon III; They extricated their extremities | C | 10:35 | 1982 | 1986 | |
Bodin | Lars Gunnar | Hälsnigar från syrenbersån | C | 11 | 1994 | 2002 | |
Bodin | Lars Gunnar | Mémoires du temps d'avant la Destruction | C | 19:30 | 1982 | 1984 | |
Bodin | Lars Gunnar | Text zum EMS Stockholm | Textbeitrag | 1983 | |||
Bodin Buhlert Kang Kessler Patkowski |
Lars Gunnar Klaus |
# Workshop II | Workshop | 1983 | 1983 | ||
Boehmer | Konrad | Die elektrische Muse im Königreich der Niederlande | Textbeitrag | 1988 | 1989 | ||
Bœuf | Georges | Nocturne | C+* | 18:15 | 1985/86 | 1992 | |
Bolaños | César | Intensidad y Altura | C | 5:15 | 1964 | 1984 | |
Borio | Gianmario | Die Gegend des Prometheus. Beobachtungen zum Spätwerk Luigi Nonos | Textbeitrag | 1991 | |||
Boschetto | Francesco | TRASUMANAR | C+ | 11:17 | 1985 | 2000 | |
Bosshard de Campo Brusci |
Andres Alberto Lorenzo |
GardenOfCodes | SA* | 2005 | 2005 | ||
Boucourechliev | André | Archipel 4 | MI | 20 | 1970 | 2008 | |
Boulez | Pierre | Dérives | MI | 5:00 | 1984 | 1990 | |
Boulez | Pierre | Explosante fixe | C+* | 18:52 | 1985 | 1989 | |
Boulez | Pierre | Livre pour Quatuor | MI | 12:40 | 1949 | 1989 | |
Boulez | Pierre | Structures - Livre II | MI | 12 | 1961 | 2008 | |
Bousch | François | Cristal | C* | 1990 | |||
Bousseur | Jean-Yves | La musique concrète et les arts plastiques | Vortrag | 1998 | 1998 | ||
Brech | Martha | Natürliches Ergebnis | C | 7:00 | 1986 | 1986 | |
Brecht | George | Streichquartett "shaking hands" | MI | 1962 | 1989 | ||
Bredemeyer | Reiner | Sinfonie für drei Instrumentalgruppen | MI | 23:00 | 1974 | 1992 | |
Brettingham-Smith | Jolyon | Doors of perception | MI | 1982 | 1985 | ||
Brown | Earle | Corroboree | MI | 1964 | 1985 | ||
Brown | Earle | Folio | MI | 9:40 | 1953 | 1986 | |
Brown | Earle | Four Systems | C+* | 4:22 | 1954/97 | 2002 | |
Brown | Earle | Octet I | C | 3:22 | 1952/53 | 2008 | |
Brown | Earle | Times Five | C+ | 15:00 | 1963 | 1985 | |
Brown | Earle | Tracer | C+ | 3:10 | 1985 | 1985 | |
Brümmer | Ludger | Ambre, Lilac | C | 21:45 | 1994 | 1996 | |
Brümmer | Ludger | Gestalt | C | 5:09 | 2002 | 2006 | |
Brümmer | Ludger | Glasharfe | C | 19:01 | 2006 | 2006 2008 | |
Brümmer | Ludger | Inferno der Stille | C | 23:38 | 2000 | 2002 | |
Brümmer | Ludger | Move | AV+* | 17:04 | 2006 | 2008 | |
Brümmer | Ludger | Physikalische Modelle zur Partitur-, Klang- und Bildsynthese |
Vortrag | 2006 | 2006 | ||
Brümmer | Ludger | Repetitions | C | 21:40 | 2005 | 2006 | |
Brümmer | Ludger | The Gates of H. | C | 18:03 | 1993 | 2000 | |
Brümmer | Ludger | Thrill | C | 1998 | 1998 | ||
Brümmer | Ludger | Xronos | AV | 17:54 | 2002 | 2006 | |
Brün | Herbert | I told you so | C | 12:57 | 1981 | 1990 | |
Brün | Herbert | Vortrag über EM in Urbana | Komponistengespräch | 1990 | 1990 | ||
Brunson | William | Tapestry II | C | 13:00 | 1980 | 1982 | |
Brunson Doukkali |
William Josef |
The Lute of Pythagoras | Bildspeel | 14:35 | 1995 | 2002 | |
Bryars | Gavin | String Quartet No. 1 | MI | 23:42 | 1989 | ||
Buhlert van Manen |
Klaus Jan |
Musikalische Anwendung der Sprachsynthese mit Computern | Vortrag | 1986 | 1986 | ||
Bumstead | Eric | BlckWnd | C | 9:53 | 2009 | 2010 | |
Bussotti | Sylvano | Cœur pour un batteur | MI | 1994 | |||
Butzmann Kapielski |
Frieder Thomas |
VAMPYROTEUTHIS INFERNALIS GIOVANNI | P* | 47:30 | 1989 | ||
Butzmann Kapielski ten Hoorn Kurth Linz Marclay Müller Rose Rue Schipper Wesley-Smith Anita Binder Nauman Conrad Goldstein Lookofsky VETA Music Systems |
The Relative Violin | Ausstellung | 1989 | ||||
Caesar | Rodolfo | Introduction to the Stone | C | 1989 | 1994 | ||
Cage | John | 1st Construction in metal | MI | 9:55 | 1939 | 1992 | |
Cage | John | 27'10,554 | MI | 27:10 | 1964/65 | 1994 | |
Cage | John | 3rd Construction | MI | 14:03 | 1941 | 1992 | |
Cage | John | 4 | MI | 30:05 | 1989 | 1992 | |
Cage | John | 4'33'' | P | 4:33 | 1952 | 1991 | |
Cage | John | A book of music | MI | 1944 | 1985 | ||
Cage | John | But what about the noise of crumpling paper which he used to do in order to paint the sries of "papiers froissés" or tearing up paper to make "papiers déchirés"? Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests |
C* | 39:44 | 1985 | 1992 | |
Cage | John | Cartridge Music | C* | 25 | 1960 | 1984 | |
Cage | John | Concert for Piano and Ensemble | MI | 19:00 | 1958 | 1986 | |
Cage | John | Eight Whiskus | P* | 26:50 | 1978 | 1989 | |
Cage | John | Etudes Boréales I - IV | MI | 17:00 | 1978 | 1990 | |
Cage | John | Four Walls | MI | 65:00 | 1944 | 1991 | |
Cage | John | Freeman Etudes | MI | 97:33 | 1977/80 | 1992 | |
Cage | John | Imaginary Landscape No. 2 | C* | 6:10 | 1942 | 1994 | |
Cage | John | Imaginary Landscape No. 3 | C* | 3:30 | 1942 | 1994 | |
Cage | John | In a landscape | MI | 8:00 | 1948 | 1986 | |
Cage | John | In the Name of the Holocaust | MI | 6:00 | 1942 | 1991 | |
Cage | John | Music for Four | MI | 29:40 | 1984 | 1992 1994 | |
Cage | John | Music for piano No. 1 - 84 | MI | 88:30 | 1952/56 | 1992 | |
Cage | John | One | MI | 9:50 | 1987 | 1991 | |
Cage | John | Sixteen Dances | MI | 1951 | 1994 | ||
Cage | John | String Quartet in Four Parts | MI | 22:25 | 1950 | 1992 | |
Cage | John | Thirty Pieces for String Quartet | MI | 30:45 | 1983 | 1989 | |
Cage | John | Water Music | MI | 6:40 | 1952 | 1991 | |
Cage Cowell Harrison Thomas |
John Henry Lou Virgil |
Party Pieces | MI | 1992 | |||
Cahen | Robert | Compositeurs à l’écoute – 50 ans de musique au GRM | F | 1998 | 1998 | ||
Cairns | Elizabeth | Decadenza | C+ | 1993 | 1994 | ||
Calon | Christian | La disparition | C | 22:04 | 1987-88 | 1992 | |
Calon | Christian | The Standing Man | C | 42:10 | 1996 | 1996 | 1996 |
Calon | Christian | Time well | C | 17 | 2006 | 2006 | |
Cardew | Cornelius | String Quartet Movement | MI | 10:17 | 1961 | 1989 | |
Carow | Stefan | Music for Percussion, Pauken and 2 Pianos | MI | 1993 | 1994 | 1994 | |
Carpenter | James | Tangle | C | 9:50 | 2010 | 2010 | |
Carter | Elliot | Elegie | MI | 4:32 | 1943 | 1989 | |
Carter | Elliott | String Quartet No. 4 | MI | 18:30 | 1986 | 1989 | |
Casale | Emanuele | musica per cinque strumenti | MI | 2002 | 2002 | ||
Castagnoli | Giulio | Isole | C+ | 23 | 1998 | 1998 | 1998 |
Castiglioni | Niccolo | Ricordo di Julius Bissier | MI | 1989 | 1991 | ||
Cavanna | Bernard | Goutte d'or blues | C+ | 6:26 | 1990 | ||
Ceccarelli | Luigi | exsultet | C | 18 | 1996 | 2000 | |
Ceccarelli | Luigi | Koan II | MI | 8:07 | 1990 | ||
Cee | Werner | Berlin Indoors (Slow motion) | C | 9:25 | 1998 | 1998 | 1998 |
Cee | Werner | Maschinerie der Polarlandschaft | C | 20:59 | 2004 | 2005 | |
Chadabe | Joel | Scenes from Stevens | C* | 12:00 | 1979 | 1985 | |
Chadabe | Joel | Twenty - three Go | C* | 11:29 | 1985 | 1985 | |
Charpentier | Andre | Suite Karnatique | C* | 1990 | |||
Cheung | Ka Ho | FishyBahn | C | 9:48 | 2008 | 2008 | |
Chiari | Giuseppe | Streichquartett | MI | 5:50 | 1989 | ||
Chin | Unsuk | allegro ma non troppo | C / C+ | 13:05 | 1994 | 1998 | 1994 1998 |
Chin | Unsuk | El Aliento de la Sombra | C | 18:30 | 1992 | 1992 | 1992 |
Chin | Unsuk | Gradus ad infinitum I | C | 10:05 | 1989 | 1990 | |
Chin | Unsuk | Gradus ad infinitum II | C | 11:11 | 1990 | 2008 | |
Chion | Michel | Gloria | C | 1994 | 1996 | ||
Chion | Michel | La Tentation de Saint Antoine | C | 1984 | 1986 | ||
Chion | Michel | Michel Chion präsentiert einen Querschnitt durch die Musik/Sprach-Produktionen der Groupe de Recherches Musicales (GRM), Paris |
Vortrag | 1986 | 1986 | ||
Chion | Michel | Requiem | C | 1973 | 1984 | ||
Chippewa | Jef | DUO | C | 2:41 | 1997/98 | 2008 | |
Chorzempa | Daniel | Sonett | C | 13:40 | 1978 | 1986 | |
Chowning | John | Turenas | C | 12:33 | 1972 | 2008 | |
Christiansen | Henning | "als die Sprache platzte und die Musik abfuhr - und der Mond erscheint" | P | 1986 | 1986 | ||
Christiansen | Henning | Nach Wyschnegradsky, op. 185 | MI | 20:35 | 1989 | 1989 | |
Christiansen | Henning | Umwälzung: fluxorum organum - EURASIENSTAB ist immer noch Angelpunkt | P*+ | 60:00 | 1989 | 1990 | |
Christmann | Günter | Double Explico II |
AV | 1989 | |||
Christou | Jani | The Strychnine Lady | MI | 1992 | |||
Chrysakis | Thanos | INSCAPES 11-10 | C | 10:20 | 2005 | 2008 | |
Cipriani | Alessandro | aqua sapientiae | C+ | 1996 | 2000 | ||
Climent | Ricardo | Wall-Woodpeckers | C | 9:11 | 2005 | 2006 | |
Cocco | Enrico | Materia Intelligente II | C+ | 11:20 | 1990 | 1990 | |
Coleman | Ornette | Trinity | P* | 14:00 | 1989 | ||
Collins | Nicolas | Pea Soup | SA | 1974/2005 | 2005 | ||
Collins | Nicolas | Pea Soup | P | 1974/2005 | 2005 | ||
Collins Straebel |
Nicolas Volker |
Konzertinstallationen | Komponistengespräch | 2005 | 2005 | ||
Coppe | Dimitri | Transparence – Déhiscence | C | 8:50 | 2000 | 2002 | |
Coull | Rosalyn | Stress Vs Piece 2: Ambivalence | C | 10:10 | 2010 | 2010 | |
Cowell | Henry | Pulse | C* | 4:20 | 1992 | ||
Crumb | George | Black Angels | C* | 20:45 | 1970 | 1989 | |
Crumb | George | Makrokosmos III | MI | 1974 | 1994 | ||
Cuniot Dufour Geslin |
Laurent Denis Yann |
Situations de jeu | C+* | 1981 | 1984 | ||
Curran | Alvin | The Electric Rags | C* | 66:00 | 1985 | 1986 | |
Curran | Alvin | VSTO - Alvin for Giacinto | C* | 57:15 | 1988 | 1989 | |
D'Adamo | Daniel Augusto | Die runde Zahl | MI | 13:13 | 1999 | 2002 | |
Dalbavie | Marc-André | Diadèmes | C* | 1986 | 1992 | ||
Dall’Ongaro | Michele | GRIMOIRE | C+* | 12 | 1998 | 2000 | |
Dallapiccola | Luigi | Piccola musica notturna | MI | 1954 | 1991 | ||
Dallet | Sylvie | Grußadresse | Vortrag | 1998 | 1998 | ||
Dashow | James | Disclosures | C+ | 14:35 | 1989 | 1990 | |
Daske | Martin | Foliant 14 | MI | 9:16 | 1988 | 1990 | |
Daske | Martin | Foliant 25 | MI | 11:36 | 1989 | 1990 | |
Daske | Martin | Foliant 2b | C* | 6:14 | 1989 | 1990 | |
Daske | Martin | Foliant 6 | C* | 4:00 | 1987 | 1990 | |
Daske | Martin | Folianten 9, 10 | MI | 5:40 | 1987 | 1990 | |
Daske | Martin | Folianten 18 / 19 | MI | 7:51 | 1988 | 1990 | |
Daske Syed |
Martin Farah |
21 Folianten | Ausstellung | 1990 | 1990 | ||
Davies | Hugh | Das Schlagzeug in Klangskulpturen und Klanginstallationen | Textbeitrag | 1994 | |||
Davies | Hugh | Einige persönliche Erinnerungen an Stockhausens Gebrauch des Schlagzeugs | Textbeitrag | 1994 | |||
Debussy | Claude | Clair de lune | MI | 6 | 1890 | 2008 | |
Debussy | Claude | En blanc et noir - Caprices | MI | 16 | 1915 | 2008 | |
Decroupet | Pascal | Worte und Gedanken | Textbeitrag | 1994 | |||
Decroupet Stockhausen |
Pascal Karlheinz |
Musikalische Nachtprogramme zu Stockhausen | Vortrag | 1994 | |||
DeFotis | William | Piece for flute with tape accomp. | C+ | 10:47 | 1980 | 1990 | |
Delap | Gordon | Light Body Corpuscles | AV | 6:21 | 2005 | 2006 | |
DeMarinis | Paul | Buried in Noise | Katalog | 2010 | 2010 | ||
DeMarinis | Paul | Dust | SA | 2009 | 2010 | ||
DeMarinis | Paul | Firebirds | SA | 2004 | 2004 | ||
DeMarinis | Paul | Pneuma | SA | 2010 | 2010 | ||
DeMarinis | Paul | Tongues of Fire | SA | 2004 | 2004 | ||
Dennis | Georg | Electric Sheep | C | 5:04 | 2008 | 2008 | |
Dessau | Paul | Quintett für Klavier, Oboe, Klarinette, Fagott und Horn | MI | 1992 | |||
Dhomont | Francis | Les travail du rêve | C | 17:12 | 1986/2010 | 2010 | |
Dhomont | Francis | Novars | C | 19:07 | 1989 | 1996 | |
Dhomont | Francis | Phonurgie | C | 12:30 | 1998 | 1998 | 1998 |
Dhomont | Francis | Vol d'Arondes | C | 11:28 | 1999/2002 | 2006 | |
Dhomont | Francis | Voyage-miroir | C | 14:50 | 2004 | 2005 | |
Di Scipio | Agostino | Audible EcoSystemics n. 1 (Impulse Response Study) | C* | 8 | 2002 | 2004 | |
Di Scipio | Agostino | Audible EcoSystemics n. 2 (Feedback Study) | C* | 6 | 2003 | 2004 | |
di Scipio | Agostino | Audible EcoSystemics n. 3a (background noise Study) | C* | 2002/03 | 2005 | 2005 | |
di Scipio | Agostino | Audible EcoSystemics n. 3b (backgroundnoise Study with mouth performer) | C* | 2002/03 | 2005 | 2005 | |
Di Scipio | Agostino | Der Komponist als Rauschgenerator | Textbeitrag | 2002 | 2002 | ||
Di Scipio | Agostino | ohne Titel | SA* | 2008 | 2008 | ||
di Scipio | Agostino | Paysages Historiques n.4 | C* | 2005 | |||
Di Scipio | Agostino | Texture-multiple | C* | 12:25 | 1993/2000 | 2002 | |
di Scipio Mesa |
Agostino Giuliano |
Tiresia | C* | 2001 | 2005 | ||
Dianda | Hilda | … y después el silencio | C | 15:00 | 1976 | 1984 | |
Dittrich | Paul - Heinz | Action - Reaction | C+* | 16:40 | 1975 | 1990 | |
Dittrich | Paul-Heinz | Kammermusik XI | MI | 1992 | |||
Djambazov | Vladimir | The Secret Life of a Snare Drum | C | 11:09 | 2005 | 2005 | 2005 |
Dlugosz | Magdalena | Mictlan II | C+* | 13:35 | 1987 | 1990 | |
Doati | Roberto | A Moholy, l´ultimo giorno del tram a tariffa ridotta | F | 5:23 | 1998 | 2000 | |
Döhl | Friedhelm | Fiesta | MI | 1982 | 1985 | ||
Döhl | Reinhard | Musik - Radiokunst - Hörspiel | Textbeitrag | 1986 | 1986 | ||
Domagalla | Jacek | Nocturne, Arcata | MI | 10:34 | 1989 | 1990 | |
Domagalla | Jacek | Septett | MI | 25:50 | 1991 | 1992 | |
Donato | François | Annam | C | 20:06 | 1993 | 1996 | |
Donato | François | Corps de Compassion | C | 15:42 | 1999 | 2000 | 2000 |
Donato | François | Sept Jours | C | 10 | 1998 | 1998 | |
Donato | François | The Lights of B. | C | 15 | 2004 | 2005 | |
Donatoni | Franco | Cloches | MI | 1991 | |||
Donatoni | Franco | Darkness | MI | 10:05 | 1984 | 1994 | |
Donatoni | Franco | Das Auge des Herzens | MI | 6:45 | 1981 | 1989 | |
Donatoni | Franco | Quartetto III | C | 5:00 | 1961 | 2008 | |
Dow | Robert | Black Ice | C | 14:08 | 2003 | 2004 | |
Dow | Robert | Season of Mists | C | 9 | 1996 | 2000 | |
Drese | Ingrid | Sept Œils Sauvage | C | 25 | 2005 | 2005 | |
Drese | Ingrid | Tout autant | C | 9:42 | 2002 | ||
Dreyblatt | Arnold | Who's Who in Central and East Europe 1933 | P* | 60:00 | 1990 | 1991 | 1991 |
Driscoll | John | A Hall is all | SA | 20:00 | 1985 | 1986 | |
Driscoll | John | Sputtering Energy (at 500 times the true size) | SA | 1986 | 1986 | ||
Driscoll Lerman |
John Richard |
Sputtering Energy (at 500 times the true size) | C* | 44:00 | 1986 | 1986 | |
Dubrovay | Laszlo | Harmonics II | C | 1983 | 1984 | ||
Dubrovay | Laszlo | Parte con moto | C | 1984 | 1985 | ||
Dubrovay | László | Symphonia | C | 24:12 | 1985 | 1986 | |
Dufour | Denis | Deuxième suite | C | 1983 | 1984 | ||
Dufour | Denis | Douze Melodies Acousmatiques | C | 24:59 | 1988 | 1996 | |
Dufourt | Hugues | La Tempesta | C* | 7:02 | 1990 | ||
Dufourt | Hugues | Meeresstille | MI | 16 | 1997 | 2008 | |
Dunkelman | Stephan | Metharcana | C | 9:05 | 1998 | 2002 | |
Dupuy | Jean | Sonate für 2 Klaviere; Anagramm 803 Buchstaben; introduction ; "Blackisch…" ; "Staub-Klang-Plattenspieler" mit 6 Plattenspielern; Gesänge; "Platane, Banane, KaKaO… | P | 30:00 | 1986 | ||
Dutilleux | Henri | Quatre Figures de Résonances | MI | 9 | 1970-76 | 2008 | |
Ebbeke | Klaus | Aber die Musik braucht ständig eine Krise | Textbeitrag | 1990 | 1990 | ||
Ebbeke | Klaus | Berlin – und der Rest der Welt | Textbeitrag | 1992 | 1992 | ||
Ebbeke | Klaus | Eine Überlegung zur Rolle des Schlagzeugs in unserem Jahrhundert | Textbeitrag | 1985 | 1985 1994 | ||
Ebbeke | Klaus | Elektroakustische Musik im deutschsprachigen Raum nach 1945 | Textbeitrag | 1988 | 1989 | ||
Ebbeke | Klaus | Ich will keine spiritistische Sitzung - ich will Musik! | Textbeitrag | 1990 | 1990 | ||
Ebbeke | Klaus | Julius | Textbeitrag | 1985 | 1994 | ||
Ebbeke | Klaus | Luigi Nono | Textbeitrag | 1986 | 2000 | ||
Ebbeke | Klaus | Musik für ca. 16 Saiten | Textbeitrag | 1988 | 1989 | ||
Ebbeke | Klaus | Zu den Klanginstallationen von Julius | Textbeitrag | 1985 | 1985 | ||
Ebbeke | Klaus | Zum Komponieren heute | Textbeitrag | 1984 | 1984 | ||
Eckel Teige Rumori Güther |
Gerhard Daniel Martin Eckehard |
Grenzenlose Freiheit | SA | 2002 | 2002 | ||
Eckert | Gerald | aux mains de l'espace | C | 14:52 | 1993 | 1996 | |
Elgeti | Susanne | Zu den Kölner Kursen für Neue Musik 1963–68 | Textbeitrag | 1994 | |||
Elggren Tankred |
Leif Kent |
Riot | Bildspeel | 1988 | 2002 | ||
Eloy | Jean Claude | Vortrag über sein Werk | Vortrag | 1992 | 1992 | ||
Eloy | Jean-Claude | Anâhata III | C+ | 106:00 | 1984/86 | 1992 | |
Eloy | Jean-Claude | Gaku-no-Michi | C | 240 | 1977/78 | 1992 | |
Eloy | Jean-Claude | Libérations | C+* | 137:00 | 1989/91 | 1992 | |
Eloy | Jean-Claude | Libérations | C+ | 137:00 | 1989/91 | 1992 | |
Eloy | Jean-Claude | Libérations | C+ | 137:00 | 1989 | 1992 | |
Eloy | Jean-Claude | YO-IN | P+ | 210:00 | 1981 | 1985 | |
Elste | Martin | Hindemiths Versuche „grammophonplatteneigener Stücke“ - wiederentdeckt | Vortrag | 1998 | 1998 | ||
Emmerson | Simon | Memory Machine | SA | 12:00 | 2009/10 | 2010 | 2010 |
Enriquez | Manuel | Cuarteto IV | MI | 1983 | 1989 | ||
Enriquez | Manuel | La reunion de los saurios | C | 8:40 | 1971 | 1984 | |
Enström | Rolf | Dagbrott | C | 7:51 | 1983 | 2010 | |
Enström | Rolf | Directions | C | 7:20 | 1979 | 1982 2008 | |
Enström | Rolf | Fractal | Bildspeel | 20 | 1984 | 1984 | |
Enström | Rolf | Io | Bildspeel | 17 | 1996 | 2002 | |
Enström | Rolf | Skisser från Berlin | C | 17:00 | 1991 | 1992 | |
Enström | Rolf | The Dulcimer Report | C* | 12:11 | 1991 | 1992 | |
Erbse | Heimo | 12 Aphorismen | MI | 7:00 | 1992 | ||
Erdmann | Helmut W. | Transfiguration III | C* | 1983 | 1985 | ||
Ericsson | Hans-Ola | Melody to the Memory of a Lost Friend XIII | C+ | 1995 | 1996 | ||
Estager Giroudon |
Jean François James |
Contours avec miroirs | C* | 2000 | 2002 | ||
Estrada | Julio | Eua'on | C | 7:44 | 1981 | 1984 | |
Evangelisti | Franco | Spazio a 5 | C* | 12:40 | 1959/61 | 1994 | |
Faust | Wolfgang Max | Das Wort, die Musik, das Schweigen – Notizen zu John Cage | Textbeitrag | 1992 | 1992 | ||
Favre | Marc | L'Illusion acoustique, 4° Grimoire | C | 18:53 | 1993 | 1996 | |
Feiler | Dror | Schlafbrand | C+ | 1990 | 1996 | ||
Feiten | Bernhard | Physical Modeling am Beispiel von Schaginstrumenten | Vortrag | 1994 | 1994 | ||
Feldman | Morton | Clarinet and String Quartet | MI | 43:15 | 1983 | 1989 | |
Feldman | Morton | Intersection IV | MI | 5 | 1953 | 1990 | |
Feldman | Morton | Principal Sound | MI | 1980 | 1996 | ||
Feldman | Morton | Projection I | MI | 3:25 | 1950 | 1990 | |
Feldman | Morton | Structures | MI | 22:22 | 1951 | 1989 | |
Feldman | Morton | The King of Denmark | MI | 1964 | 1994 | ||
Fenelon | Philippe | 11 Inventions pour quatuor à cordes | MI | 23:14 | 1988 | 1989 | |
Fennis | Maurits | Nuages | C | 5:01 | 2010 | 2010 | |
Ferneyhough | Brian | Bone Alphabet | MI | 7:52 | 1991 | 1994 | |
Ferneyhough | Brian | Intermedio alla Ciaccona | MI | 7:35 | 1986 | 1989 | |
Ferneyhough | Brian | Mnemosyne | C+ | 1986 | 1990 | ||
Ferneyhough | Brian | Third String Quartet | MI | 18:04 | 1987 | 1989 | |
Ferrari | Luc | Hétérozygote | C | 26:20 | 1963/64 | 1998 | |
Ferrari | Luc | Und so weiter | C+* | 12 | 1966 | 2008 | |
Finnendahl | Orm | In Anbetracht | C+ | 9:20 | 1985 | 1986 | |
Finnendahl | Orm | Jericho | C+* | 11:00 | 1988 | 1989 | |
Finnendahl | Orm | Wheel of Fortune | C* | 1994 | 1994 | 1994 | |
Försch - Tenge | Herbert | Percussion road | C* | 53 | 1983 | 1984 | |
Fontana | Bill | Sound surroundings | SA | 1984 | 1984 | ||
Ford | Ron | Trarre | MI | 11:24 | 1987 | 1994 | |
Forward | Fast | Signal to Noise | C* | 57:54 | 2002 | 2002 | 2002 |
Forward Kosugi |
Fast Takehisa |
Parabola | P* | 72:00 | 1992 | 1992 | |
Fox | Terry | Bad installation | SA | 2002 | 2002 | ||
Fox | Terry | Litanies of Interference | SA | 2002 | 2002 | ||
Frank | Peter | Diamanda Galas | Textbeitrag | 1986 | |||
Frisius | Rudolf | Musique concrète - unbeantwortete Fragen | Vortrag | 1998 | 1998 | ||
Fujita | Masanori | Ju-Ju-Shin | MI | 23:00 | 1986 | 1986 | |
Fulkerson | James | Elective Affinities | C* | 25 | 1985 | 1985 | |
Fulkerson | James | Fields und Traces | C* | 1979 | 1985 | ||
Fulkerson | James | Force fields and spaces II | C+ | 7:45 | 1981 | 1985 | |
Fulkerson | James | suite for cello solo | C* | 15:00 | 1979 | 1985 | |
Furukawa | Kiyoshi | Mrs. M., her geometrization | C | 10:12 | 1985 | 1986 | |
Furukawa | Kiyoshi | Walking II | C | 1985 | 1985 | ||
Gál | Bernhard | belit | MI AV | 16 | 2004 | 2004 | 2004 |
Galas | Diamanda | Eyes without blood | C* | ≈ 30:00 | 1984 | 1986 | |
Galas | Diamanda | Litanies of Satan | C* | ≈ 44:00 | 1986 | 1986 | |
Garavaglia | Javier Alejandro | Pathétique | C | 15:30 | 2008 | 2008 | |
Garland | Peert | Nana & Victorio | MI | 1990/91 | 1994 | ||
Garland | Peter | Love Songs | MI | 1993 | 1994 | 1994 | |
Gaussin | Allain | Colosseo | MI | 1978 | 1985 | ||
Gaussin | Allain | Jardin Zen | C+ | 1998 | 2002 | ||
Geistweidt | Jason Ernest | Combine (after Rauschenberg) | C | 11:33 | 2006 | 2006 | |
Gertich | Frank | 40 Jahre elektronisches Studio der Technischen Universität Berlin | Textbeitrag | 1994 | |||
Gertich | Frank | lautsprecher als musikinstrument | Vortrag | 1998 | 1998 | ||
Giomi | Francesco | Agnaby | C | 10 | 1997 | 2000 | |
Glandien | Lutz | … die, die abgestürtzt sind | C+* | 1993 | 1994 | 1994 | |
Glandien | Lutz | Es lebe | C+ | 12:08 | 1989 | 1990 | |
Glandien | Lutz | turbo mortale | C+* | 20:00 | 1992 | 1992 | |
Glandien Lup |
Lutz Veit |
hic et nunc | AV | 12 | 1996 | 2002 | |
Glasmeier Block |
Michael Ursula |
Broken Music | Ausstellung | 1989 | 1989 | ||
Globokar | Vinko | Cri des Alpes | MI | 7:30 | 1986 | 1991 | |
Globokar | Vinko | Toucher | MI | 6:00 | 1973 | 1986 | |
Gobeil | Gilles | castalie | C | 10:35 | 2008 | 2008 | 2008 |
Gobeil | Gilles | Derrière la porte la plus éloignée | C | 12 | 1998 | 1998 | |
Gobeil | Gilles | Les lointains noirs et rouges | C | 10:43 | 2009 | 2010 | |
Gobeil | Gilles | Nuit Cendre | C | 12:21 | 1995 | 2006 | |
Gobeil | Gilles | Point de passage | C | 11:44 | 1997 | 2000 | |
Gobeil | Gilles | Trilogie d’ondes | C+ | 13:02 | 1988-89 | 2008 | |
Gobeil | Gilles | Trilogie d’ondes | C+* | 11:20 | 1990-91 | 2008 | |
Gobeil | Gilles | Trilogie d’ondes | C+ | 23 | 1999-2002 | 2008 | |
Goebbels | Heiner | Befreiung | C* | 16:00 | 1989 | 1991 | |
Goebel | Johannes | Multi, Poly, Syn und Anti | MI | 40:00 | 1983 | 1986 | |
Goeyvaerts | Karel | Compositie Nr. 5 met zuivere tonen | C | 2:40 | 1953 | 2008 | |
Goldmann | Friedrich | Vorherrschend gegensätzlich | MI | 9:47 | 1980 | 1992 | |
Goldstein | Malcom | Evening Music I October | P | 17:20 | 1989 | 1989 | |
Goldstein | Malcom | Sounding the Fragility of Line | P | 1989 | |||
Goldstein | Malcom | Soundings - Improvisationen | P* | 6:30 | 1989 | ||
Goldstein Celli |
Malcom Joe |
Violin & Video | MI AV | 12:12 | 1989 | ||
González Arroyo | Ramón | De l'Infinito Universo et Mondi | C | 10:40 | 1996 | 1996 | |
Goto | Suguru | Transformation II | C+* | 1992 | 1994 | ||
Gottstein | Björn | Der Traum vom Raum | Textbeitrag | 2008 | 2008 | ||
Gottstein | Björn | Musik als Ars Scientia | Vortrag | 2006 | 2006 | ||
Gottstein Teruggi |
Björn Daniel |
pour le piano Acousmatic Music and French Piano Music |
Textbeitrag | 2008 | |||
Gough | Helena | Tephra | C | 7:14 | 2010 | 2010 | |
Graef | Friedemann | Dialect II | P+ | 24:00 | 1983 | 1983 | |
Grambo | Michael | Bleeding poem | C | 16 | 1984 | 1986 | |
Griffith | David Wark | Intolerance | F | 1916 | 1986 | ||
Grillo | Fernando | Arcana | C+ | 21:40 | 1988 | 1996 | |
Grillo | Fernando | Gstüss | MI | 1975 | 1996 | ||
Grillo | Fernando | Itesi | MI | 1972 | 1996 | ||
Grillo | Fernando | Soror mystica | MI | 1978/79 | 1996 | ||
Grippe | Ragnar | Orchestra | C | 1980 | 1982 | ||
Grisey | Gerard | Jour, contre-Jour | C+* | 21:20 | 1978/79/81 | 1992 | |
Grisey | Gerard | Le Noir de l’Etoile | C+ | 62:42 | 1989/90 | 2002 | |
Grisey | Gerard | Prologue | C* | 14:57 | 1976 | 1990 | |
Grisey | Gerard | Talea ou la machine et les herbes folles | MI | 1986 | 1994 | ||
Großkopf | Erhard | Chaos | MI | 15:00 | 1984 | 1992 | |
Großkopf | Erhard | Drei Blätter - Luft-Wasser-Erde | C+ | 1979 | 1983 | ||
Guillamat | Julien | De part et d'autre | C | 2010 | 2010 | ||
Haas | Georg Friedrich | "Einklang freier Wesen für zehn Instrumente" / "... aus freier Lust ... verbunden ..." | MI | 1996 | 2000 | ||
Haas | Georg Friedrich | … Zerstäubungsgewächse | MI | 13:13 | 1989 | 2002 | |
Haim | Philip | Numen | MI | 12:30 | 1990 | ||
Halffter | Cristóbal | Formantes | MI | 1961 | 1985 | ||
Halffter | Cristóbal | Variaciones sobre la resonancia de un grito | C+* | 1977 | 1985 | ||
Hall Lewis | Robert | Combinazione V | MI | 7:57 | 1990 | ||
Haller | Hans Peter | Erinnerung an Venedig – Wege zu Nonos Prometeo | Textbeitrag | 1984 | 2000 | ||
Haller | Hans Peter | Wir sollten studieren den Klang - suchen - probieren | Textbeitrag | 1991 | 1991 | ||
Haller | Hans Peter | Workshop „Elektronische Klangumformung“ | Workshop | 1985 | 1985 | ||
Haller Hertling Kropfinger Lachenmann Richard Rihm Stenzl Sartorius |
Luigi Nono Symposium | Vortrag | 1991 | 1991 | |||
Hanson | Sten | How are you? | C | 2:21 | 1969 | 2002 | |
Hanson | Sten | The glorious desertion | C | 3:10 | 1969 | 1986 | |
Hanson Monastra |
Sten Nino |
a propos Marcel | Bildspeel | 21 | 1980 | 1983 | |
Harrison | Jonty | BEAST @ Inventionen | Textbeitrag | 2000 | 2000 | ||
Harrison | Jonty | BEASTory | C | 8:07 | 2010 | 2010 | |
Harrison | Jonty | CQ | C* | 1989/90 | 1990 | ||
Harrison | Jonty | Klang | C | 9:02 | 1982 | 1985 2002 | |
Harrison | Jonty | Streams | C | 16:11 | 1999 | 2000 2006 | |
Harrison | Lou | Varied Trio | MI | 1986 | 1994 | ||
Hartman | Hanna | Die Schrauben, die die Welt zusammen halten | C | 16:34 | 2001 | 2002 | |
Hartman | Hanna | Measures of Control | C | 8:00:00 | 2008 | 2008 | 2008 |
Hartmann | Karl-Amadeus | Konzert für Klavier, Schlagzeug und Bläser | MI | 1952/53 | 1994 | ||
Hedman | Andreas | Intersektionen | C | 10:34 | 2002 | 2002 | 2002 |
Hedman | Jens | Respirit | C+ | 1992/93 | 1994 | 1994 | |
Hegenbart-Matsui | Boris | ebenen-2000 | C | 2010 | 2010 | ||
Hein | Folkmar | Bemerkungen zu den Inventionen | Textbeitrag | 1985 | 1985 | ||
Hein | Folkmar | Das Festival INVENTIONEN | Textbeitrag | 1998 | 1998 | ||
Hein | Folkmar | Inventionen-Akusmonium | Textbeitrag | 1998 | 1998 | ||
Hein | Folkmar | Klangkunst <-> Inventionen | Textbeitrag | 2008 | 2008 | ||
Hein | Folkmar | Spiel oder Ernst? | Textbeitrag | 2002 | 2002 | ||
Heiniger | Wolfgang | Another Winter of our Discontent | C* | 10:55 | 1990 | 1991 | |
Henderson | Douglas | The 103rd Thing and the 104th Thing | C | 11:35 | 2003-06 | 2008 | |
Hennes | Volker | The Maelstrom Method | C | 7:07 | 2007/08 | 2008 | |
Hennig | Ludger | eisen fern | SA | 2002 | 2002 | ||
Henry | Pierre | Echo d'Orphée | C | 39:58 | 1952/88 | 1996 | |
Henry | Pierre | Labyrinthe! | C | 25 | 2003 | 2008 | |
Henry Vertov |
Pierre Dziga |
L’homme à la caméra | F | 80 | 1929/1993 | 1998 | |
Henze | Hans Werner | 5. Streichquartett | MI | 1977 | 1989 | ||
Henze | Hans Werner | Fragmente einer show | MI | 6:42 | 1971 | 1990 | |
Hespos | Hans Joachim | Ohrenatmer | MI | 21 | 1981 | 1990 | |
Hillborg | Anders | Kamaloka | C | 7:45 | 1982 | 1984 | |
Hindemith | Paul | 6. Streichquartett | MI | 1945 | 1989 | ||
Hindemith | Paul | 7 Triostücke für 3 Trautonien | C* | 9:50 | 1930 | 1990 | |
Hindemith | Paul | Langsames Stück und Rondo | C | 5:24 | 1935 | 1990 | |
Hindmarch | David | Nature Room | C | 11:00 | 2008-09 | 2010 | |
Höller | York | Mythos | C+ | 20:00 | 1979-80 | 1992 | |
Hölszky | Adriana | Karawane: Reflexionen über den Wanderklang | MI | 1989/90 | 1994 | ||
Hoenderdos | Margriet | Ballade op en ballustrade | AV | 1984 | 1986 | ||
Hoenderdos | Margriet | Bande Amorce | C | 8:45 | 1983 | 1985 | |
Holliger | Heinz | Cardiophonie | C* | 11:40 | 1971 | 1991 | |
Hosokawa | Toshio | Sen II | MI | 10:38 | 1986 | 1990 | |
Hoyer | Ralf | Nocturne | C+ | 12:38 | 1989 | ||
Hoyer | Ralf | Sonata | C+* | 15:23 | 1985 | 1989 | |
Huber | Klaus | Von Zeit zu Zeit | MI | 18:58 | 1985 | 1989 | |
Huber | Nicolaus A. | Trio mit Stabpandeira | MI | 15:22 | 1983 | 1992 | |
Huene | Stephan von | Die Zauberflöte - akustische Installation | SA | 7:00 | 1986 | 1986 | |
Huene Tenney |
Stephan von James |
Drum | SA | 1972-1993 | 1994 | ||
Humel | Gerald | Die Folterungen der Beatrice Cenci Konzertfassung des Ballets |
MI | 29:40 | 1971 | 1986 | |
Humel | Gerald | Jeté | MI | 1980/81 | 1985 | ||
Humel | Gerald | Sinfonia avanti il lieto fine | MI | 17:39 | 1989 | 1990 | |
Humel | Gerald | Universe | MI | 50:51 | 1981-87 | 1992 | |
Humpert | Hans Ulrich | Für Ricardo Mandolini | Textbeitrag | 1984 | 1984 | ||
Hurel | Philippe | Fragment de lune | C+* | 19:30 | 1986/90 | 1992 | |
Iges | José | La Ciudad Resonante | P* AV | 45 | 1999 | 2008 | |
Imai | Shintaro | Figure in Aperture | AV* | 2010 | 2010 | 2010 | |
Imai | Shintaro | Motion and Glitch Study | AV* | 16:35 | 2004 | 2004 | 2004 |
Ingenhütt | Martin | Bemerkungen zur Besetzung Ugly Culture | Textbeitrag | 1990 | 1990 | ||
Isaacs | Mark | 3 Scherzi | MI | 5:32 | 1988 | 1990 | |
Ishii | Maki | A-Bi-Ra-Un-Ken op.61b |
MI | 30:00 | 1984 | 1986 | |
Ishijima | Akemi | Urskogen | C | 5:00 | 1991 | 1992 | |
Ives | Charles | String Quartet No. 2 | MI | 24:00 | 1913 | 1989 | |
Jacobs | Ken | Little Stabs at Happiness | F | 1963 | 1986 | ||
Jaffe | David | Silicon valley breakdown | C | 20:00:00 | 1982 | 1983 | |
Jeney | Zoltan | Kalah | F C* | 9:25 | 1988 | 1989 | |
Jeney | Zoltan | Ricercare 8+8 | C* | 10:00 | 1989 | 1990 | |
Jeney | Zoltán | Sostenuto | MI | 19:42 | 1988 | 1989 | |
Jentzsch | Wilfried | Dream of B | C | 15 | 2007 | 2008 | |
Jentzsch | Wilfried | Kyoto Bells | C | 10:46 | 1994 | 1996 | |
Johansson | Pär | The empty Palace | C | 24:04 | 2000 | 2002 | |
Johnson | Bengt Emil | Through the mirror of thirst | C | 6:13 | 1969 | 1986 | |
Johnson | David C. | Of burning a candle | P | 10 | 1985 | 1986 | |
Johnson | Tom | Die Schubladen | P | 15:00 | 1978 | 1986 | |
Johnson | Tom | Eine Oper nach Riemann | P | 40:00 | 1986 | 1986 | |
Johnson | Tom | Galileo | P | 11 | 2000 | 2000 | |
Johnson | Tom | Naranayas Kühe | MI | 12:42 | 1989 | 1990 | |
Johnson | Tom | Wie soll man John Cage aufführen? | Textbeitrag | 1992 | 1992 | ||
Jolivet | André | Incantation | C* | 1990 | |||
Jones | Joe | Confrontations | P* | 26:30 | 1989 | 1990 | |
Jones | Joe | Fluxus Home Movies The Music Store and other Stories |
Ausstellung | 1990 | |||
Jones | Joe | Joe Jones, Music Machines from the sixties until now | Ausstellung | 1960, 1989 | 1990 | ||
Jones | Joe | The Music Store | Ausstellung | 1969-71, 1989 | 1990 | ||
Jones | John Paul | Show-down | C+* | 10:00 | 1984 | 1985 | |
Julius | Rolf | Cello-Stück II | C+* | 11:50 | 2004 | 2004 | |
Julius | Rolf | Konzert für vier leere Flächen (percussion) | P | 1994 | 1994 | ||
Julius | Rolf | Monochrom bewegt | C | 2002 | 2002 | 2002 | |
Julius | Rolf | Wanderung durch eine weite Ebene Musik für eine Landschaft |
SA | 1985 | 1985 | ||
Justel | Elsa | Pieza en Forma de Té | C | 10:50 | 1999 | 2002 | |
Kagel | Mauricio | 2. Streichquartett | MI | 13:44 | 1967 | 1989 | |
Kagel | Mauricio | 4. Streichquartett | MI | 24:35 | 1993 | 1994 | |
Kagel | Mauricio | Antithese | F | 19:00 | 1965 | 1990 | |
Kagel | Mauricio | Aus dem Nachlaß | MI | 11:07 | 1990 | ||
Kagel | Mauricio | Blue's Blue | F | 31:00 | 1981 | 1990 | |
Kagel | Mauricio | Dressur | F | 36 | 1985 | 1990 | |
Kagel | Mauricio | Duo | F | 41 | 1967/68 | 1990 | |
Kagel | Mauricio | Er | F R | 40 | 1984 | 1990 | |
Kagel | Mauricio | Exotica | MI* | 1994 | |||
Kagel | Mauricio | Generalbaß | MI | 7:25 | 1990 | ||
Kagel | Mauricio | Halleluja | F | 47 | 1968 | 1990 | |
Kagel | Mauricio | Kantrimiusik | F | 50 | 1976 | 1990 | |
Kagel | Mauricio | Ludwig van | F | 100 | 1969 | 1990 | |
Kagel | Mauricio | Match | F | 21 | 1966 | 1990 | |
Kagel | Mauricio | Mirum | MI | 13:17 | 1965 | 1990 | |
Kagel | Mauricio | Mitternachtsstück | F | 32 | 1986/87 | 1990 | |
Kagel | Mauricio | MM 51 | F | 10 | 1983 | 1990 | |
Kagel | Mauricio | Pas de cinq | MI | 1965 | 1990 | ||
Kagel | Mauricio | Phonophonie | F | 38 | 1979 | 1990 | |
Kagel | Mauricio | Prima Vista | C+* | 11:00 | 1962/64 | 1986 | |
Kagel | Mauricio | Repertoire | F | 55:00 | 1989/90 | 1990 | |
Kagel | Mauricio | Solo | F | 26 | 1967 | 1990 | |
Kagel | Mauricio | Szenario | F | 15' | 1928/1983 | 1990 | |
Kagel | Mauricio | Transición II | C+ | 1958/59 | 1994 | ||
Kagel | Mauricio | Unter Strom | F | 20 | 1975 | 1990 | |
Kagel | Mauricio | Zwei-Mann-Orchester | F* | 71 | 1973 | 1990 | |
Kalantzis | Ioannis | Parastaseis A B C D | C | 7 | 2003-06 | 2008 | |
Kalitzke | Johannes | Trio infernal | MI | 25:08 | 1985 | 1992 | |
Kang | Sukhi | Aniri II | C+ | 24:12 | 1983 | 1983 | |
Kang | Sukhi | INVENTIO musicae clavichordii et sonorum artificiosorum | C+ | 24:00 | 1984 | 1984 | |
Kang | Sukhi | Klangspuren | F | 12:00 | 1981 | 1982 | |
Kang | Sukhi | Man Pa | C+ | 13:10 | 1981 | 1982 | |
Kang Hein |
Sukhi Folkmar |
Odyssee | C | 1984 | 1985 | ||
Kang Quartucci |
Sukhi Carlo |
Penthesilea Aubade | P | 65:00 | 1986 | 1986 | |
Karkoff | Ingvar | The dogs | C | 9:30 | 1981 | 1983 | |
Karlsson | Erik Mikael | Apostasy | C | 1990 | 1992 | ||
Karlsson | Erik Mikael | Intensities and Interludes | C | 12 | 1998 | 1998 | 1998 |
Katzer | Georg | Aide-memoire | C | 14:30 | 1983 | 1986 | |
Katzer | Georg | Dialog imaginär 3 | C+* | 16:30 | 1990 | 1991 | 1991 |
Katzer | Georg | Dialog imaginär 6 | C+ | 10 | 1997 | 2002 | |
Katzer | Georg | La Mettrie | MI | 1992 | |||
Katzer | Georg | Musica oscura | MI | 11:55 | 1988 | 1992 | |
Katzer | Georg | odd and even | MI | 1994 | 1994 | 1994 | |
Katzer | Georg | Schlagmusik 2 | MI | 14:00 | 1992 | ||
Katzer | Georg | Trio avec Rimbaud | MI | 1992 | |||
Katzer Bauer Rempel |
Georg Johannes Hanno |
ad hoc: Trio für Posaune, Klavier, Computer & Liveel. | C* | 20:00 | 1990 | 1990 | |
Keller Kupke |
Hermann Jürgen |
Ex tempore XI | C+ | 13:32 | 1990 | 1990 | |
Kelsh Bach |
Kathi Johann Sebastian |
Bach Backwards Harmonics |
MI | 6:10 | 1989 | ||
Kessler | Thomas | Drum Control | C* | 22:00 | 1983 | 1986 | |
Kessler | Thomas | # Einführung in seine Technik voices (1. Version) voices (2. Version) |
Vortrag | 1983 | |||
Kessler | Thomas | Kontrabaß-Control | C* | 8:00 | 1990 | 1991 | |
Kessler | Thomas | Violin control | C* | 1978 | 1983 | ||
Kessler | Thomas | Voices | C* | 1983 | 1983 | ||
Kim | Suk Jun | Painting Nahhamu | C | 11:11 | 2010 | 2010 | |
Klebe | Giselher | Römische Elegien | MI | 14:04 | 1952 | 1992 | |
Klement | Katharina | 13 Miniaturen | C+ | 14 | 1993-94 | 1996 | |
Klemke | Gerhard | Streichquartett | MI | 13:25 | 1978-82 | 1992 | |
Knaifel | Alekxander | Cantus. Von der Stille zur Dunkelheit | MI | 1994 | 1994 | 1994 | |
Knaifel | Alexander | Medea — Rußland, 20. Jahrhundert | MI | 1968 | 1994 | ||
Knittel | Krzysztof | Low sounds & Ommandalla | C | 1982 | 1983 | ||
Knittel | Krzysztof | Man Orchestra | C | 1982 | 1983 | ||
Knízák | Milan | Alois Hába (13. Quartetto) - Antonin Dvorák (Quartett e-moll) + Milan Knizák | MI | 6:24 | 1988 | 1989 | |
Knotts | Shelly | For Piano | C | 2010 | 2010 | ||
Köner Reble |
Thomas Jürgen |
Alchemie | F* | 60 | 1998 | 1998 | |
Kontos | Constantino | The Passage | C | 10:48 | 2010 | 2010 | |
Kopitz | Klaus Martin | Mein Leben in der Wüste | C+* | 8:10 | 1986/89 | 1990 | |
Kosk | Patrick | Das Kästchen & Tripitaka | C | 9:47 | 2005 | 2005 | 2005 |
Kosk | Patrick | Der Raum Traum (der Najade) | C | 7:32 | 1992/93 | 1994 | 1994 |
Kosk | Patrick | Distrak - Sillalla | C | 11:37 | 1985/92 | 1992 | |
Kosk | Patrick | Ice Bice | C | 12 | 1998 | 1998 | 1998 |
Kosk | Patrick | Mondweiß | C | 13:24 | 2007/08 | 2008 | |
Kosk | Patrick | Vortrag über sein Werk | Vortrag | 1992 | 1992 | ||
Kosugi | Takehisa | Fly | C | 13 | 1981 | 1986 | |
Kosugi | Takehisa | Klanginstallationen | SA | 1992 | 1992 | ||
Kosugi | Takehisa | Violin - plus - minus | P* | 16:50 | 1989 | ||
Kotonski | Wlodzimierz | Antiphonae | C | 12:18 | 1989 | 1990 | |
Krause | Manfred | Die wissenschaftlichen Grundlagen von Sprache und Musik | Vortrag | 1986 | 1986 | ||
Krause | Manfred | Sprache in den Kompositionen experimenteller Musik des Studios für elektronische Musik an der TU Berlin 1953 - 1975. - Erinnerungen eines Beteiligten | Textbeitrag | 1986 | 1986 | ||
Krauze | Zygmunt | Idyll | C+* | 18 | 1974 | 1984 | |
Krauze | Zygmunt | Sound scape | C+ | 16 | 1975 | 1984 | |
Kropfinger | Klaus | Klangschmiede Prometeo | Textbeitrag | 2000 | |||
Kropfinger | Klaus | Wege - nicht Werke | Textbeitrag | 1991 | 1991 | ||
Krupowicz | Stanislaw | Easter disloyalty of CD | C | 1982 | 1983 | ||
Kubisch | Christina | Nostalgico | C+ | 14:49 | 1999 | 2000 | |
Kubisch | Christina | Tafelmusik 2000 | SA | 7:20 | 1998 | 2000 | 2000 |
Kubo | Mayako | Am Fenster | C* | 13:00 | 1991 | 1991 | |
Kuhn | Hans Peter | undefined landscape 2 | SA | 2008 | 2008 | ||
Kuivila | Ron | Engel in Erdton | SA | 6:44 | 2000 | 2000 | 2000 |
Kuivila | Ron | Impulsive Arcs | P | 6:54 | 2000 | 2000 | |
Kuivila | Ron | Outgoing Message / The Beatification of the Facsimile Tone |
C* | 30 | 2002 | 2002 | |
Kuivila | Ron | Spark Vault | SA | 2002 | 2002 | 2002 | |
Kuivila | Ron | Study (in gray) | C | 12:02 | 2010 | 2010 | |
Kulenty | Hanna | Arcus | MI | 1988 | 1994 | ||
Kunst | Jos | solo identity | MI | 10:00 | 1972 | 1985 | |
Kunze | Tobias | Melodies | C | 25:00 | 1996 | 1996 | |
Kurtag | György | Streichquartett op. 1 | MI | 14:42 | 1959 | 1989 | |
Kurtz | Michael | Aus den sieben Tagen | Textbeitrag | 1994 | |||
Kusnir | Eduardo | Orquideas primaverales | C | 9:35 | 1975 | 1984 | |
Kyburz | Hanspeter | Absolutions errantes au mois de mai | C+* | 24:08 | 1988 | 1989 | |
Lachenmann | Helmut | Allegro Sostenuto | MI | 35:05 | 1986-91 | 1992 | |
Lachenmann | Helmut | Gran torso | MI | 20:32 | 1972 | 1989 | |
Lachenmann | Helmut | Interieur I | MI | 15:40 | 1966 | 1994 | |
Lachenmann | Helmut | Pression | MI | 1969 | 1985 | ||
Lämmert | Eberhard | Aufstand der Geräte. Die Künste im Zeitalter der apparativen Kommunikation | Vortrag | 1998 | 1998 | ||
Lang | Klaus | sei-jaku | MI | 39:56 | 2001 | 2002 | |
Lee | Yun Kyung | TAE | C+* | 1994 | 1994 | 1994 | |
Leeuw | Ton de | Clair obscur | C | 17:00 | 1982 | 1985 | |
Leeuw | Ton de | Midare | MI | 7:00 | 1972 | 1985 | |
Leeuw | Ton de | Mountains | C+ | 18:00 | 1977 | 1985 | |
Leeuw | Ton de | Syntaxis | C | 18:00 | 1965/66 | 1985 | |
Leeuw | Ton de | The magic of Music | C+ | 6:00 | 1977 | 1985 | |
Leitner | Bernhard | HörSaal | SA | 27:00 | 2010 | 2010 | |
Leitner | Bernhard | sound : space | Vortrag | 1968-2008 | 2008 | ||
Leitner | Bernhard | Ton-Raum TU Berlin | SA | 1984 | 2002 2008 2010 | ||
Leitner | Bernhard | Ton-Raum-Variationen | SA | 1984 | 1984 | ||
Lejeune | Jacques | Clamor meus veniat | C | 1994 | 1996 | ||
Lejeune | Jacques | Symphonie Romantique | C | 1983 | 1984 | ||
Leukert | Bernd | ANMERKUNGEN ZU WERK UND PERSON Heiner Goebbels |
Textbeitrag | 1991 | |||
Lévinas | Michaël | Appels | C* | 14:38 | 1990 | ||
Lévy | Fabien | Gérard Grisey, eine neue Grammatologie aus dem Phänomen des Klangs | Textbeitrag | 2002 | 2002 | ||
Lévy | Fabien | Soliloque pour Francesco, Emanuele, Agostino et Nicola. Selbstgespräch eines Computers über ein von ihm missverstandenes Konzert |
C* | 15:45 | 2002 | 2002 | 2002 |
Lévy | Fabien | Soliloque pour Ludger, Jean François, James, Tonino, Daniel, Laura, Rolf et Allain. Selbstgespräch eines Computers über ein von ihm missverstandenes Konzert |
C* | 15:45 | 2002 | 2002 | 2002 |
Lewis | Andrew | Ascent | C | 10 | 1994 | 2000 | |
Lewis | Andrew | Cable Bay | C | 10:00 | 1999, 2008 | 2010 | |
Ligeti | Györgi | Poeme symphonique | MI | 1992 | |||
Ligeti | György | 1. Streichquartett | MI | 22:00 | 1954 | 1989 | |
Ligeti | György | Streichquartett No. 2 | MI | 17:15 | 1968 | 1989 | |
Liljekvist | Jan | Global Bliss | C | 5:47 | 2002 | 2002 | |
Lillios | Elainie | Arturo | C | 12 | 1998 | 2000 | |
Lillios | Elainie | Dreams in the Desert | C | 10:48 | 2001 | 2010 | |
Lindberg | Magnus | Joy | C* | 28:25 | 1989/90 | 1992 | |
Lindström | Mats | Für die Jugend der Welt | C* | 2002 | 2002 | ||
Lindström | Mats | Grindslanten | Bildspeel | 1:52 | 1998 | 2002 | |
Litwinski | Mieczystlaw | Bios | C | 1981 | 1983 | ||
Loevendie | Theo | Timbo | MI | 3:40 | 1974 | 1994 | |
Logothetis | Anestis | Daidalia, Oper in 7 Bildern | P*+ | 70 | 1980 | 1982 | |
Lookofsky Chattopadhyay Rosenberg Bernstorff Conrad |
Der Geiger Lookofsky Die Violine in Indien Der Frosch Lost Woman of the Violin Early Minimalism: Werke für Solo-Violine mit Streichern |
Textbeitrag | 1989 | 1989 | |||
López-Lezcano | Fernando | ECMCT-Workshop, Diskussion, Aufführungen | Workshop | 2008 | 2008 | ||
López-Lezcano | Fernando | iICEsCcRrEeAaMm | C | 1999/2004/08 | 2008 | ||
Losa | Diego | Crónicas del tiempo | C | 17 | 2004 | 2005 2008 | |
Losonczy | Andor | Tuba Mirum | MI | 8:50 | 1991 | 1992 | |
Lotis | Theodoros | Sibylla’s Voice | C | 15:10 | 2001 | 2002 | |
Loubet | Emmanuelle | Zur Groupe de recherches musicales | Textbeitrag | 1984 | 1984 | ||
Louvier | Alain | Raga | C* | 1990 | |||
Lucier | Alvin | Amplifier and Reflector I | C* | 13:00 | 1991 | 1991 | |
Lucier | Alvin | I am sitting in a room | C* | 56:00 | 1970/86 | 1986 | |
Lucier | Alvin | Klangskulpturen | Ausstellung | 1991 | 1991 | ||
Lucier | Alvin | Music for piano with amplivied sonorous Vessels | C* | 1991 | 1991 | ||
Lucier | Alvin | Music for Solo Performer | C* | 7:00 | 1965 | 1991 | |
Lucier | Alvin | Nothing is Real | C* | 22:00 | 1991 | 1991 | |
Lucier | Alvin | On the Carpet of Leaves illuminated by the Moon | C* | 12:14 | 2000 | 2000 | 2000 |
Lucier | Alvin | The Queen of the South | AV* | 1972 | 2004 | ||
Lumsdaine | David | Bagatelles | MI | 1987 | 1990 | ||
Lundén | Peter | Big Bang on Wispering Water | C | 13:31 | 1995 | 1996 | |
Lupone | Michelangelo | Incanto | C* | 30:13 | 1988 | 1990 | |
Lupone | Michelangelo | Mira | C* | 11:42 | 1985 | 1990 | |
Lupone Bianchini Lucchino |
Michelangelo Laura Gianfranco |
Planofoni | SA | 2000 | 2000 | ||
Lupone Pernaselci |
Michelangelo Guglielmo |
Workshop | Workshop | 1990 | |||
Lutoslawski | Witold | Konzert für Klarinette, Harfe und Streicher | MI | 19:18 | 1973/80 | 1990 | |
Lutoslawski | Witold | Mini Overture | MI | 3:13 | 1982 | 1990 | |
Lutoslawski | Witold | Streichquartett | MI | 24:10 | 1964 | 1989 | |
MacDonald | Alistair | Dreel | C | 10:47 | 1996 | 2010 | |
Machajdìk | Peter | Intime Musik | P+* | 50:00 | 1993/94 | 1994 | |
Mache | François-Bernard | Khnoum | C* | 16:50 | 1990 | 1991 | |
Mâche | François-Bernard | Marae | C* | 1974 | 1984 | ||
Machlitt | Manfred | Das Studio für elektroakustische Musik der Akademie der Künste der DDR | Textbeitrag | 1989 | 1990 | ||
Maderna | Bruno | Musica su due dimensioni | C+ | 1952/63 | 1990 | ||
Mahtani | Annie | Cricrió | C | 9:59 | 2010 | 2010 | |
Maida | Clara | Doppelklänger | C* | 13:39 | 2008 | 2008 | 2008 |
Maida Fischer |
Clara Christine |
DAAD-Komponistengespräch Maida | Komponistengespräch | 2008 | 2008 | ||
Maierhof | Michael | splitting 22 | AV+ | 2003/04 | 2004 | ||
Maiguashca | Mesias | Vorwort zu Solaris | C+ | 19:47 | 1989 | 1990 | |
Makino | Yutaka | Ephemera | C | 10:10 | 2008 | 2008 | |
Makino | Yutaka | Pulsar | SA* | 2010 | 2010 | 2010 | |
Makino | Yutaka | Systema | C | 2010 | 2010 | ||
Malec | Ivo | Triola | C | 1978 | 1984 | ||
Malec | Ivo | Week-End | C+* | 1983 | 1984 2008 | ||
Mandolini | Ricardo | Andromeda | C+ | 12:00 | 1983 | 1984 | |
Mandolini | Ricardo | Cancion de madera y agua | C | 8:24 | 1981 | 1983 | |
Mandolini | Ricardo | Charly | C | 1984 | 1985 | ||
Mandolini | Ricardo | Circulos fosforescentes en fondo negro | C | 8:36 | 1982 | 1983 | |
Mandolini | Ricardo | De mi huian los pajaros | C | 1983 | 1985 | ||
Mandolini | Ricardo | El cuaderno del Alquimista | C | 9:24 | 1979 | 1983 | |
Mandolini | Ricardo | El Juego de marionetas | C | 9:20 | 1979-80 | 1983 | |
Mandolini | Ricardo | Estallido breve I | C | 8:35 | 1980 | 1983 | |
Mandolini | Ricardo | Fabulas | C | 9:35 | 1979 | 1983 | |
Mandolini | Ricardo | Fabulas, 2. Teil | C | 10:23 | 1980 | 1983 | |
Mandolini | Ricardo | Poema reiterado | C | 1983 | 1984 1986 | ||
Mandolini | Ricardo | Presentimiento | C | 9:25 | 1982 | 1983 | |
Mandolini | Ricardo | Vox veterrima | C+ | 19:00 | 1988/90 | 1991 | |
Mandolini | Ricardo | Vox veterrima | C+* | 16:08 | 1988 | 2005 | |
Marclay | Christian | Ausstellung | Ausstellung | 1994 | 1994 | 1994 | |
Maros | Miklos | Picchiettato per strumenti a percussione | MI | 1987 | 1994 | ||
Martirano | Salvatore | Phleu | C+* | 7:05 | 1988 | 1990 | |
Martuscielo | Elio | A@TRAVERSO.IT | C | 8:36 | 1998 | 2000 | |
Mason | Benedict | String Quartet No. 2 | MI | 20:27 | 1993 | 1994 | |
Matsushita | Isao | Ao-No-Haikei | MI | 22:00 | 1986 | 1986 | |
McCurdy | Iain | Molten Liquid | C | 9 | 2006 | 2006 | |
McCurdy Climent Mahinney |
Iain Ricardo Simon |
The Pope’s Piano | C* | 2006 | 2006 | ||
McKinnon | Dugal | Horizont im Ohr | C | 10 | 1998 | 2000 | |
McNabb | Michael | Love in the asylum | C | 1981 | 1983 | ||
Mefano | Paul | Involutive | MI | 4:14 | 1958 | 1990 | |
Mello | Chico | Tem um copo de veneno | C* | 15:08 | 1992 | 1992 | 1992 |
Messiaen | Olivier | Fête des belles eaux | C* | 1990 | |||
Messiaen | Olivier | Livre du Saint Sacrement | MI | 1984 | 2008 | ||
Messiaen | Olivier | Méditations sur le Mystère de la Saint Trinité | MI | 21:20 | 1969 | 1986 | |
Messiaen | Olivier | Quatre études de rythme | MI | 16:44 | 1949 | 1986 | |
Messiaen | Olivier | Visions de l’Amen | MI | 47 | 1943 | 2008 | |
Mestral | Charles de | Panchromatic Souvenirs | C | 1984 | 1984 | ||
Miereanu | Costin | Ricochets | C* | 9:09 | 1990 | ||
Milhaud | Darius | Suite | C* | 1990 | |||
Minard | Robin | 4 Räume | C | 15 | 1998 | 1998 | 1998 |
Minard | Robin | Das Buch der Räume | C | 36:21 | 2004 | 2005 | |
Minard | Robin | Expansion | C+ | 13:00 | 1994 | 1994 | |
Minard | Robin | Ré | C+ | 1991 | 1991 | ||
Minard | Robin | SoundBIts | SA | 2001-02 | 2002 | 2002 | |
Minciacchi | Diego | Mentre noi corravam la morte gora | C | 9:44 | 1998 | 2000 | |
Mion | Philippe | Confidences | C | 1995 | 1996 | ||
Mion | Philippe | Trois esquisses ouvertes | C | 1982 | 1984 | ||
Mittendorf | Hans | Gesang der Winde | C | 8:30 | 1994 | 1996 | |
Mitterer | Wolfgang | Labyrinth 4 | AV* | 27 | 2006 | 2006 | |
Mitterer | Wolfgang | Mixture | C+ | 1996 | 1996 | 1996 | |
Mitterer | Wolfgang | string quartet 1.3 | MI | 20 | 2004 | 2004 | 2004 |
Mitterer | Wolfgang | string quartet 1.3 mit Live-Elektronik und Licht | C* | 40 | 2004 | 2004 | 2004 |
Mitterer | Wolfgang | uluru | C+* | 30 | 1998 | 1998 | 1998 |
Mitterer | Wolfgang | zeit vergeht | SA+ | 29:21 | 2000 | 2000 | 2000 |
Mitterer Ericsson |
Wolfgang Hans-Ola |
Hommage à Bonbonidodonido "for Arion …" Hommage à Richard P. Scott |
C+* | 1996 | 1996 | ||
Mitterer Ericsson |
Wolfgang Hans-Ola |
Lied | C+* | 1996 | 1996 | ||
Mixner | Manfred | Bewusstseinsklänge oder Der Ort des Radios | Vortrag | 1998 | 1998 | ||
Modler Studenten der HfG |
Paul | sOUNDsPHERE - hOERkUGEL | SA* | 2008 | 2008 | ||
Monahan | Gordon | Etheric Theremin Harmonic | SA | 2002 | 2002 | 2002 | |
Monahan | Gordon | Sound And The Machines That Make Them | P | 1994 | 1994 | ||
Monahan | Gordon | This Piano Thing | C* | 15:08 | 1989 | 1992 | |
Monahan | Gordon | When it Rains | SA | 2002 | 2002 | ||
Monk Feldman | Barbara | Verses for Metal, Wood and Drums | MI | 6:10 | 1994 | 1994 | |
Monolake | Mille Tableaux | P | 1998 | 1998 | 1998 | ||
Montague | Stephen | Paramell IV | C+ | 16:00 | 1981 | 1985 | |
Moore | Adrian | ...And By His Suggestion... | C | 1993 | 1994 | ||
Moore | Adrian | Ethereality | C | 14:55 | 2000 | 2000 | 2000 |
Morrow | Charlie | Midnight chant | P | 15:00 | 1986 | ||
Morthenson | Jan W. | Diaphonia | C+ | 8:30 | 1983 | 1984 | |
Moser | Michael | Resonant Cuts | SA | 2008 | 2008 | ||
Moser | Michael | Resonant Cuts | P | 2008 | 2008 | ||
Moss | David | Music By, For, and Against John Cage | P C* | 41:40 | 1992 | 1992 | |
Motte-Haber | Helga de la | 50 Jahre Musique concrète | Textbeitrag | 1998 | 1998 | ||
Motte-Haber | Helga de la | Tongemische und Raumwirkungen in der Klaviermusik des frühen 20. Jahrhunderts | Textbeitrag | 2008 | 2008 | ||
Motte-Haber | Helga de la | Was ist neu an der Musique concrète? | Textbeitrag | 1998 | 1998 | ||
Motte-Haber | Helga de la | Zwei Arbeiten von Martin Riches und Tom Johnson | Textbeitrag | 2000 | 2000 | ||
Motz | Wolfgang | …und lächelnd ihr Übel umarmen | C | 5:35 | 1990 | 1990 | |
Motz | Wolfgang | Vortrag über sein Werk | Vortrag | 1990 | 1990 | ||
Mucillo | Luis Maria | Au de lú des portes d´ivoire | C | 14:35 | 1984 | 1986 | |
Mundry | Isabel | o. T. | C+ | 14:00 | 1986 | 1986 | |
Mundry | Isabel | rue narcisse | C+* | 14:57 | 1988 | 1989 | |
Murail | Tristan | Les 13 couleurs du soleil couchant | C* | 20:52 | 1978 | 1990 | |
Murphy | Pippa | Caspian Retreat | C | 10:28 | 2003 | 2010 | |
Murphy | Pippa | Serpentina | C | 7:50 | 1999 | 2000 | |
Mutschler | Florian | ein aleatorischer Spaziergang durch die Stadt | SA | 1996 | 1996 | ||
Namtchylak | Sainkho | Roots and Vibrations | MI | 1994 | 1994 | ||
Nancarrow | Conlon | String Quartet No. 3 | MI | 12:50 | 1987 | 1989 | |
Neuwirth | Olga | Metal / Pallas | C | 8 | 1996 | 1996 | |
Neuwirth | Olga | Pallas / Construction | C* | 27:30 | 1996 | 2000 | |
Neuwirth | Olga | Permin III | C* | 9:53 | 2000 | 2000 | |
Nilsson | Anders | Elegische Fragmente | C+ | 12:00 | 1991 | 1992 | |
Nilsson | Bo | Bass | C* | 11:46 | 1977 | 1992 | |
Nilsson | Ivo | deaf-mute | C+ | 10:17 | 1997 | 2002 | |
Nono | Luigi | Canciones a Guiomar | MI | 11:00 | 1962/63 | 1991 | |
Nono | Luigi | Con Luigi Dallapiccola | C* | 13:30 | 1979 | 1991 | |
Nono | Luigi | Das atmende Klarsein | C* | 1980/81 | 1990 | ||
Nono | Luigi | Der rote Mantel | MI | 2000 | |||
Nono | Luigi | Epitaph auf Federico García Lorca 1 - España en el corazón | MI | 15:00 | 1952 | 1991 | |
Nono | Luigi | Fragmente - Stille, An Diotima | MI | 35:48 | 1980 | 1989 | |
Nono | Luigi | Guai ai gelidi mostri | C* | 33:00 | 1983 | 1991 | |
Nono | Luigi | Ha venido, Canciones para Silvia | MI | 7:00 | 1960 | 1991 | |
Nono | Luigi | La fabbrica illuminata | C+ | 16:45 | 1964 | 1986 1991 | |
Nono | Luigi | Omaggio a Emilio Vedova | C | 4:54 | 1960 | 1991 | |
Nono | Luigi | Polifonica - Monodia - Ritmica | MI | 11:00 | 1951 | 1986 1991 | |
Nono | Luigi | Post-Prae-Ludium per Donau | C* | 13:38 | 1987 | 2002 | |
Nono | Luigi | Prometeo - Tragedia dell'ascolto | C+* | 133 | 1981-85 | 2000 | |
Nono | Luigi | Quando stanno morendo, Diario polacco 2 | C* | 40:00 | 1983 1991 | ||
Nono | Luigi | Quando stanno morendo, Diario Polacco Nr. 2 | C* | 39:00 | 1982 | 1983 1991 | |
Nono | Luigi | Risonanze erranti - a Massimo Cacciari | C* | 37:00 | 1985/87 | 1991 | |
Nono | Luigi | Sarà dolce tacere | MI | 7:20 | 1960 | 1991 | |
Nono | Luigi | Skizen und Partituren | Ausstellung | 1991 | 1991 | ||
Nono | Luigi | …sofferte onde serene… | C+ | 14:00 | 1976 | 1986 1991 | |
Nono | Luigi | Tre Voci B | C* | 1984/85 | 1990 | ||
Nono Haller |
Luigi Hans Peter |
# Einführungsvortrag mit Beispielen zu Diario Polacco Nr. 2 | Vortrag | 1983 | 1983 | ||
Nono Haller Patkowski |
Luigi Hans Peter Jozef |
# Workshop I für Schulklassen, über Diarion pollaco 2 | Workshop | 1983 | 1983 | ||
Normandeau | Robert | Éden | C | 16:21 | 2003 | 2006 | |
Normandeau | Robert | StrinGDberg | C | 18:20 | 2001-03 | 2005 | |
Normandeau | Robert | StrinGDberg | C | 18:20 | 2001-03 | 2006 | |
Normandeau | Robert | Tangram | C | 27:05 | 1992/93 | 2006 | |
Normandeau | Robert | Vortrag zu „deep-listening“ | Vortrag | 2006 | 2006 | ||
Nova | Jacqueline | Creación de la tierra | C | 19:00 | 1972 | 1984 | |
Nyström | Erik | Multiverse | C | 11:07 | 2008 | 2008 | |
O’Riain | Damian | Sekher’s Clock | C | 6 | 2006 | 2006 | |
Obst | Michael | Metal drop music | C | 1981 | 1984 | ||
Obst | Michael | Nachtstücke | C* | 29:30 | 1990 | 1991 | |
Obst | Michael | Visioni di Medea | C | 1983 | 1984 | ||
Olbrisch | Franz Martin | Ein Quadratmeter Schwärze | MI | 1999 | 2002 | ||
Olbrisch | Franz Martin | studi and speaker | C | 11:39 | 1996 | 1996 | 1996 |
Olbrisch | Franz Martin | Viele Menschen suchen den Ochsen, doch Wenige haben ihn je gesehen | P*+ | 81:00 | 1992 | 1992 | 1992 |
Olbrisch Haasler Hampel Lauber Lembke Mentrup Pilz Rutz Wankmüller Baumeister Osono Wang |
Franz Martin Gerrit Michael Ben Sven-Armin Marian Lorenz Hanns-Holger Jörg Roswitha Yaeko Yueyang |
I got involved in something I realize … | SA | 2002 | 2002 | 2002 | |
Olbrisch Poppe Herrmann |
Franz Martin Enno Arnulf |
Études aux roulements | C+ | 1998 | 1998 | 1998 | |
Oliveros | Pauline | Ear Rings: Inventionen 2000 | MI | 45 | 2000 | 2000 | |
Oliveros | Pauline | Red Shifts | C* | 16:10 | 2000 | 2000 | |
Oliveros | Pauline | The Wheel of Time | C+ | 29:00 | 1989 | ||
Ollertz | Ralf R. | Cral'une | C | 4:47 | 1995 | 1996 | |
Ollertz | Ralf R. | Pyrócua | C | 6 | 1995 | 1996 | |
Omura | Tetsuya | Ferne | C | 1983 | 1984 | ||
Ore | Cecilie | Im - Mobile | C AV | 9:00 | 1984 | 1985 1986 | |
Orellana | Joaquin | Humanofonia | C | 11:35 | 1971 | 1984 | |
Ortiz | Gabriella | Magna Sin | C+ | 1992 | 1994 | ||
Ortiz | William | Composición electronica | C | 4:40 | 1978 | 1984 | |
Orts | Jose Antonio | Territorio Estelado | SA | 2002 | 2002 | 2002 | |
Orts | José Antonio | Boreal | P | 26:13 | 2000 | 2000 | |
Orts | José Antonio | Composición infinita | SA | 5:44 | 2000 | 2000 | 2000 |
Osborn | Ed | Language Master - the early years | P | 15:38 | 1998 | 2000 | |
Osborn | Ed | Recoil | SA | 4:23 | 1999 | 2000 | 2000 |
Osborn | Ed | Wandering Eye Studies | AV | 47:09 | 2006 | 2008 | |
Osborn Föllmer |
Ed Golo |
Komponistengespräch Osborn | Komponistengespräch | 2000 | |||
Ospald | Klaus | schöne welt, schöne welt | MI | 2000 | |||
Oswald | John | Burroughs Tapes | C | 1983 | 1986 | ||
Otte | Hans | Raum | C | 59:10 | 1993/94 | 1994 | 1994 |
Otte | Hans | text für einen Schlagzeuger | MI | 7:00 | 1972/85 | 1986 | |
Otte | Hans | text für einen Flötisten | MI | 7:00 | 1972 | 1986 | |
Pablo | Luis de | reciproco | MI | 7:00 | 1963 | 1986 | |
Paci Dalò | Roberto | Auroras | P | 81:15 | 1994 | 1994 | 1994 |
Paik | Nam June | Streichquartett | MI | 1988 | 1989 | ||
Pappalardo | Emanuele | Audi Filia | C+ | 10 | 1996 | 2000 | |
Parampara | Shishya | Klassische Musik aus Nordindien | P* | 79:00 | 1989 | ||
Paraskevaidis | Graciela | Huauqui | C | 11:05 | 1975 | 1984 | |
Paredes | Hilda | Uy U T'an | MI | 1998 | 2002 | ||
Parmegiani | Bernard | Au gré du souffle...le son s’envole | C | 20 | 2006 | 2008 | |
Parmegiani | Bernard | Dedans - Dehors | C | 1976 | 1984 | ||
Parmegiani | Bernard | Du pop à l'ane | C | 1968 | 1984 | ||
Parmegiani | Bernard | Outremer | C* | 1990 | |||
Parmegiani | Bernard | Stries | C | 1980 | 1984 | ||
Parmegiani | Bernard | Trilogie Plain-temps | C | 22:32 | 1992 | 1996 | |
Parmegiani Kamler |
Bernard Piotr |
Le Labyrinthe | F | 12 | 1970 | 1998 | |
Parmerud | Åke | Dreaming in Darkness | C | 11:30 | 2005/08 | 2008 | 2008 |
Parmerud | Åke | Epilog | Bildspeel | 1981 | 1983 | ||
Parmerud | Åke | Les Flûtes en feu | C | 10:22 | 1999 | 2002 | |
Parmerud | Åke | Les objets obscure | C | 1991 | 1992 | ||
Parmerud | Åke | Out of sight | C | 10:55 | 1981 | 1982 | |
Parmerud | Åke | Renaissance | C | 1995 | 1996 | ||
Parmerud | Åke | Stringquartett | C | 1988 | 1989 | ||
Parmerud | Åke | Yan | C+ | 14:10 | 1984 | 1992 | |
Parmerud Blomqvist |
Åke Anders |
Tangent | P* | 11:00 | 1992 | 1992 | |
Parmerud Blomqvist |
Åke Anders |
Trio | P* | 11:00 | 1992 | 1992 | |
Parmerud Blomqvist Kroumata-Ensemble |
Åke Anders |
Team | C* | 11:00 | 1992 | 1992 | |
Paul | Anup Kumar | Eigenfrequency | C | 6:16 | 2010 | 2010 | |
Paul | Anup Kumar | Eigenfrequency | C | 6:16 | 2010 | 2010 | |
Pecquet | Frank | A Little Beat | MI | 11:50 | 1987 | 1989 | |
Peixinho | Jorge | Passage intérieur | C* | 15:22 | 1989 | 1990 | |
Penderecki | Krzystof | Der unterbrochene Gedanke | MI | 1976 | 1989 | ||
Penderecki | Krzystof | Quartetto per archi no. 2 | MI | 28:12 | 1968 | 1989 | |
Pernaiachi | Gianfranco | Realgar II | C+ | 5:40 | 1989 | 1990 | |
Pfrengle | Roland | AASP | C* | 16:00 | 1984 | 1984 | |
Pfrengle | Roland | Coming up | C+ | 16:00 | 1991 | 1992 | |
Pfrengle | Roland | Klaviermusik | C+ | 660 | 1985 | 1985 | |
Pfrengle | Roland | Solo | C* | 14:00 | 1981 | 1984 | |
Pfrengle | Roland | Vom Fallen | C+* | 35:00 | 1981 | 1982 | |
Pfrengle Blum |
Roland Eberhard |
Felder I | C+* | 1980 | 1983 | ||
Pfrengle Blum Riches |
Roland Eberhard Martin |
Triptychon | C+* | 1981/82 | 1983 | ||
Pignon | Paul | Bildspel und Fylkingen | Textbeitrag | 2002 | 2002 | ||
Platz | Robert HP | from fear of thunder, dreams … | C+ | 13:00 | 1987/88 | 1992 | |
Plompen | Peter | Naira | C | 7:30 | 1983 | 1985 | |
Podewils | Ulrich | 20 Jahre Inventionen | Textbeitrag | 2002 | 2002 | ||
Portella | Patrick | Le voyage d'Hiver | C+ | 20:08 | 1990 | 1992 | |
Pousseur | Henri | Gamelag celtibère aus Voix et Vues planétaires | AV | 20 | 2003/04 | 2008 | |
Prinzler | Hannah Leonie | _['d∧zn] | SA | 2002 | 2002 | ||
Prior | David | Love and Death | C | 13:14 | 2000 | 2000 | 2000 |
Racot | Gilles | Chronomorphoses | C | 23:50 | 2002/03 | 2005 | |
Racot | Gilles | Diffluences | C+ | 22:39 | 1995 | 1996 | |
Radulescu | Horatiu | Streichquartett Nr. 4 op. 33 | C+* | 48:39 | 1987 | 1989 | |
Raecke | Hans-Karsten | Biotron | MI C C+* | 8:30 | 1980 | 1985 | |
Raecke | Hans-Karsten | Luft - Druck - Zonen | MI C C+* | 7 | 1982 | 1985 | |
Raecke | Hans-Karsten | Protonenaufgalopp | MI C C+* | 12 | 1984 | 1985 | |
Raecke | Hans-Karsten | So ...? ein Warnlied | MI C C+* | 7 | 1981 | 1985 | |
Raecke | Hans-Karsten | Technische Landschaft | MI C C+* | 11 | 1976 | 1985 | |
Raecke | Hans-Karsten | Wassermusik | MI C C+* | 5 | 1979 | 1985 | |
Raecke | Hans-Karsten | Zentrum | MI | 15 | 1983 | 1985 | |
Raecke | Hans-Karsten | Zu den Quellen | MI C C+* | 12 | 1984 | 1985 | |
Raecke Ranta |
Hans-Karsten Michael |
Improvisation | MI C C+* | 1985 | |||
Ranta | Michael | Dimmer Piece | P | 45 | 1974 | 1985 | |
Ranta | Michael | Mu 2 | MI C C+* | 25 | 1984 | 1985 | |
Reibel | Guy | Suite pour Edgar Poe | C | 1972 | 1984 | ||
Reich | Steve | Come out | C | 1992 | |||
Reich | Steve | Drumming | MI | 85:00 | 1971 | 1994 | |
Reimann | Aribert | Rondes | MI | 13:56 | 1967/69 | 1990 | |
Reith | Dirk | nested loops 1 | C | 12:00 | 1982 | 1984 | |
Reith | Dirk | Nested loops 3 | C+ | 3:40 | 1984 | 1985 | |
Reith | Dirk | Programm 2 | C+ | 12:00 | 1977 | 1984 | |
Renaud | François | Reflets II | MI | 10:37 | 1990 | ||
Renouard Larivière | Régis | Errance essorante | C | 20 | 2004 | 2005 | |
Renouard Larivière | Régis | Futaie | C | 14:03 | 1996 | 1996 | |
Reynolds | Roger | …the serpent - snapping eye … | C+ | 1978-79 | 1983 | ||
Richard | André | Luigi Nono und das Experimentalstudio | Textbeitrag | 1999 | 2000 | ||
Riches | Martin | Linear Percussion | SA | 1994 | 1994 | 1994 | |
Riches | Martin | Percussion Piece No. 1 | SA | 1985 | 1985 | ||
Riches | Martin | Piece for Four Radios | SA | 1983 | 1985 | ||
Riches | Martin | Sound Machine | C* | 1985 | |||
Riches Johnson |
Martin Tom |
24 Piece Percussion Installation Do it yourself |
SA | 2000 | 2000 | ||
Riches Johnson |
Martin Tom |
Linear Percussion (Eight Pieces von Tom Johnson) | SA | 1994 | 1994 | ||
Ridder | Willem de | Walkman-Quartett, für Publikum Nr.6 | P | 1986 | 1986 | ||
Ridder Curran Ridder |
Willem de Alvin Cora de |
Walkman Berlin 1986, ein Radio-Art-Spaziergang | SA | 1986 | 1986 | ||
Riede | Bernd | LUIGI NONOS KOMPOSITION LA FABBRICA ILLUMINATA (DIE ERLEUCHTETE FABRIK) FÜR SOPRAN UND VIERSPURIGES TONBAND | Textbeitrag | 1991 | |||
Riedl | Josef Anton | epiphyt II zeichnen - klatschen / zeichnen - zeichnen lautgedichtfolge klangsynchronie II für trommeln - für sprechen |
MI P+* | 39:00 | 1977 | 1986 | |
Riedl | Josef Anton | für trommeln - für sprechen | MI | 1984 | 1986 | ||
Riedl | Josef Anton | klangsynchronie II | C | 1965 | 1986 | ||
Riedl | Josef Anton | lautgedichtfolge b | MI | 1982 | 1986 | ||
Riedl | Josef Anton | zeichnen-klatschen / zeichnen-zeichnen | MI | 1985 | 1986 | ||
Rihm | Wolfgang | Anhang Zwischenblick: Selbsthenker | MI | 14:50 | 1984 | 1989 | |
Rihm | Wolfgang | Styx und Lethe | MI | 2000 | |||
Riley | Terry | Keyboard - Studies | C* | 10:54 | 1964 | 1989 | |
Risset | Jean Claude | Sud | C | 24 | 1985 | 2008 | |
Risset | Jean-Claude | Huit esquisses en duo pour un pianiste | C* | 19:06 | 1989 | 1992 | |
Risset | Jean-Claude | Resonant Soundscapes | C | 14:30 | 2002/04 | 2005 | |
Ritz | John | In the Very Eye of Night | C | 8:50 | 2004 | 2008 | |
Robert | Jocelyn | Resident of Unit D | AV* | 15 | 2006 | 2006 | |
Röbel | Axel | Die Schätzung der spektralen Hüllkurve und ihre Anwendung zur Klangmanipulation | Vortrag | 2006 | 2006 | ||
Röbel | Axel | Synthese konkreter Klänge mit Hilfe dynamischer Modelle von Klangattraktoren | Vortrag | 1998 | 1998 | ||
Röder | Klaus | Cloches imaginaires | C | 1983 | 1985 | ||
Röder | Klaus | Potpourri | C | 1985 | 1985 | ||
Röder | Klaus | Spiegelungen | C+ | 54:46 | 1988 | 1989 | |
Ronchetti | Lucia | Come un acciar che non ha macchia alcuna | C+ | 8:52 | 2005 | 2005 | 2005 |
Ronchetti | Lucia | Interlude 1 und 2 | C | 10:52 | 2008/09 | 2010 | |
Rose | Griffith | Cinq Chemins | MI | 13:53 | 1990 | ||
Rose | Jon | Line of Sight | C* | 26:30 | 1989 | ||
Rose | Jon | The Relative Violin II | P* | 20:37 | 1989 | ||
Rose Lewis |
Jon George |
Techno Crunch | C* | 4:20 | 1989 | ||
Rose Osterwold Braha |
Jon Matthias Livio von |
The Relative Violin | Textbeitrag | 1989 | 1989 | ||
Rózmann | Ákos | Orgelstycke nr. VI | C | 1992 | |||
Rubbert | Rainer | …des lignes raides fuient dans la nuit | MI | 15:22 | 1987 | 1992 | |
Rudnik | Eugeniusz | Steine-Epitaph | C | 1984 | 1985 | ||
Rüfer | Rüdiger | Glück, Lust, Torheit | C | 5:33 | 1968 | 1986 | |
Rühm | Gerhard | Erinnerung und Gegenwart | P | 10:00 | 1979-1984 | 1986 | |
Rühm | Gerhard | Kitzel zwischen Käse und Kuchen - eine Völlerei (Sprecher & 20 Sektgläser) | P | 10:00 | 1979-1984 | 1986 | |
Rühm | Gerhard | Kleine Geschichte der Zivilisation | P | 1979 | 1986 | ||
Rühm | Gerhard | Melodramen vom deutschen Wald mit einem Abgesang nach R. Schumann | P | 10:00 | 1979-1984 | 1986 | |
Rühm | Gerhard | musik als sprache und bildschrift grenzbereiche meiner künstlerischen arbeit |
Textbeitrag | 1986 | |||
Rühm | Gerhard | Pornophonie (Tondichtung für Klavier) | P | 10:00 | 1979-1984 | 1986 | |
Ruschkowski | André | Autologous | C | 11:25 | 1991 | 1992 | |
Ruschkowski | André | Das Phantom lebt | Vortrag | 1998 | 1998 | ||
Ruschkowski | André | Succubus-Quartett | C | 20:27 | 1994 | 1996 | |
Ruttmann | Walter | Weekend | C | 10:50 | 1930 | 2008 | |
Rydberg | Bo | Achtzehn Flaschen | C+* | 6:08 | 1992 | 2002 | |
Rzewski | Frederic | Force | MI | 1985 | 1990 | ||
Rzewski | Frederic | Lost and found | MI | 1985 | 1990 | ||
Rzewski | Frederic | Whangdoodles | MI | 1990 | 1994 | ||
Saariaho | Kaija | Aer | C* | 17:46 | 1991 | 1992 | |
Saario | Antti | Nausea | C | 16:51 | 1999 | 2000 | |
Sala | Oskar | Fantasie - Suite in 3 Sätzen | C* | ≈ 20:00 | 1988/89 | 1990 | |
Sala | Oskar | Rede des toten Christus vom Weltgebäude herab, daß kein Gott sei | C | 12:21 | 1986 | 1986 | |
Sala | Oskar | Tanzstücke | C* | ≈ 27:00 | 1955/89 | 1990 | |
Sala | Oskar | Zeichnungen von Oswin | F | 11:17 | 1962 | 1990 | |
Salem | Sam | They Sing for Themselves | C | 2008 | 2008 | ||
Salzedo | Leonard | Capriccio | MI | 13:13 | 1977 | 1990 | |
Sandell Arvidsson |
Sten Inger |
Gobi | Bildspeel | 1990 | 2002 | ||
Sandström | Sven David | Drums | MI | 1980 | 1994 | ||
Sani | Nicola | Lo soffia il cielo | C+ | 15:47 | 1998 | 2002 | |
Sani Camurri Bernardini Pope Seno Brümmer Stegmaier Tutschku |
Nicola Antonio Nicola Stephen Lorenzo Ludger Karlheinz Hans |
Raumakustik / Auralisation / Raumklangsteuerung | Vortrag | 2000 | 2000 | ||
Sanio | Sabine | Form und Konkretheit in der Musik | Vortrag | 1998 | 1998 | ||
Sanio | Sabine | Klangkunst auf dem Festival Inventionen 2000 | Textbeitrag | 2000 | 2000 | ||
Santos | Carles | La grenya de Pasqual Picanya, assessor juridic-administratiu | P* | 43:20 | 1991 | 1992 | |
Santos | Carles | Performances mit Gesang, Mimik, Klavierspiel | P | 38:00 | 1986 | 1986 | |
Santos | Carles | # Santos, Interview (Santos - Mandolini, übersetzt) |
Radio | 55:00 | 1986 | 1986 | |
Santos | Carles | Sonderausstellung Inventionen 1992 | Ausstellung | 1992 | 1992 | ||
Sartorius | Joachim | Zu den Inventionen '94 | Textbeitrag | 1994 | 1994 | ||
Satoh | Somei | Toko No Mon | MI | 1994 | |||
Satorius | Joachim | Fragmente - Stille, äußerste Verzweiflung | Textbeitrag | 1991 | |||
Saunders | James | #290602 | P | 9 | 2002 | 2002 | |
Scagliola | Francesco | Non D’atro et Tempestoso Notturno | C* | 2002 | 2002 | ||
Scelsi | Giacinto | 20 Canti del capricorno | C* | 39:30 | 1962/72 | 1992 | |
Scelsi | Giacinto | Anagamin | MI | 6:57 | 1963 | 1990 | |
Scelsi | Giacinto | Anahit | MI | 1965 | 1991 | ||
Scelsi | Giacinto | Quartetto No. 4 | MI | 9:25 | 1964 | 1989 | |
Schäfer Krebs |
Sabine Joachim |
TopoSonic Lines N'Rooms | SA | 30:27 | 2002 | 2002 | 2002 |
Schaeffer | Pierre | Etude aux chemins de fer | C | 16:12 | 1948 | 1996 | |
Schaeffer | Pierre | Etude aux objets | C | 1959 | 1984 | ||
Schaeffer | Pierre | Etude aux sons animés | C | 4:12 | 1958/71 | 1996 | |
Schaeffer | Pierre | Masquerage | C | 3:37 | 1952/71 | 1996 | |
Schaeffer Henry |
Pierre Pierre |
Symphonie pour un homme seul | C | 21:23 | 1950/55/61 | 1986 2008 | |
Schaeffer Henry |
Pierre Pierre |
Vestiges d'Orphée / Toute la Lyre | C | 13:45 | 1953 | 1986 | |
Schaeffer Kurtz |
Pierre Michael |
Ausschnitte aus einem Interview von Michael Kurtz | Textbeitrag | 1986 | 1986 | ||
Schenker | Friedrich | Hades | MI | 1977-80 | 1992 | ||
Schenker | Friedrich | Hörstück mit Oboe | C+ | 15:25 | 1971 | 1990 | |
Schmidt | Christfried | Aulodie | MI | 10:55 | 1975 | 1992 | |
Schmied | Wieland | Die andere Zauberflöte | Textbeitrag | 1986 | |||
Schmied | Wieland | Meine Erinnerungen an die Inventionen | Textbeitrag | 2002 | 2002 | ||
Schnebel | Dieter | 2 Studien für Klavier und Live Electronic | C+* | 21:00 | 1988 | 1989 | |
Schnebel | Dieter | 61 Klänge für Klavier | MI | 3:00 | 1987 | 1989 | |
Schnebel | Dieter | GEDANKENGÄNGE | P | 1984 | 1985 | ||
Schnebel | Dieter | Glossolalie 61 | MI | 31:00 | 1959-61 | 1986 | |
Schnebel | Dieter | Glossolalie 61 (Klavierstimme) | MI | 1961 | 1985 | ||
Schnebel | Dieter | Monotonien I-V | C* | 1992-94 | 1994 | ||
Schnebel | Dieter | Webern-Variationen | MI | 8:10 | 1992 | ||
Schönberg | Arnold | Ode to Napoleon Buonaparte | MI | 15:02 | 1942 | 1994 | |
Schönberg | Arnold | Sonett Nr 217 von Petrarca | MI | 3:20 | 1925 | 1994 | |
Schönberg | Arnold | Streichtrio | MI | 19:00 | 1946 | 1994 | |
Schönberg | Arnold | Phantasie for violin with Piano Accompaniment | MI | 8:31 | 1949 | 1994 | |
Schöning | Klaus | Anmerkungen zur "1. ACUSTICA INTERNATIONAL | Textbeitrag | 1985 | 1986 | ||
Schöning | Klaus | Audiothek | Ausstellung | 1986 | |||
Schröder | Gesine | Fänge | Textbeitrag | 1992 | 1992 | ||
Schubel | Dorothee | »... alles gesagt, was zu sagen war« | Textbeitrag | 1994 | |||
Schubert | Giselher | Zum Kammerorchester im 20. Jahrhundert | Textbeitrag | 1990 | 1990 | ||
Schwarz | Jean | Les quatre saisons | C | 32 | 1982 | 1984 1996 | |
Sciarrino | Salvatore | Codex purpureus | MI | 7:05 | 1994 | ||
Sciarrino | Salvatore | Quartetto n. 7 | MI | 2000 | 2002 | ||
Sciarrino | Salvatore | Sei quartetti brevi | MI | 2000 | 2002 | ||
Seelig Chamerska Kusitzky Morgenroth Franzke Wang |
Thomas Ewa Thomas Inge Nico Yueyang |
Several Species… | SA | 2002 | 2002 | 2002 | |
Sharp Christmann |
Elliott Günter |
Hammer, Anvil & Stirrup Three Delta Blues Sometimes Crosswise Tessalation Row Digital |
MI | 38:00 | 1989 | ||
Shi | Pei Yu | Fall aus der Zeit … | C | 10 | 2006 | 2008 | |
Shi | Pei Yu | Slow, slow tune | C* | 10 | 2008 | 2008 | |
Shi | Pei-Yu | Movements | C | 3:54 | 2010 | 2010 | |
Shi | Pei-Yu | Movements | C | 3:54 | 2010 | 2010 | |
Shimazu | Takehito | Laughcry | C+* | 11 | 1998 | 1998 | 1998 |
Shimazu | Takehito | Requiem | C+* | 1981 | 1982 | ||
Shimoyama | Hifumi | Fumon III | C+ | 11:00 | 1979 | 1992 | |
Shin | Soo-Jung | 3 langsame Sätze | MI | 2000 | 2002 | ||
Shin | Soo-Jung | treffen | MI | 8 | 2004 | 2004 | 2004 |
Sienknecht | Johannes | reincarnation | SA AV | 2002 | 2002 | ||
Sikorski | Tomasz | Diario 87 | C | 7:33 | 1987 | 1990 | |
Singer | Nathalie | Musique invisible | Vortrag | 1998 | 1998 | ||
Singer | Nathalie | Von der musique concrète zur recherche musicale | Textbeitrag | 1996 | |||
Sistermanns | Johannes S. | horizon t | C | 17:40 | 2008 | 2008 | 2008 |
Slavicky | Milan | Artikulationen 4 Teile |
MI | 14:12 | 1990 | ||
Smalley | Denis | Empty Vessels | C | 12 | 1997 | 2000 | |
Smalley | Denis | Pentes | C | 12:30 | 1974 | 2008 | |
Smalley | Denis | Resounding | C | 14:23 | 2004 | 2005 | |
Smalley | Denis | Ringing down the Sun | C | 15 | 2004 | 2005 | |
Smalley | Denis | Tides | C | 12:43 | 1984 | 1985 | |
Smalley | Denis | Valley Flow | C | 16:57 | 1991-92 | 2010 | |
Smalley | Roger | Echo III | C* | 12:00 | 1978 | 1985 | |
Smetanin | Michael | Ladder of Escape | C+ | 3:20 | 1984 | 1990 | |
Smirnov | Andre | Proto Musique concrète: Russian Futurism in the 1910s and 20s and early ideas of Sonic Art and Art of Noise | Vortrag | 1998 | 1998 | ||
Smith | Julius O. | Virtual Concrete | Vortrag | 1998 | 1998 | ||
Snow | Michael | So is this | F | 1982 | 1986 | ||
Sonde | Group | A piece of paper | P* | 1984 | 1984 | ||
Sonde | Group | Dry WOR / L / DS | P* | 1984 | |||
Sonde | Group | Encephalo Sciffle | P* | 1984 | |||
Sonde | Group | Music with tensegrity sound source No. 5 | P* | 1984 | |||
Sonde | Group | Plastic Wood | P* | 1984 | |||
Sonde | Group | Sweet Gaspésienne | P* | 1984 | |||
Sonde | Group | The music you hear while entering | P* | 1984 | |||
Sonde | Guppe | Die Gruppe SONDE | Textbeitrag | 1984 | 1984 | ||
Souster | Tim | Elektroakustische Musik in Großbritannien | Textbeitrag | 1985 | 1985 | ||
Souster | Tim | Heavy Reductions | C+ | 10:00 | 1977 | 1985 | |
Souster | Tim | The music room | C+ | 15:00 | 1976 | 1985 | |
Souster | Tim | The Transistor Radio of St. Narcissus | C+* | 25:00 | 1984 | 1985 | |
Spahlinger | Matthias | 128 erfüllte Augenblicke | MI | 11:00 | 1992 | ||
Stäbler | Gerhard | twilights + windows | C | 980 | 1983 | 1985 | |
Stahl | Julius | Flaechen [ II ] | SA* | 2010 | 2010 | 2010 | |
Staude | Christoph | Morpheus | MI | 17:30 | 1990 | 1991 | |
Steen-Andersen | Simon | Next To Beside Besides - Kamikazeversion | P* | 12 | 2010 | 2010 | |
Steffens | Markus | Musikantischer Raum | Textbeitrag | 2000 | 2000 | ||
Steiger | Rand | Dialogues III | C* | 1983 | 1983 | ||
Stenzl | Jürg | »Doch uns ist gegeben, auf keiner Stätte zu ruhn«; Luigi Nonos »Neuer Weg« |
Textbeitrag | 1982 | 1983 | ||
Stenzl | Jürg | Prometeo – Ein Hörleitfaden | Textbeitrag | 1995 | 2000 | ||
Stephan | Rudolf | Nachruf auf Klaus Ebbeke | Textbeitrag | 1994 | |||
Stockhausen | Karlheinz | Aus den sieben Tagen | C* | 7:00 | 1968 | 1990 | |
Stockhausen | Karlheinz | Awake 7. VII.70 | MI | 1975 | 1996 | ||
Stockhausen | Karlheinz | Chöre für Doris | MI | 1950 | 1994 | ||
Stockhausen | Karlheinz | Choral | MI | 1950 | 1994 | ||
Stockhausen | Karlheinz | Für kommende Zeiten | C* | 26:00 | 1968/70 | 1990 | |
Stockhausen | Karlheinz | Gesang der Jünglinge | C | 13:08 | 1955 | 1986 | |
Stockhausen | Karlheinz | Hymnen | C | 120 | 1966/67 | 1986 | |
Stockhausen | Karlheinz | In Freundschaft | MI | 15:23 | 1977/78 | 1990 | |
Stockhausen | Karlheinz | Kinntanz |
C* | 1989 | 1994 | ||
Stockhausen | Karlheinz | Klavierstück IX | MI | 1954, 1961 | 1994 | ||
Stockhausen | Karlheinz | Klavierstück X | MI | 1954, 1961 | 1994 | ||
Stockhausen | Karlheinz | Klavierstück I | MI | 1952/53 | 1994 | ||
Stockhausen | Karlheinz | Klavierstück II | MI | 1:40 | 1952/53 | 1994 | |
Stockhausen | Karlheinz | Klavierstück III | MI | 1952/53 | 1994 | ||
Stockhausen | Karlheinz | Klavierstück IV | MI | 1952/53 | 1994 | ||
Stockhausen | Karlheinz | Klavierstück V | MI | 1954 | 1994 | ||
Stockhausen | Karlheinz | Klavierstück VII | MI | 5:26 | 1954 | 1994 | |
Stockhausen | Karlheinz | Klavierstück VIII | MI | 1954 | 1994 | ||
Stockhausen | Karlheinz | Klavierstück XI | MI, C | 5:55 | 1956 | 1994 | |
Stockhausen | Karlheinz | Klavierstück XII | MI | 19:40 | 1979/83 | 1986 | |
Stockhausen | Karlheinz | Kontakte | C+ | 34:40 | 1960 | 1983 1994 | |
Stockhausen | Karlheinz | Kontra-Punkte | MI | 1953 | 1994 | ||
Stockhausen | Karlheinz | Kreuzspiel | MI | 1951 | 1994 | ||
Stockhausen | Karlheinz | Kurzwellen | C* | 54:05 | 1968 | 1994 | |
Stockhausen | Karlheinz | Mantra | C+ | 65:00 | 1970 | 1989 1994 | |
Stockhausen | Karlheinz | Mantra | C* | 61:20 | 1970 | 1989 1994 | |
Stockhausen | Karlheinz | Mikrophonie 1 | C* | 26:27 | 1965 | 1994 | |
Stockhausen | Karlheinz | Mikrophonie 2 | C+* | 14:00 | 1965 | 1994 | |
Stockhausen | Karlheinz | Mixtur | C* | 1964 | 1994 | ||
Stockhausen | Karlheinz | Momente | F | 1962/64 | 1994 | ||
Stockhausen | Karlheinz | Nasenflügeltanz | C* | 1994 | |||
Stockhausen | Karlheinz | Plus-Minus | MI | 1963 | 1994 | ||
Stockhausen | Karlheinz | Refrain | MI | 11:36 | 1959 | 1994 | |
Stockhausen | Karlheinz | Schlagtrio | MI | 15:15 | 1952 | 1994 | |
Stockhausen | Karlheinz | Signale zur Invasion | C+* | 1994 | |||
Stockhausen | Karlheinz | Solo I Solo II |
C* | 23 | 1966 | 1990 | |
Stockhausen | Karlheinz | Spiel | MI | 16:01 | 1952 | 1994 | |
Stockhausen | Karlheinz | Spiral | C* | 8:35 | 1968 | 1985 1990 | |
Stockhausen | Karlheinz | Synthi-Fou | C+ | 1992 | 1994 | ||
Stockhausen | Karlheinz | Telemusik | C | 17:29 | 1966 | 1994 | |
Stockhausen | Karlheinz | Tierkreis | MI | 20 | 1975/76 | 1990 | |
Stockhausen | Karlheinz | Zyklus | MI | 17:55 | 1959 | 1994 1994 | |
Stoianova | Ivanka | Auf der Suche nach dem „Sinnenden Feuer“ | Textbeitrag | 1992 | 1992 | ||
Stollery | Pete | Onset / Offset | C | 7:28 | 1996 | 2010 | |
Strawinsky | Igor | Trois pièces pour quatuor à cordes | MI | 6:11 | 1914 | 1989 | |
Stuckenschmidt | Hanns Heinz | Pierre Schaeffer in Berlin | F | 1963 | 1998 | ||
Subotnick | Morton | Ascent into air | C* | 24:00:00 | 1982 | 1983 | |
Sumera | Lepo | 3. Sinfonie | MI | 1983-88 | 1990 | ||
Suppan | Wolfgang | Excenter mit Prototypen | C* | 2008 | 2008 | 2008 | |
Suppan Kager |
Wolfgang Reinhard |
DAAD-Komponistengespräch Suppan | Komponistengespräch | 2008 | 2008 | ||
Supper | Martin | DH2 | C | 1988 | 1989 | ||
Supper | Martin | Elektronische Musik in Holland | Textbeitrag | 1985 | 1985 | ||
Suzuki | Akio | Cardboard Box Analapos |
P | 1994 | 1994 | ||
Suzuki | Akio | oto-date NA GI SA | SA | 2008 | 2008 | ||
Suzuki | Kotoka | Automata | C | 8:34 | 2010 | 2010 | 2010 |
Suzuki | Kotoka | Kreisen | SA* | 10:24 | 2006 | 2006 | 2006 |
Suzuki Rohrmoser |
Kotoka Claudia |
Kreisen | AV* | 10:24 | 2004 | 2004 | 2004 |
Suzuki Rohrmoser |
Kotoka Claudia |
Umidi Soni Colores | AV+ | 15:47 | 2002 | 2002 | |
Szalonek | Witold | Inside ? - Outside ? | MI | 29:00 | 1986 | 1989 | |
Szalonek | Witold | Piernikiana per tuba sola | MI | 13:33 | 1977 | 1992 | |
Szalonek | Witold | Quattro monologhi per Oboe solo | MI | 12:36 | 1972 | 1992 | |
Szeremeta | Ryszard | Amphora | C+ | 16:40 | 1984 | 1985 | |
Szeremeta | Ryszard | Entering 1990 | C | 6:45 | 1989 | 1990 | |
Szymanski | Pawel | through the looking glass… II | C | 1988 | 1989 | ||
Szymanski | Pawel | Zwei Stücke für Streichquartett | MI | 13:30 | 1982 | 1989 | |
Tadini | Michele | Notturna | C+* | 11 | 1996 | 2000 | |
Tal | Josef | Concerto No. 6 for piano and Electronics | C+ | 14:00 | 1970 | 1990 | |
Tarren | Chris | Steel Curtain | C | 10:22 | 2010 | 2010 | |
Tazelaar | Kees | Chroma | C | 12:00 | 2006 | 2006 | |
Tazelaar | Kees | Crosstalk | C | 16 | 2008 | 2008 | |
Tazelaar | Kees | Phalanxes | C | 20:00 | 2005 | 2006 | |
Teitelbaum | Richard | Digital piano music für einen Flügel und zwei computergesteuerte Flügel | C* | 1984 | 1984 | ||
Teitelbaum | Richard | Iro-Wa-Nihoedo | MI | 23:00 | 1986 | 1986 | |
Teitelbaum | Richard Lowe | Golem | P+* | 1989 | 1992 | ||
Teitelbaum Lewis |
Richard George |
Interlace | C* | 1985 | 1985 | ||
Tenney | James | Cognate Canons | MI | 22:08 | 1993 | 1994 | 1994 |
Tenney | James | Cognate Canons | MI | 22:37 | 1993 | 2002 | |
Teruggi | Daniel | Autumn Song | C+ | 17 | 2008 | 2008 | |
Teruggi | Daniel | Birds | C | 22:09 | 2006 | 2008 | |
Teruggi | Daniel | Faut - il encore faire du bruit? | Vortrag | 1998 | 1998 | ||
Teruggi | Daniel | Fugitives voix | C | 17 | 1997 | 1998 | |
Teruggi | Daniel | Gira, gira | C | 2000 | 2002 | ||
Teruggi | Daniel | GRM Paris: 50 years of new msuic, 1948 - 1998 | Vortrag | 1998 | 1998 | ||
Teruggi | Daniel | Instants d'hiver | C | 14 | 1993 | 1996 | |
Teruggi | Daniel | Saxtenuto | C+ | 1994 | 1996 | ||
Teruggi | Daniel | Spaces of Mind | C | 17:46 | 2004 | 2005 | |
Teruggi | Daniel | Symphonische Träume | C | 26 | 2000 | 2005 | |
Teruggi | Daniel | The GRM celebrates this year its 50th anniversary! | Textbeitrag | 2008 | 2008 | ||
Tessier | Roger | Hexade | C* | 1990 | |||
Therminarias | Jean-Luc | Pièce pour bande et guitare sur bande | C | 18:51 | 1990 | 1992 | |
Thomas | Jo | Dark Noise | C | 10 | 1999 | 2000 | |
Tiedje | Stefan | Wollten Sie nicht schon immer in einem Stück für 19-tönige Skalen mitspielen? | C* | 40:00 | 1989 | 1989 | |
Tiedje Seelig |
Stefan Thomas |
Horror vacui | C | 1983 | 1984 | ||
Tisne | Antoine | Vide | C* | 1990 | |||
Todoroff | Todor | Voices Part II - Distant voices | C | 11:45 | 2000 | 2002 | |
Toop | Richard | Stockhausen — die ersten beiden Jahrzehnte | Textbeitrag | 1994 | |||
Trayle | Mark | bitpool | AV* | 2004 | 2004 | ||
Tremblay | Pierre Alexandre | La cloche fêlée | C | 8:06 | 2004 | 2010 | |
Tremblay | Pierre Alexandre | La cloche fêlée | C | 8:06 | 2003-04 | 2010 | |
Truax | Barry | The blind man | C | 15:40 | 1979 | 1986 | |
Tutschku | Hans | Epexergasia - Neun Bilder | C | 12 | 2000 | 2000 | |
Tutschku | Hans | Firmament-schlaflos | C | 20:25 | 2010 | 2010 | |
Tutschku | Hans | Les invisibles | C | 12:30 | 1996 | 1996 | |
Tutschku | Hans | memory - fragmentation | C | 11:49 | 2000 | 2002 | |
Tutschku | Hans | memory fragmentation | C | 12:50 | 1999 | 2002 | |
Tutschku | Hans | Object - obstacle | C | 12:28 | 2004 | 2004 | |
Tutschku | Hans | Zellen - Linien | C* | 18 | 2007 | 2008 | |
Tutschku | Hans | Zur Interpretation mehrkanaliger elektroakustischer Werke auf Lautsprecherorchestern – einige Gedanken zu GRM-Acousmonium und BEAST | Textbeitrag | 2000 | 2000 | ||
Tutschku | Hans | Zwei Räume | C | 21:08 | 2008 | 2008 | 2008 |
Ullmann | Jakob | Disappearing Musics for Six Players (More or Less) | MI | 34:10 | 1989-91 | 1992 | |
Ungeheuer | Elena | A la recherche du son trouvé | Vortrag | 1998 | 1998 | ||
Ungeheuer | Elena | Zur Linea Nono in der Geschichte der elektronischen Musik | Textbeitrag | 1991 | 1991 | ||
Ungvary | Tamas | Akonel No. 2 | C+ | 7:09 | 1978 | 1982 | |
Ungvary | Tamas | Dis-Tanz | C+ | 10:00 | 1990 | 1991 | 1991 |
Ungvary | Tamas | Im EMS und ums EMS herum | Textbeitrag | 2002 | 2002 | ||
Ungvary | Tamas | Istenem, Uram! | C | 12:32 | 1990 | 1992 | |
Ungvary | Tamas | L'aube de flammes | C | 14 | 1984 | 1984 | |
Ungvary Lundén |
Tamas Peter |
Sentograffito-2 | C* | 30:00 | 1993 | 1994 | |
Vaggione | Horacio | Arenas | C | 20 | 2007 | 2008 | |
Vaggione | Horacio | Fractal C | C | 1984 | 1985 | ||
Vaggione | Horacio | Octuor | C | 1982 | 1985 | ||
Vaggione | Horacio | Thema | C+ | 10:00 | 1985 | 1990 | |
Vande Gorne | Annette | Sie sagten »akusmatisch«? | Textbeitrag | 2002 | 2002 | ||
Vande Gorne | Annette | Space Figures | C | 12:40 | 2004 | 2005 | |
Vande Gorne | Annette | TAO | C | 25:59 | 1990 | 2002 | |
Vande Gorne | Annette | Vox Alia | C | 25 | 1992 | 2002 | |
Vande Gorne | Annette | Yawar Fiesta (opera) | C | 10 | 2007 | 2008 | |
Varèse | Edgard | Intégrales | MI | 10:35 | 1926 | 1994 | |
Varèse | Edgard | Ionisation | MI | 6:00 | 1931/67 | 1992 | |
Vasks | Peteris | Die Botschaft | MI | 1983-88 | 1990 | ||
Vaughan | Mike | Crosstalk | C | 1994 | |||
Vega | Henry | Light Dynamics | C | 2006 | 2006 | ||
Verandi | Mario | Acariciando lo áspero | C+ | 10:36 | 2005 | 2005 | |
Verandi | Mario | Comme un jeu des images | C | 12:45 | 2006 | 2006 | 2006 |
Verandi | Mario | Evil Fruit | C | 10:25 | 2000 | 2000 | 2000 |
Verandi | Mario | Klang-Film | AV* | 12:12 | 2004 | 2004 | 2004 |
Verandi | Mario | unlike - untold | C | 14:45 | 2010 | 2010 | |
Verandi Brümmer |
Mario Ludger |
Komponistengespräch Verandi | Komponistengespräch | 2000 | |||
Vieru | Anatol | Giusto | C+ | 9:54 | 1989 | 1990 | |
Viñao | Alejandro | Go | C | 1981 | 1985 | ||
Viñao | Alejandro | Hendrix Haze | C | 23:20 | 1982/83 | 1985 | |
Vine | Carl | Café concertino | MI | 10:18 | 1984 | 1990 | |
Vivier | Claude | Pulau Dewata | MI | 12:49 | 1990 | ||
Wachsman | Phil | A violin can also be Three Draft Pistons for violin |
P B | 33:00 | 1989 | ||
Wada | Yoshimasa | on the hearing disfunction | P* | 30 | 1984 | 1984 | |
Waisvisz | Michel | The Archaic Symphony | C* | 38:20 | 1987 | 1989 | |
Wallin | Rolf | Stonewave | MI | 1990 | 1994 | ||
Walter | Caspar Johannes | Gugging | MI | 13:07 | 1986 | 1990 | |
Webern | Anton | 5 Stücke für Streichquartett op. 5 | MI | 12:24 | 1909 | 1989 | |
Webern | Anton | op. 28 | MI | 1937 | 1989 | ||
Webern | Anton | Quintett für Klavier und Streiquartett | MI | 11:20 | 1907 | 1994 | |
Weibel | Peter | aus "Eisensteins und Wertows Beiträge zu einer Artikulation der Filmsprache", Wertows Filmschrift | Textbeitrag | 1986 | 1986 | ||
Werner | André | Canti muti | C+* | 13:10 | 1988 | 1989 | |
Werner | André | …it wears, sir, as it grows… | C* | 12:40 | 1991 | 1992 | 1992 |
Wertow | Dsiga | Der Mann mit der Kamera | F | 1929 | 1986 | ||
Wertow | Dsiga | Die Donbass-Sinfonie (Enthusiamus) | F | 1930 | 1986 | ||
Wertow | Dsiga | Ein Sechstel der Erde | F | 1926 | 1986 | ||
Wesley-Smith | Martin | White knight and beaver | MI | 9:28 | 1985 | 1990 | |
Westerkamp | Hildegard | Whisper study | C | 11:30 | 1979 | 1986 | |
Westlake | Nigel | Refractions at Summer Cloud Bay | MI | 13:50 | 1989 | 1990 | |
Whitehead | Gillian | Manutaki | MI | 10:42 | 1986 | 1990 | |
Whiticker | Michael | Min - Amé | MI | 4:27 | 1988 | 1990 | |
Wiggen | Knut | Mass | C | 6:15 | 1974 | 2002 | |
Williams | Emmett | Faustzeichnungen | MI | 12:30 | 1969 | 1986 | |
Williams | Emmett | Musica | MI | 12:30 | 1969 | 1986 | |
Wilson | Paul | Through the Rain | C | 12 | 2006 | 2006 | |
Wilson | Scott | Böse | C | 9:30 | 2010 | 2010 | |
Wishart | Trevor | Encounters in the Republic of Heaven | C | 20:00 | 2010 | 2010 | |
Wishart | Trevor | Globalalia | C | 29 | 2004 | 2004 | |
Wishart | Trevor | Two Women - Four Voiceprints | C | 23 | 1998 | 1998 | 1998 |
Wishart | Trevor | Vox 5 | C | 6 | 1986 | 2008 | |
Witzthum | Emmanuel | Lounge Poetry | AV | 20 | 2002 | 2002 | 2002 |
Wolff | Christian | Braverman music | MI | 8:55 | 1979 | 1990 | |
Wolff | Christian | Merce | MI | 26:50 | 1993 | 1994 | |
Wolff | Christian | String quartet exercises out of songs | MI | 30:00 | 1976 | 1989 | |
Wolpe | Stefan | Piece for Two Instrumental Units | MI | 11:30 | 1992 | ||
Wuorinen | Charles | Percussion Duo | MI | 1994 | |||
Wyschnegradsky | Ivan | 2. Quatuor à cordes en systême de 1/4 de ton | MI | 10:12 | 1931 | 1989 | |
Xenakis | Iannis | Bohor | C | 23:00 | 1962 | 1982 | |
Xenakis | Iannis | Idmen | MI | 14:10 | 1985 | 1991 | |
Xenakis | Iannis | Ikhoor | MI | 10:37 | 1978 | 1992 | |
Xenakis | Iannis | Kottos | MI | 1977 | 1985 | ||
Xenakis | Iannis | La Légend d'ER | C | 43:00 | 1978 | 1982 | |
Xenakis | Iannis | Morsima - Amorsima (ST / 4-1,030762) | MI | 8:54 | 1962 | 1990 | |
Xenakis | Iannis | Mycènes Alpha | C | 12:00 | 1978 | 1982 | |
Xenakis | Iannis | Persephassa | MI | 13:40 | 1994 | ||
Xenakis | Iannis | Pléjades | MI | 50 | 1978 | 1984 1985 1994 | |
Xenakis | Iannis | Rebonds | MI | 1988 | 1994 | ||
Xenakis | Iannis | Tetras | MI | 2:33 | 1983 | 1989 | |
Young | LaMonte | Five Small Pieces for String Quartet | MI | 6:12 | 1956 | 1989 | |
Young | LaMonte | Klaviermusik bis 1960 | MI | 1957/60 | 1992 | ||
Young | LaMonte | The Melodic Version (1984) (UA) of The First Blossom of Spring from The Four Dreams of China (1962) | MI | 1962/1984 | 1992 | ||
Young | LaMonte | Trio for Strings | MI | 60:00 | 1958/84 | 1992 | |
Young Zazeela |
LaMonte Marian |
Dream House | SA | 1962-1992 | 1992 | ||
Young Zazeela |
LaMonte Marian |
Sonderausstellung Inventionen 1992 | Ausstellung | 1992 | 1992 | ||
Yun | Isang | 3. Streichquartett | MI | 15:25 | 1959 | 1989 | |
Yun | Isang | Drei Etüden | MI | 1974 | 1985 | ||
Zabelka | Mia | Drahtvenuskörper | P*+ | 60:02 | 1989 | 1990 | |
Zanesi | Christian | Tours et détours en 78 tours | C | 20 | 2008 | 2008 | |
Zanési | Christian | Arkhéion, les mots de Stockhausen | C | 16:24 | 1994 | 1996 | |
Zanési | Christian | Les voix de Pierre Schaeffer | C | 16:48 | 1996 | 2002 | |
Zanési | Christian | Saphir, sillons, silences | C | 18 | 1998 | 1998 | |
Zapf | Helmut | Canto del Aria | C+ | 12:55 | 1996 | 2002 | |
Zapf | Helmut | Canzone da gran Cassa | C* | 1992/93 | 1994 | ||
Zapf | Helmut | Dreiklang II | MI | 20:33 | 1991 | 1992 | |
Zapf | Helmut | Wandlungen II | C+ | 13:20 | 1986 | 1990 | |
Zapf | Helmut | Zusammenklang III | MI | 1992 | |||
Zawadzka | Anna | Girare | C+ | 12:32 | 1985 | 1990 | |
Zawadzka | Barbara | Greya | C | 13:02 | 1987 | 1990 | |
Zechlin | Ruth | Akzente und Flächen | MI | 1994 | 1994 | ||
Zimmermann | Bernd Alois | "Ich wandte mich um und sah an alles Unrecht, das geschah unter der Sonne", Ekklesiastische Aktion für 2 Sprecher, Bariton-Solo und Orchester | MI | 38:20 | 1970 | 1986 | |
Zingaro | Carlos | Concermation No. 1 | P* | 22:50 | 1989 | ||
Zivkovic | Zagorka | Extension No. 1 | C | 9:02 | 1982 | 1983 | |
Zwedberg | Tommy | Face the music | C+ | 9:16 | 1977 | 1983 | |
Zwedberg | Tommy | Like mother like child | F | 1979 | 1982 | ||
Zwedberg | Tommy | Slow Reflection | C+ | 17:16 | 2002 | 2002 | |
Zykan | Otto M. | Lehrstück am Beispiel Schönberg | F | 1974 | 1990 | ||
Zykan | Otto M. | Peripathese 1: Glauben Sie mir nichts Ich habe eine Erfindung gemacht Man muß auf der Hut sein / Vorherrschaft |
P | 10:15 | 1968 | 1990 | |
Zykan | Otto M. | Peripathese 2: Klägerei | P | 3:54 | 1985 | 1990 |