Inventionen | Name | Vorname | Titel1 | Funktion | Dauer | Jahr | Commission Invent |
---|---|---|---|---|---|---|---|
1982 | Bertoncini | Mario | Chanson pour instruments à vent | P* | 10:50 | 1974 | |
1982 | Bodin | Lars Gunnar | Epilogue - Rhapsodie de la seconde récolte | C | 11:27 | 1979 | |
1982 | Brunson | William | Tapestry II | C | 13:00 | 1980 | |
1982 2008 | Enström | Rolf | Directions | C | 7:20 | 1979 | |
1982 | Grippe | Ragnar | Orchestra | C | 1980 | ||
1982 | Kang | Sukhi | Klangspuren | F | 12:00 | 1981 | |
1982 | Kang | Sukhi | Man Pa | C+ | 13:10 | 1981 | |
1982 | Logothetis | Anestis | Daidalia, Oper in 7 Bildern | P*+ | 70 | 1980 | |
1982 | Parmerud | Åke | Out of sight | C | 10:55 | 1981 | |
1982 | Pfrengle | Roland | Vom Fallen | C+* | 35:00 | 1981 | |
1982 | Shimazu | Takehito | Requiem | C+* | 1981 | ||
1982 | Ungvary | Tamas | Akonel No. 2 | C+ | 7:09 | 1978 | |
1982 | Xenakis | Iannis | Bohor | C | 23:00 | 1962 | |
1982 | Xenakis | Iannis | La Légend d'ER | C | 43:00 | 1978 | |
1982 | Xenakis | Iannis | Mycènes Alpha | C | 12:00 | 1978 | |
1982 | Zwedberg | Tommy | Like mother like child | F | 1979 | ||
1983 | Biezan Knittel Krupowicz Litwinski Mitan Sudnik Szymanski Zelinska |
Andrzej Krzysztof Stanislaw Mieczyslaw Andrzej Tadeusz Pawel Lydia |
between United space |
P | 1983 | ||
1983 | Bodin | Lars Gunnar | Text zum EMS Stockholm | Textbeitrag | |||
1983 | Bodin Buhlert Kang Kessler Patkowski |
Lars Gunnar Klaus |
# Workshop II | Workshop | 1983 | ||
1983 | Graef | Friedemann | Dialect II | P+ | 24:00 | 1983 | |
1983 | Großkopf | Erhard | Drei Blätter - Luft-Wasser-Erde | C+ | 1979 | ||
1983 | Hanson Monastra |
Sten Nino |
a propos Marcel | Bildspeel | 21 | 1980 | |
1983 | Jaffe | David | Silicon valley breakdown | C | 20:00:00 | 1982 | |
1983 | Kang | Sukhi | Aniri II | C+ | 24:12 | 1983 | |
1983 | Karkoff | Ingvar | The dogs | C | 9:30 | 1981 | |
1983 | Kessler | Thomas | # Einführung in seine Technik voices (1. Version) voices (2. Version) |
Vortrag | |||
1983 | Kessler | Thomas | Violin control | C* | 1978 | ||
1983 | Kessler | Thomas | Voices | C* | 1983 | ||
1983 | Knittel | Krzysztof | Low sounds & Ommandalla | C | 1982 | ||
1983 | Knittel | Krzysztof | Man Orchestra | C | 1982 | ||
1983 | Krupowicz | Stanislaw | Easter disloyalty of CD | C | 1982 | ||
1983 | Litwinski | Mieczystlaw | Bios | C | 1981 | ||
1983 | Mandolini | Ricardo | Cancion de madera y agua | C | 8:24 | 1981 | |
1983 | Mandolini | Ricardo | Circulos fosforescentes en fondo negro | C | 8:36 | 1982 | |
1983 | Mandolini | Ricardo | El cuaderno del Alquimista | C | 9:24 | 1979 | |
1983 | Mandolini | Ricardo | El Juego de marionetas | C | 9:20 | 1979-80 | |
1983 | Mandolini | Ricardo | Estallido breve I | C | 8:35 | 1980 | |
1983 | Mandolini | Ricardo | Fabulas | C | 9:35 | 1979 | |
1983 | Mandolini | Ricardo | Fabulas, 2. Teil | C | 10:23 | 1980 | |
1983 | Mandolini | Ricardo | Presentimiento | C | 9:25 | 1982 | |
1983 | McNabb | Michael | Love in the asylum | C | 1981 | ||
1983 1991 | Nono | Luigi | Quando stanno morendo, Diario polacco 2 | C* | 40:00 | ||
1983 1991 | Nono | Luigi | Quando stanno morendo, Diario Polacco Nr. 2 | C* | 39:00 | 1982 | |
1983 | Nono Haller |
Luigi Hans Peter |
# Einführungsvortrag mit Beispielen zu Diario Polacco Nr. 2 | Vortrag | 1983 | ||
1983 | Nono Haller Patkowski |
Luigi Hans Peter Jozef |
# Workshop I für Schulklassen, über Diarion pollaco 2 | Workshop | 1983 | ||
1983 | Parmerud | Åke | Epilog | Bildspeel | 1981 | ||
1983 | Pfrengle Blum |
Roland Eberhard |
Felder I | C+* | 1980 | ||
1983 | Pfrengle Blum Riches |
Roland Eberhard Martin |
Triptychon | C+* | 1981/82 | ||
1983 | Reynolds | Roger | …the serpent - snapping eye … | C+ | 1978-79 | ||
1983 | Steiger | Rand | Dialogues III | C* | 1983 | ||
1983 | Stenzl | Jürg | »Doch uns ist gegeben, auf keiner Stätte zu ruhn«; Luigi Nonos »Neuer Weg« |
Textbeitrag | 1982 | ||
1983 1994 | Stockhausen | Karlheinz | Kontakte | C+ | 34:40 | 1960 | |
1983 | Subotnick | Morton | Ascent into air | C* | 24:00:00 | 1982 | |
1983 | Zivkovic | Zagorka | Extension No. 1 | C | 9:02 | 1982 | |
1983 | Zwedberg | Tommy | Face the music | C+ | 9:16 | 1977 | |
1984 | Aharonián | Coriún | Gran Tiempo | C | 15:30 | 1974 | |
1984 | Aharonián | Coriún | Kleine Geschichte der EM in Lateinamerika | Textbeitrag | 1984 | ||
1984 | Bayle | François | Erosphère | C | 1979 | ||
1984 | Bayle | François | Les couleurs de la nuit | C | 1982 | ||
1984 | Bayle Frisius |
François Rudolf |
Workshops für Schulklassen: acousmatische Musik, GRM | Workshop | 1984 | ||
1984 | Bayle Parmegiani |
François Bernard |
Le Paradis | C | 1974 | ||
1984 | Bértola | Eduardo | Penetraciones I | C | 5:35 | 1970/71 | |
1984 | Bertoncini | Mario | Alleluia | MI | 1982 | ||
1984 | Bodin | Lars Gunnar | Mémoires du temps d'avant la Destruction | C | 19:30 | 1982 | |
1984 | Bolaños | César | Intensidad y Altura | C | 5:15 | 1964 | |
1984 | Cage | John | Cartridge Music | C* | 25 | 1960 | |
1984 | Chion | Michel | Requiem | C | 1973 | ||
1984 | Cuniot Dufour Geslin |
Laurent Denis Yann |
Situations de jeu | C+* | 1981 | ||
1984 | Dianda | Hilda | … y después el silencio | C | 15:00 | 1976 | |
1984 | Dubrovay | Laszlo | Harmonics II | C | 1983 | ||
1984 | Dufour | Denis | Deuxième suite | C | 1983 | ||
1984 | Ebbeke | Klaus | Zum Komponieren heute | Textbeitrag | 1984 | ||
1984 | Enriquez | Manuel | La reunion de los saurios | C | 8:40 | 1971 | |
1984 | Enström | Rolf | Fractal | Bildspeel | 20 | 1984 | |
1984 | Estrada | Julio | Eua'on | C | 7:44 | 1981 | |
1984 | Försch - Tenge | Herbert | Percussion road | C* | 53 | 1983 | |
1984 | Fontana | Bill | Sound surroundings | SA | 1984 | ||
1984 | Hillborg | Anders | Kamaloka | C | 7:45 | 1982 | |
1984 | Humpert | Hans Ulrich | Für Ricardo Mandolini | Textbeitrag | 1984 | ||
1984 | Kang | Sukhi | INVENTIO musicae clavichordii et sonorum artificiosorum | C+ | 24:00 | 1984 | |
1984 | Krauze | Zygmunt | Idyll | C+* | 18 | 1974 | |
1984 | Krauze | Zygmunt | Sound scape | C+ | 16 | 1975 | |
1984 | Kusnir | Eduardo | Orquideas primaverales | C | 9:35 | 1975 | |
1984 | Leitner | Bernhard | Ton-Raum-Variationen | SA | 1984 | ||
1984 | Lejeune | Jacques | Symphonie Romantique | C | 1983 | ||
1984 | Loubet | Emmanuelle | Zur Groupe de recherches musicales | Textbeitrag | 1984 | ||
1984 | Mâche | François-Bernard | Marae | C* | 1974 | ||
1984 | Malec | Ivo | Triola | C | 1978 | ||
1984 2008 | Malec | Ivo | Week-End | C+* | 1983 | ||
1984 | Mandolini | Ricardo | Andromeda | C+ | 12:00 | 1983 | |
1984 1986 | Mandolini | Ricardo | Poema reiterado | C | 1983 | ||
1984 | Mestral | Charles de | Panchromatic Souvenirs | C | 1984 | ||
1984 | Mion | Philippe | Trois esquisses ouvertes | C | 1982 | ||
1984 | Morthenson | Jan W. | Diaphonia | C+ | 8:30 | 1983 | |
1984 | Nova | Jacqueline | Creación de la tierra | C | 19:00 | 1972 | |
1984 | Obst | Michael | Metal drop music | C | 1981 | ||
1984 | Obst | Michael | Visioni di Medea | C | 1983 | ||
1984 | Omura | Tetsuya | Ferne | C | 1983 | ||
1984 | Orellana | Joaquin | Humanofonia | C | 11:35 | 1971 | |
1984 | Ortiz | William | Composición electronica | C | 4:40 | 1978 | |
1984 | Paraskevaidis | Graciela | Huauqui | C | 11:05 | 1975 | |
1984 | Parmegiani | Bernard | Dedans - Dehors | C | 1976 | ||
1984 | Parmegiani | Bernard | Du pop à l'ane | C | 1968 | ||
1984 | Parmegiani | Bernard | Stries | C | 1980 | ||
1984 | Pfrengle | Roland | AASP | C* | 16:00 | 1984 | |
1984 | Pfrengle | Roland | Solo | C* | 14:00 | 1981 | |
1984 | Reibel | Guy | Suite pour Edgar Poe | C | 1972 | ||
1984 | Reith | Dirk | nested loops 1 | C | 12:00 | 1982 | |
1984 | Reith | Dirk | Programm 2 | C+ | 12:00 | 1977 | |
1984 | Schaeffer | Pierre | Etude aux objets | C | 1959 | ||
1984 1996 | Schwarz | Jean | Les quatre saisons | C | 32 | 1982 | |
1984 | Sonde | Group | A piece of paper | P* | 1984 | ||
1984 | Sonde | Group | Dry WOR / L / DS | P* | |||
1984 | Sonde | Group | Encephalo Sciffle | P* | |||
1984 | Sonde | Group | Music with tensegrity sound source No. 5 | P* | |||
1984 | Sonde | Group | Plastic Wood | P* | |||
1984 | Sonde | Group | Sweet Gaspésienne | P* | |||
1984 | Sonde | Group | The music you hear while entering | P* | |||
1984 | Sonde | Guppe | Die Gruppe SONDE | Textbeitrag | 1984 | ||
1984 | Teitelbaum | Richard | Digital piano music für einen Flügel und zwei computergesteuerte Flügel | C* | 1984 | ||
1984 | Tiedje Seelig |
Stefan Thomas |
Horror vacui | C | 1983 | ||
1984 | Ungvary | Tamas | L'aube de flammes | C | 14 | 1984 | |
1984 | Wada | Yoshimasa | on the hearing disfunction | P* | 30 | 1984 | |
1984 1985 1994 | Xenakis | Iannis | Pléjades | MI | 50 | 1978 | |
1985 | Allende - Blin | Juan | Rapport sonore / Relato sonoro / Klangbericht | C | 24 | 1983 | |
1985 | Amacher | Maryanne | The critical band | P | 1980/85 | ||
1985 | Bertoncini | Mario | Pagine per Dieter | MI | 1985 | ||
1985 | Bertoncini | Mario | venti | C* | 1982 | ||
1985 | Blum | Eberhard | Sprachen der Künste | Textbeitrag | 1985 | ||
1985 | Brettingham-Smith | Jolyon | Doors of perception | MI | 1982 | ||
1985 | Brown | Earle | Corroboree | MI | 1964 | ||
1985 | Brown | Earle | Times Five | C+ | 15:00 | 1963 | |
1985 | Brown | Earle | Tracer | C+ | 3:10 | 1985 | |
1985 | Cage | John | A book of music | MI | 1944 | ||
1985 | Chadabe | Joel | Scenes from Stevens | C* | 12:00 | 1979 | |
1985 | Chadabe | Joel | Twenty - three Go | C* | 11:29 | 1985 | |
1985 | Döhl | Friedhelm | Fiesta | MI | 1982 | ||
1985 | Dubrovay | Laszlo | Parte con moto | C | 1984 | ||
1985 1994 | Ebbeke | Klaus | Eine Überlegung zur Rolle des Schlagzeugs in unserem Jahrhundert | Textbeitrag | 1985 | ||
1985 | Ebbeke | Klaus | Zu den Klanginstallationen von Julius | Textbeitrag | 1985 | ||
1985 | Eloy | Jean-Claude | YO-IN | P+ | 210:00 | 1981 | |
1985 | Erdmann | Helmut W. | Transfiguration III | C* | 1983 | ||
1985 | Fulkerson | James | Elective Affinities | C* | 25 | 1985 | |
1985 | Fulkerson | James | Fields und Traces | C* | 1979 | ||
1985 | Fulkerson | James | Force fields and spaces II | C+ | 7:45 | 1981 | |
1985 | Fulkerson | James | suite for cello solo | C* | 15:00 | 1979 | |
1985 | Furukawa | Kiyoshi | Walking II | C | 1985 | ||
1985 | Gaussin | Allain | Colosseo | MI | 1978 | ||
1985 | Halffter | Cristóbal | Formantes | MI | 1961 | ||
1985 | Halffter | Cristóbal | Variaciones sobre la resonancia de un grito | C+* | 1977 | ||
1985 | Haller | Hans Peter | Workshop „Elektronische Klangumformung“ | Workshop | 1985 | ||
1985 2002 | Harrison | Jonty | Klang | C | 9:02 | 1982 | |
1985 | Hein | Folkmar | Bemerkungen zu den Inventionen | Textbeitrag | 1985 | ||
1985 | Hoenderdos | Margriet | Bande Amorce | C | 8:45 | 1983 | |
1985 | Humel | Gerald | Jeté | MI | 1980/81 | ||
1985 | Jones | John Paul | Show-down | C+* | 10:00 | 1984 | |
1985 | Julius | Rolf | Wanderung durch eine weite Ebene Musik für eine Landschaft |
SA | 1985 | ||
1985 | Kang Hein |
Sukhi Folkmar |
Odyssee | C | 1984 | ||
1985 | Kunst | Jos | solo identity | MI | 10:00 | 1972 | |
1985 | Lachenmann | Helmut | Pression | MI | 1969 | ||
1985 | Leeuw | Ton de | Clair obscur | C | 17:00 | 1982 | |
1985 | Leeuw | Ton de | Midare | MI | 7:00 | 1972 | |
1985 | Leeuw | Ton de | Mountains | C+ | 18:00 | 1977 | |
1985 | Leeuw | Ton de | Syntaxis | C | 18:00 | 1965/66 | |
1985 | Leeuw | Ton de | The magic of Music | C+ | 6:00 | 1977 | |
1985 | Mandolini | Ricardo | Charly | C | 1984 | ||
1985 | Mandolini | Ricardo | De mi huian los pajaros | C | 1983 | ||
1985 | Montague | Stephen | Paramell IV | C+ | 16:00 | 1981 | |
1985 1986 | Ore | Cecilie | Im - Mobile | C AV | 9:00 | 1984 | |
1985 | Pfrengle | Roland | Klaviermusik | C+ | 660 | 1985 | |
1985 | Plompen | Peter | Naira | C | 7:30 | 1983 | |
1985 | Raecke | Hans-Karsten | Biotron | MI C C+* | 8:30 | 1980 | |
1985 | Raecke | Hans-Karsten | Luft - Druck - Zonen | MI C C+* | 7 | 1982 | |
1985 | Raecke | Hans-Karsten | Protonenaufgalopp | MI C C+* | 12 | 1984 | |
1985 | Raecke | Hans-Karsten | So ...? ein Warnlied | MI C C+* | 7 | 1981 | |
1985 | Raecke | Hans-Karsten | Technische Landschaft | MI C C+* | 11 | 1976 | |
1985 | Raecke | Hans-Karsten | Wassermusik | MI C C+* | 5 | 1979 | |
1985 | Raecke | Hans-Karsten | Zentrum | MI | 15 | 1983 | |
1985 | Raecke | Hans-Karsten | Zu den Quellen | MI C C+* | 12 | 1984 | |
1985 | Raecke Ranta |
Hans-Karsten Michael |
Improvisation | MI C C+* | |||
1985 | Ranta | Michael | Dimmer Piece | P | 45 | 1974 | |
1985 | Ranta | Michael | Mu 2 | MI C C+* | 25 | 1984 | |
1985 | Reith | Dirk | Nested loops 3 | C+ | 3:40 | 1984 | |
1985 | Riches | Martin | Percussion Piece No. 1 | SA | 1985 | ||
1985 | Riches | Martin | Piece for Four Radios | SA | 1983 | ||
1985 | Riches | Martin | Sound Machine | C* | |||
1985 | Röder | Klaus | Cloches imaginaires | C | 1983 | ||
1985 | Röder | Klaus | Potpourri | C | 1985 | ||
1985 | Rudnik | Eugeniusz | Steine-Epitaph | C | 1984 | ||
1985 | Schnebel | Dieter | GEDANKENGÄNGE | P | 1984 | ||
1985 | Schnebel | Dieter | Glossolalie 61 (Klavierstimme) | MI | 1961 | ||
1985 | Smalley | Denis | Tides | C | 12:43 | 1984 | |
1985 | Smalley | Roger | Echo III | C* | 12:00 | 1978 | |
1985 | Souster | Tim | Elektroakustische Musik in Großbritannien | Textbeitrag | 1985 | ||
1985 | Souster | Tim | Heavy Reductions | C+ | 10:00 | 1977 | |
1985 | Souster | Tim | The music room | C+ | 15:00 | 1976 | |
1985 | Souster | Tim | The Transistor Radio of St. Narcissus | C+* | 25:00 | 1984 | |
1985 | Stäbler | Gerhard | twilights + windows | C | 980 | 1983 | |
1985 1990 | Stockhausen | Karlheinz | Spiral | C* | 8:35 | 1968 | |
1985 | Supper | Martin | Elektronische Musik in Holland | Textbeitrag | 1985 | ||
1985 | Szeremeta | Ryszard | Amphora | C+ | 16:40 | 1984 | |
1985 | Teitelbaum Lewis |
Richard George |
Interlace | C* | 1985 | ||
1985 | Vaggione | Horacio | Fractal C | C | 1984 | ||
1985 | Vaggione | Horacio | Octuor | C | 1982 | ||
1985 | Viñao | Alejandro | Go | C | 1981 | ||
1985 | Viñao | Alejandro | Hendrix Haze | C | 23:20 | 1982/83 | |
1985 | Xenakis | Iannis | Kottos | MI | 1977 | ||
1985 | Yun | Isang | Drei Etüden | MI | 1974 | ||
1986 | Sho-Myo | Textbeitrag | |||||
1986 | Allende - Blin | Juan | Dsiga Wertow: Pionier der Geräuschkunst | Vortrag | 1986 | ||
1986 | Bachmann | Claus-Henning | Medien und Musik - Eine Schwarzmalerei | Textbeitrag | 1986 | ||
1986 | Barlow | Klarenz | Deutscher Sang | C | 30 | 1982 | |
1986 | Battistelli | Giorgio | Ostinato | P | 20:00 | 1986 | |
1986 | Berio | Luciano | Circles | MI | 19:00 | 1960 | |
1986 | Berio | Luciano | Thema (Omaggio a Joyce) | C | 1959 | ||
1986 | Beyer | Frank Michael | Echo | MI | 16:28 | 1985 | |
1986 | Blacher | Boris | Ariadne Duodram für zwei Sprecher und Elektronik nach einem Text von Friedrich Wilhelm Gotter |
C+ | 33:30 | 1971 | |
1986 | Blacher AfEM |
Boris | Der Astronaut | C | 6:14 | 1968 | |
1986 | Blum | Eberhard | SPRACHEN DER KÜNSTE III | Textbeitrag | 1986 | ||
1986 | Bodin | Lars Gunnar | For Jon III; They extricated their extremities | C | 10:35 | 1982 | |
1986 | Brech | Martha | Natürliches Ergebnis | C | 7:00 | 1986 | |
1986 | Brown | Earle | Folio | MI | 9:40 | 1953 | |
1986 | Buhlert van Manen |
Klaus Jan |
Musikalische Anwendung der Sprachsynthese mit Computern | Vortrag | 1986 | ||
1986 | Cage | John | Concert for Piano and Ensemble | MI | 19:00 | 1958 | |
1986 | Cage | John | In a landscape | MI | 8:00 | 1948 | |
1986 | Chion | Michel | La Tentation de Saint Antoine | C | 1984 | ||
1986 | Chion | Michel | Michel Chion präsentiert einen Querschnitt durch die Musik/Sprach-Produktionen der Groupe de Recherches Musicales (GRM), Paris |
Vortrag | 1986 | ||
1986 | Chorzempa | Daniel | Sonett | C | 13:40 | 1978 | |
1986 | Christiansen | Henning | "als die Sprache platzte und die Musik abfuhr - und der Mond erscheint" | P | 1986 | ||
1986 | Curran | Alvin | The Electric Rags | C* | 66:00 | 1985 | |
1986 | Döhl | Reinhard | Musik - Radiokunst - Hörspiel | Textbeitrag | 1986 | ||
1986 | Driscoll | John | A Hall is all | SA | 20:00 | 1985 | |
1986 | Driscoll | John | Sputtering Energy (at 500 times the true size) | SA | 1986 | ||
1986 | Driscoll Lerman |
John Richard |
Sputtering Energy (at 500 times the true size) | C* | 44:00 | 1986 | |
1986 | Dubrovay | László | Symphonia | C | 24:12 | 1985 | |
1986 | Dupuy | Jean | Sonate für 2 Klaviere; Anagramm 803 Buchstaben; introduction ; "Blackisch…" ; "Staub-Klang-Plattenspieler" mit 6 Plattenspielern; Gesänge; "Platane, Banane, KaKaO… | P | 30:00 | ||
1986 | Finnendahl | Orm | In Anbetracht | C+ | 9:20 | 1985 | |
1986 | Frank | Peter | Diamanda Galas | Textbeitrag | |||
1986 | Fujita | Masanori | Ju-Ju-Shin | MI | 23:00 | 1986 | |
1986 | Furukawa | Kiyoshi | Mrs. M., her geometrization | C | 10:12 | 1985 | |
1986 | Galas | Diamanda | Eyes without blood | C* | ≈ 30:00 | 1984 | |
1986 | Galas | Diamanda | Litanies of Satan | C* | ≈ 44:00 | 1986 | |
1986 | Globokar | Vinko | Toucher | MI | 6:00 | 1973 | |
1986 | Goebel | Johannes | Multi, Poly, Syn und Anti | MI | 40:00 | 1983 | |
1986 | Grambo | Michael | Bleeding poem | C | 16 | 1984 | |
1986 | Griffith | David Wark | Intolerance | F | 1916 | ||
1986 | Hanson | Sten | The glorious desertion | C | 3:10 | 1969 | |
1986 | Hoenderdos | Margriet | Ballade op en ballustrade | AV | 1984 | ||
1986 | Huene | Stephan von | Die Zauberflöte - akustische Installation | SA | 7:00 | 1986 | |
1986 | Humel | Gerald | Die Folterungen der Beatrice Cenci, Konzertfassung des Ballets | MI | 29:40 | 1971 | |
1986 | Ishii | Maki | A-Bi-Ra-Un-Ken op. 61b | MI | 30:00 | 1984 | |
1986 | Jacobs | Ken | Little Stabs at Happiness | F | 1963 | ||
1986 | Johnson | Bengt Emil | Through the mirror of thirst | C | 6:13 | 1969 | |
1986 | Johnson | David C. | Of burning a candle | P | 10 | 1985 | |
1986 | Johnson | Tom | Die Schubladen | P | 15:00 | 1978 | |
1986 | Johnson | Tom | Eine Oper nach Riemann | P | 40:00 | 1986 | |
1986 | Kagel | Mauricio | Prima Vista | C+* | 11:00 | 1962/64 | |
1986 | Kang Quartucci |
Sukhi Carlo |
Penthesilea Aubade | P | 65:00 | 1986 | |
1986 | Katzer | Georg | Aide-memoire | C | 14:30 | 1983 | |
1986 | Kessler | Thomas | Drum Control | C* | 22:00 | 1983 | |
1986 | Kosugi | Takehisa | Fly | C | 13 | 1981 | |
1986 | Krause | Manfred | Die wissenschaftlichen Grundlagen von Sprache und Musik | Vortrag | 1986 | ||
1986 | Krause | Manfred | Sprache in den Kompositionen experimenteller Musik des Studios für elektronische Musik an der TU Berlin 1953 - 1975. - Erinnerungen eines Beteiligten | Textbeitrag | 1986 | ||
1986 | Lucier | Alvin | I am sitting in a room | C* | 56:00 | 1970/86 | |
1986 | Matsushita | Isao | Ao-No-Haikei | MI | 22:00 | 1986 | |
1986 | Matsushita Ishii Fujita |
Isao Maki |
# Sendung für HÖR1 am 20.9.1986, INVENTIONEN'86: Kirchenkonzert Sebastiankirche mit Sho Myo |
Radio | 70:00 | 1986 | |
1986 | Messiaen | Olivier | Méditations sur le Mystère de la Saint Trinité | MI | 21:20 | 1969 | |
1986 | Messiaen | Olivier | Quatre études de rythme | MI | 16:44 | 1949 | |
1986 | Messiaen Zimmermann |
Olivier Bernd Alois |
# Sendung für HÖR1 am 6.9.1986, INVENTIONEN'86: Ansage, Messiaen-Orgel Ansage, Zimmermann - Ekklesiastische Aktion Absage |
Radio | 65:00 | 1986 | |
1986 | Morrow | Charlie | Midnight chant | P | 15:00 | ||
1986 | Mucillo | Luis Maria | Au de lú des portes d´ivoire | C | 14:35 | 1984 | |
1986 | Mundry | Isabel | o. T. | C+ | 14:00 | 1986 | |
1986 1991 | Nono | Luigi | La fabbrica illuminata | C+ | 16:45 | 1964 | |
1986 1991 | Nono | Luigi | Polifonica - Monodia - Ritmica | MI | 11:00 | 1951 | |
1986 1991 | Nono | Luigi | …sofferte onde serene… | C+ | 14:00 | 1976 | |
1986 | Oswald | John | Burroughs Tapes | C | 1983 | ||
1986 | Otte | Hans | text für einen Schlagzeuger | MI | 7:00 | 1972/85 | |
1986 | Otte | Hans | text für einen Flötisten | MI | 7:00 | 1972 | |
1986 | Pablo | Luis de | reciproco | MI | 7:00 | 1963 | |
1986 | Ridder | Willem de | Walkman-Quartett, für Publikum Nr.6 | P | 1986 | ||
1986 | Ridder Curran Ridder |
Willem de Alvin Cora de |
Walkman Berlin 1986, ein Radio-Art-Spaziergang | SA | 1986 | ||
1986 | Riedl | Josef Anton | epiphyt II zeichnen - klatschen / zeichnen - zeichnen lautgedichtfolge klangsynchronie II für trommeln - für sprechen |
MI P+* | 39:00 | 1977 | |
1986 | Riedl | Josef Anton | für trommeln - für sprechen | MI | 1984 | ||
1986 | Riedl | Josef Anton | klangsynchronie II | C | 1965 | ||
1986 | Riedl | Josef Anton | lautgedichtfolge b | MI | 1982 | ||
1986 | Riedl | Josef Anton | zeichnen-klatschen / zeichnen-zeichnen | MI | 1985 | ||
1986 | Rüfer | Rüdiger | Glück, Lust, Torheit | C | 5:33 | 1968 | |
1986 | Rühm | Gerhard | Erinnerung und Gegenwart | P | 10:00 | 1979-1984 | |
1986 | Rühm | Gerhard | Kitzel zwischen Käse und Kuchen - eine Völlerei (Sprecher & 20 Sektgläser) | P | 10:00 | 1979-1984 | |
1986 | Rühm | Gerhard | Kleine Geschichte der Zivilisation | P | 1979 | ||
1986 | Rühm | Gerhard | Melodramen vom deutschen Wald mit einem Abgesang nach R. Schumann | P | 10:00 | 1979-1984 | |
1986 | Rühm | Gerhard | musik als sprache und bildschrift grenzbereiche meiner künstlerischen arbeit |
Textbeitrag | |||
1986 | Rühm | Gerhard | Pornophonie (Tondichtung für Klavier) | P | 10:00 | 1979-1984 | |
1986 | Sala | Oskar | Rede des toten Christus vom Weltgebäude herab, daß kein Gott sei | C | 12:21 | 1986 | |
1986 | Santos | Carles | Performances mit Gesang, Mimik, Klavierspiel | P | 38:00 | 1986 | |
1986 | Santos | Carles | # Santos, Interview (Santos - Mandolini, übersetzt) |
Radio | 55:00 | 1986 | |
1986 2008 | Schaeffer Henry |
Pierre Pierre |
Symphonie pour un homme seul | C | 21:23 | 1950/55/61 | |
1986 | Schaeffer Henry |
Pierre Pierre |
Vestiges d'Orphée / Toute la Lyre | C | 13:45 | 1953 | |
1986 | Schaeffer Kurtz |
Pierre Michael |
Ausschnitte aus einem Interview von Michael Kurtz | Textbeitrag | 1986 | ||
1986 | Schmied | Wieland | Die andere Zauberflöte | Textbeitrag | |||
1986 | Schnebel | Dieter | Glossolalie 61 | MI | 31:00 | 1959-61 | |
1986 | Schöning | Klaus | Anmerkungen zur "1. ACUSTICA INTERNATIONAL | Textbeitrag | 1985 | ||
1986 | Schöning | Klaus | Audiothek | Ausstellung | |||
1986 | Snow | Michael | So is this | F | 1982 | ||
1986 | Stockhausen | Karlheinz | Gesang der Jünglinge | C | 13:08 | 1955 | |
1986 | Stockhausen | Karlheinz | Hymnen | C | 120 | 1966/67 | |
1986 | Stockhausen | Karlheinz | Klavierstück XII | MI | 19:40 | 1979/83 | |
1986 | Teitelbaum | Richard | Iro-Wa-Nihoedo | MI | 23:00 | 1986 | |
1986 | Truax | Barry | The blind man | C | 15:40 | 1979 | |
1986 | Weibel | Peter | aus "Eisensteins und Wertows Beiträge zu einer Artikulation der Filmsprache", Wertows Filmschrift | Textbeitrag | 1986 | ||
1986 | Wertow | Dsiga | Der Mann mit der Kamera | F | 1929 | ||
1986 | Wertow | Dsiga | Die Donbass-Sinfonie (Enthusiamus) | F | 1930 | ||
1986 | Wertow | Dsiga | Ein Sechstel der Erde | F | 1926 | ||
1986 | Westerkamp | Hildegard | Whisper study | C | 11:30 | 1979 | |
1986 | Williams | Emmett | Faustzeichnungen | MI | 12:30 | 1969 | |
1986 | Williams | Emmett | Musica | MI | 12:30 | 1969 | |
1986 | Zimmermann | Bernd Alois | "Ich wandte mich um und sah an alles Unrecht, das geschah unter der Sonne", Ekklesiastische Aktion für 2 Sprecher, Bariton-Solo und Orchester | MI | 38:20 | 1970 | |
1989 | Das Programmbuch Inventionen 89 | Impressum | 1989 | ||||
1989 | Lautari aus Südrumänien | MI | 54:00 | ||||
1989 | Suzuki Kinder Orchester | MI | 19:00 | ||||
1989 | Bangerter | Ma-Lou | Vorsicht Bissiger Hund | P* | 23:00 | ||
1989 | Bartók | Béla | 4. Streichquartett | MI | 1928 | ||
1989 | Bartók | Béla | Sonata for violin solo | MI | 25:44 | 1944 | |
1989 | Behrman | David | A Migratory Tale | C* | 9:30 | ||
1989 | Behrman | David | All Thumbs | C* | 6:00 | ||
1989 | Behrman | David | Figure in a Clearing | C* | 14:40 | 1977 | |
1989 | Behrman | David | Interspecies Smalltalk | P* | 31:00 | ||
1989 | Behrman | David | Leapday Night | C* | 32:37 | ||
1989 | Beyer | Frank Michael | Streichquartett Nr. 3 "Missa" | MI | 25:43 | 1985 | |
1989 | Bittová Fajt Keller |
Iva Pavel Petr |
quasislowakisch | MI | 50:00 | ||
1989 | Blomqvist | Anders | Akrobat 02 | Bildspeel | 11:24 | 1988 | |
1989 | Boehmer | Konrad | Die elektrische Muse im Königreich der Niederlande | Textbeitrag | 1988 | ||
1989 | Boulez | Pierre | Explosante fixe | C+* | 18:52 | 1985 | |
1989 | Boulez | Pierre | Livre pour Quatuor | MI | 12:40 | 1949 | |
1989 | Brecht | George | Streichquartett "shaking hands" | MI | 1962 | ||
1989 | Bryars | Gavin | String Quartet No. 1 | MI | 23:42 | ||
1989 | Butzmann Kapielski |
Frieder Thomas |
VAMPYROTEUTHIS INFERNALIS GIOVANNI | P* | 47:30 | ||
1989 | Butzmann Kapielski ten Hoorn Kurth Linz Marclay Müller Rose Rue Schipper Wesley-Smith Anita Binder Nauman Conrad Goldstein Lookofsky VETA Music Systems |
The Relative Violin | Ausstellung | ||||
1989 | Cage | John | Eight Whiskus | P* | 26:50 | 1978 | |
1989 | Cage | John | Thirty Pieces for String Quartet | MI | 30:45 | 1983 | |
1989 | Cardew | Cornelius | String Quartet Movement | MI | 10:17 | 1961 | |
1989 | Carter | Elliot | Elegie | MI | 4:32 | 1943 | |
1989 | Carter | Elliott | String Quartet No. 4 | MI | 18:30 | 1986 | |
1989 | Chiari | Giuseppe | Streichquartett | MI | 5:50 | ||
1989 | Christiansen | Henning | Nach Wyschnegradsky, op. 185 | MI | 20:35 | 1989 | |
1989 | Christmann | Günter | Double Explico II |
AV | |||
1989 | Coleman | Ornette | Trinity | P* | 14:00 | ||
1989 | Crumb | George | Black Angels | C* | 20:45 | 1970 | |
1989 | Curran | Alvin | VSTO - Alvin for Giacinto | C* | 57:15 | 1988 | |
1989 | Donatoni | Franco | Das Auge des Herzens | MI | 6:45 | 1981 | |
1989 | Ebbeke | Klaus | Elektroakustische Musik im deutschsprachigen Raum nach 1945 | Textbeitrag | 1988 | ||
1989 | Ebbeke | Klaus | Musik für ca. 16 Saiten | Textbeitrag | 1988 | ||
1989 | Enriquez | Manuel | Cuarteto IV | MI | 1983 | ||
1989 | Feldman | Morton | Clarinet and String Quartet | MI | 43:15 | 1983 | |
1989 | Feldman | Morton | Structures | MI | 22:22 | 1951 | |
1989 | Fenelon | Philippe | 11 Inventions pour quatuor à cordes | MI | 23:14 | 1988 | |
1989 | Ferneyhough | Brian | Intermedio alla Ciaccona | MI | 7:35 | 1986 | |
1989 | Ferneyhough | Brian | Third String Quartet | MI | 18:04 | 1987 | |
1989 | Finnendahl | Orm | Jericho | C+* | 11:00 | 1988 | |
1989 | Glasmeier Block |
Michael Ursula |
Broken Music | Ausstellung | 1989 | ||
1989 | Goldstein | Malcom | Evening Music I October | P | 17:20 | 1989 | |
1989 | Goldstein | Malcom | Sounding the Fragility of Line | P | |||
1989 | Goldstein | Malcom | Soundings - Improvisationen | P* | 6:30 | ||
1989 | Goldstein Celli |
Malcom Joe |
Violin & Video | MI AV | 12:12 | ||
1989 | Henze | Hans Werner | 5. Streichquartett | MI | 1977 | ||
1989 | Hindemith | Paul | 6. Streichquartett | MI | 1945 | ||
1989 | Hoyer | Ralf | Nocturne | C+ | 12:38 | ||
1989 | Hoyer | Ralf | Sonata | C+* | 15:23 | 1985 | |
1989 | Huber | Klaus | Von Zeit zu Zeit | MI | 18:58 | 1985 | |
1989 | Ives | Charles | String Quartet No. 2 | MI | 24:00 | 1913 | |
1989 | Jeney | Zoltan | Kalah | F C* | 9:25 | 1988 | |
1989 | Jeney | Zoltán | Sostenuto | MI | 19:42 | 1988 | |
1989 | Kagel | Mauricio | 2. Streichquartett | MI | 13:44 | 1967 | |
1989 | Kelsh Bach |
Kathi Johann Sebastian |
Bach Backwards Harmonics |
MI | 6:10 | ||
1989 | Knízák | Milan | Alois Hába (13. Quartetto) - Antonin Dvorák (Quartett e-moll) + Milan Knizák | MI | 6:24 | 1988 | |
1989 | Kosugi | Takehisa | Violin - plus - minus | P* | 16:50 | ||
1989 | Kurtag | György | Streichquartett op. 1 | MI | 14:42 | 1959 | |
1989 | Kyburz | Hanspeter | Absolutions errantes au mois de mai | C+* | 24:08 | 1988 | |
1989 | Lachenmann | Helmut | Gran torso | MI | 20:32 | 1972 | |
1989 | Ligeti | György | 1. Streichquartett | MI | 22:00 | 1954 | |
1989 | Ligeti | György | Streichquartett No. 2 | MI | 17:15 | 1968 | |
1989 | Lookofsky Chattopadhyay Rosenberg Bernstorff Conrad |
Der Geiger Lookofsky Die Violine in Indien Der Frosch Lost Woman of the Violin Early Minimalism: Werke für Solo-Violine mit Streichern |
Textbeitrag | 1989 | |||
1989 | Lutoslawski | Witold | Streichquartett | MI | 24:10 | 1964 | |
1989 | Mundry | Isabel | rue narcisse | C+* | 14:57 | 1988 | |
1989 | Nancarrow | Conlon | String Quartet No. 3 | MI | 12:50 | 1987 | |
1989 | Nono | Luigi | Fragmente - Stille, An Diotima | MI | 35:48 | 1980 | |
1989 | Oliveros | Pauline | The Wheel of Time | C+ | 29:00 | ||
1989 | Paik | Nam June | Streichquartett | MI | 1988 | ||
1989 | Parampara | Shishya | Klassische Musik aus Nordindien | P* | 79:00 | ||
1989 | Parmerud | Åke | Stringquartett | C | 1988 | ||
1989 | Pecquet | Frank | A Little Beat | MI | 11:50 | 1987 | |
1989 | Penderecki | Krzystof | Der unterbrochene Gedanke | MI | 1976 | ||
1989 | Penderecki | Krzystof | Quartetto per archi no. 2 | MI | 28:12 | 1968 | |
1989 | Radulescu | Horatiu | Streichquartett Nr. 4 op. 33 | C+* | 48:39 | 1987 | |
1989 | Rihm | Wolfgang | Anhang Zwischenblick: Selbsthenker | MI | 14:50 | 1984 | |
1989 | Riley | Terry | Keyboard - Studies | C* | 10:54 | 1964 | |
1989 | Röder | Klaus | Spiegelungen | C+ | 54:46 | 1988 | |
1989 | Rose | Jon | Line of Sight | C* | 26:30 | ||
1989 | Rose | Jon | The Relative Violin II | P* | 20:37 | ||
1989 | Rose Lewis |
Jon George |
Techno Crunch | C* | 4:20 | ||
1989 | Rose Osterwold Braha |
Jon Matthias Livio von |
The Relative Violin | Textbeitrag | 1989 | ||
1989 | Scelsi | Giacinto | Quartetto No. 4 | MI | 9:25 | 1964 | |
1989 | Schnebel | Dieter | 2 Studien für Klavier und Live Electronic | C+* | 21:00 | 1988 | |
1989 | Schnebel | Dieter | 61 Klänge für Klavier | MI | 3:00 | 1987 | |
1989 | Sharp Christmann |
Elliott Günter |
Hammer, Anvil & Stirrup Three Delta Blues Sometimes Crosswise Tessalation Row Digital |
MI | 38:00 | ||
1989 1994 | Stockhausen | Karlheinz | Mantra | C+* | 65:00 | 1970 | |
1989 1994 | Stockhausen | Karlheinz | Mantra | C+* | 61:20 | 1970 | |
1989 | Strawinsky | Igor | Trois pièces pour quatuor à cordes | MI | 6:11 | 1914 | |
1989 | Supper | Martin | DH2 | C | 1988 | ||
1989 | Szalonek | Witold | Inside ? - Outside ? | MI | 29:00 | 1986 | |
1989 | Szymanski | Pawel | through the looking glass… II | C | 1988 | ||
1989 | Szymanski | Pawel | Zwei Stücke für Streichquartett | MI | 13:30 | 1982 | |
1989 | Tiedje | Stefan | Wollten Sie nicht schon immer in einem Stück für 19-tönige Skalen mitspielen? | C* | 40:00 | 1989 | |
1989 | Wachsman | Phil | A violin can also be Three Draft Pistons for violin |
P B | 33:00 | ||
1989 | Waisvisz | Michel | The Archaic Symphony | C* | 38:20 | 1987 | |
1989 | Webern | Anton | 5 Stücke für Streichquartett op. 5 | MI | 12:24 | 1909 | |
1989 | Webern | Anton | op. 28 | MI | 1937 | ||
1989 | Werner | André | Canti muti | C+* | 13:10 | 1988 | |
1989 | Wolff | Christian | String quartet exercises out of songs | MI | 30:00 | 1976 | |
1989 | Wyschnegradsky | Ivan | 2. Quatuor à cordes en systême de 1/4 de ton | MI | 10:12 | 1931 | |
1989 | Xenakis | Iannis | Tetras | MI | 2:33 | 1983 | |
1989 | Young | LaMonte | Five Small Pieces for String Quartet | MI | 6:12 | 1956 | |
1989 | Yun | Isang | 3. Streichquartett | MI | 15:25 | 1959 | |
1989 | Zingaro | Carlos | Concermation No. 1 | P* | 22:50 | ||
1990 | Das Programmbuch Inventionen 90 | Impressum | 1990 | ||||
1990 | Die Filme von Mauricio Kagel | Textbeitrag | |||||
1990 | Balakauskas | Osvaldas | Opera strumentale | MI | 1983-88 | ||
1990 | Bianchini | Laura | Happening | C* | 1989 | ||
1990 | Bianchini | Laura | NO. DI. - Note difference | C+ | 9:38 | 1987 | |
1990 | Bianchini | Riccardo | Haiku | C+ | 8:41 | 1976 | |
1990 | Blondeau | Thierry | Invention | MI | 6:44 | ||
1990 | Boulez | Pierre | Dérives | MI | 5:00 | 1984 | |
1990 | Bousch | François | Cristal | C* | |||
1990 | Brün | Herbert | I told you so | C | 12:57 | 1981 | |
1990 | Brün | Herbert | Vortrag über EM in Urbana | Komponistengespräch | 1990 | ||
1990 | Cage | John | Etudes Boréales I - IV | MI | 17:00 | 1978 | |
1990 | Cavanna | Bernard | Goutte d'or blues | C+ | 6:26 | ||
1990 | Ceccarelli | Luigi | Koan II | MI | 8:07 | ||
1990 | Charpentier | Andre | Suite Karnatique | C* | |||
1990 | Chin | Unsuk | Gradus ad infinitum I | C | 10:05 | 1989 | |
1990 | Christiansen | Henning | Umwälzung: fluxorum organum - EURASIENSTAB ist immer noch Angelpunkt | P*+ | 60:00 | 1989 | |
1990 | Cocco | Enrico | Materia Intelligente II | C+ | 11:20 | 1990 | |
1990 | Dashow | James | Disclosures | C+ | 14:35 | 1989 | |
1990 | Daske | Martin | Foliant 14 | MI | 9:16 | 1988 | |
1990 | Daske | Martin | Foliant 25 | MI | 11:36 | 1989 | |
1990 | Daske | Martin | Foliant 2b | C* | 6:14 | 1989 | |
1990 | Daske | Martin | Foliant 6 | C* | 4:00 | 1987 | |
1990 | Daske | Martin | Folianten 9, 10 | MI | 5:40 | 1987 | |
1990 | Daske | Martin | Folianten 18 / 19 | MI | 7:51 | 1988 | |
1990 | Daske Syed |
Martin Farah |
21 Folianten | Ausstellung | 1990 | ||
1990 | DeFotis | William | Piece for flute with tape accomp. | C+ | 10:47 | 1980 | |
1990 | Dittrich | Paul - Heinz | Action - Reaction | C+* | 16:40 | 1975 | |
1990 | Dlugosz | Magdalena | Mictlan II | C+* | 13:35 | 1987 | |
1990 | Domagalla | Jacek | Nocturne, Arcata | MI | 10:34 | 1989 | |
1990 | Dufourt | Hugues | La Tempesta | C* | 7:02 | ||
1990 | Ebbeke | Klaus | Aber die Musik braucht ständig eine Krise | Textbeitrag | 1990 | ||
1990 | Ebbeke | Klaus | Ich will keine spiritistische Sitzung - ich will Musik! | Textbeitrag | 1990 | ||
1990 | Feldman | Morton | Intersection IV | MI | 5 | 1953 | |
1990 | Feldman | Morton | Projection I | MI | 3:25 | 1950 | |
1990 | Ferneyhough | Brian | Mnemosyne | C+ | 1986 | ||
1990 | Glandien | Lutz | Es lebe | C+ | 12:08 | 1989 | |
1990 | Grisey | Gerard | Prologue | C* | 14:57 | 1976 | |
1990 | Haim | Philip | Numen | MI | 12:30 | ||
1990 | Hall Lewis | Robert | Combinazione V | MI | 7:57 | ||
1990 | Harrison | Jonty | CQ | C* | 1989/90 | ||
1990 | Henze | Hans Werner | Fragmente einer show | MI | 6:42 | 1971 | |
1990 | Hespos | Hans Joachim | Ohrenatmer | MI | 21 | 1981 | |
1990 | Hindemith | Paul | 7 Triostücke für 3 Trautonien | C* | 9:50 | 1930 | |
1990 | Hindemith | Paul | Langsames Stück und Rondo | C | 5:24 | 1935 | |
1990 | Hosokawa | Toshio | Sen II | MI | 10:38 | 1986 | |
1990 | Humel | Gerald | Sinfonia avanti il lieto fine | MI | 17:39 | 1989 | |
1990 | Ingenhütt | Martin | Bemerkungen zur Besetzung Ugly Culture | Textbeitrag | 1990 | ||
1990 | Isaacs | Mark | 3 Scherzi | MI | 5:32 | 1988 | |
1990 | Jeney | Zoltan | Ricercare 8+8 | C* | 10:00 | 1989 | |
1990 | Johnson | Tom | Naranayas Kühe | MI | 12:42 | 1989 | |
1990 | Jolivet | André | Incantation | C* | |||
1990 | Jones | Joe | Confrontations | P* | 26:30 | 1989 | |
1990 | Jones | Joe | Fluxus Home Movies The Music Store and other Stories |
Ausstellung | |||
1990 | Jones | Joe | Joe Jones, Music Machines from the sixties until now | Ausstellung | 1960, 1989 | ||
1990 | Jones | Joe | The Music Store | Ausstellung | 1969-71, 1989 | ||
1990 | Kagel | Mauricio | Antithese | F | 19:00 | 1965 | |
1990 | Kagel | Mauricio | Aus dem Nachlaß | MI | 11:07 | ||
1990 | Kagel | Mauricio | Blue's Blue | F | 31:00 | 1981 | |
1990 | Kagel | Mauricio | Dressur | F | 36 | 1985 | |
1990 | Kagel | Mauricio | Duo | F | 41 | 1967/68 | |
1990 | Kagel | Mauricio | Er | F R | 40 | 1984 | |
1990 | Kagel | Mauricio | Generalbaß | MI | 7:25 | ||
1990 | Kagel | Mauricio | Halleluja | F | 47 | 1968 | |
1990 | Kagel | Mauricio | Kantrimiusik | F | 50 | 1976 | |
1990 | Kagel | Mauricio | Ludwig van | F | 100 | 1969 | |
1990 | Kagel | Mauricio | Match | F | 21 | 1966 | |
1990 | Kagel | Mauricio | Mirum | MI | 13:17 | 1965 | |
1990 | Kagel | Mauricio | Mitternachtsstück | F | 32 | 1986/87 | |
1990 | Kagel | Mauricio | MM 51 | F | 10 | 1983 | |
1990 | Kagel | Mauricio | Pas de cinq | MI | 1965 | ||
1990 | Kagel | Mauricio | Phonophonie | F | 38 | 1979 | |
1990 | Kagel | Mauricio | Repertoire | F | 55:00 | 1989/90 | |
1990 | Kagel | Mauricio | Solo | F | 26 | 1967 | |
1990 | Kagel | Mauricio | Szenario | F | 15' | 1928/1983 | |
1990 | Kagel | Mauricio | Unter Strom | F | 20 | 1975 | |
1990 | Kagel | Mauricio | Zwei-Mann-Orchester | F* | 71 | 1973 | |
1990 | Katzer Bauer Rempel |
Georg Johannes Hanno |
ad hoc: Trio für Posaune, Klavier, Computer & Liveel. | C* | 20:00 | 1990 | |
1990 | Keller Kupke |
Hermann Jürgen |
Ex tempore XI | C+ | 13:32 | 1990 | |
1990 | Kopitz | Klaus Martin | Mein Leben in der Wüste | C+* | 8:10 | 1986/89 | |
1990 | Kotonski | Wlodzimierz | Antiphonae | C | 12:18 | 1989 | |
1990 | Lévinas | Michaël | Appels | C* | 14:38 | ||
1990 | Louvier | Alain | Raga | C* | |||
1990 | Lumsdaine | David | Bagatelles | MI | 1987 | ||
1990 | Lupone | Michelangelo | Incanto | C* | 30:13 | 1988 | |
1990 | Lupone | Michelangelo | Mira | C* | 11:42 | 1985 | |
1990 | Lupone Pernaselci |
Michelangelo Guglielmo |
Workshop | Workshop | |||
1990 | Lutoslawski | Witold | Konzert für Klarinette, Harfe und Streicher | MI | 19:18 | 1973/80 | |
1990 | Lutoslawski | Witold | Mini Overture | MI | 3:13 | 1982 | |
1990 | Machlitt | Manfred | Das Studio für elektroakustische Musik der Akademie der Künste der DDR | Textbeitrag | 1989 | ||
1990 | Maderna | Bruno | Musica su due dimensioni | C+ | 1952/63 | ||
1990 | Maiguashca | Mesias | Vorwort zu Solaris | C+ | 19:47 | 1989 | |
1990 | Martirano | Salvatore | Phleu | C+* | 7:05 | 1988 | |
1990 | Mefano | Paul | Involutive | MI | 4:14 | 1958 | |
1990 | Messiaen | Olivier | Fête des belles eaux | C* | |||
1990 | Miereanu | Costin | Ricochets | C* | 9:09 | ||
1990 | Milhaud | Darius | Suite | C* | |||
1990 | Motz | Wolfgang | …und lächelnd ihr Übel umarmen | C | 5:35 | 1990 | |
1990 | Motz | Wolfgang | Vortrag über sein Werk | Vortrag | 1990 | ||
1990 | Murail | Tristan | Les 13 couleurs du soleil couchant | C* | 20:52 | 1978 | |
1990 | Nono | Luigi | Das atmende Klarsein | C* | 1980/81 | ||
1990 | Nono | Luigi | Tre Voci B | C* | 1984/85 | ||
1990 | Parmegiani | Bernard | Outremer | C* | |||
1990 | Peixinho | Jorge | Passage intérieur | C* | 15:22 | 1989 | |
1990 | Pernaiachi | Gianfranco | Realgar II | C+ | 5:40 | 1989 | |
1990 | Reimann | Aribert | Rondes | MI | 13:56 | 1967/69 | |
1990 | Renaud | François | Reflets II | MI | 10:37 | ||
1990 | Rose | Griffith | Cinq Chemins | MI | 13:53 | ||
1990 | Rzewski | Frederic | Force | MI | 1985 | ||
1990 | Rzewski | Frederic | Lost and found | MI | 1985 | ||
1990 | Sala | Oskar | Fantasie - Suite in 3 Sätzen | C* | ≈ 20:00 | 1988/89 | |
1990 | Sala | Oskar | Tanzstücke | C* | ≈ 27:00 | 1955/89 | |
1990 | Sala | Oskar | Zeichnungen von Oswin | F | 11:17 | 1962 | |
1990 | Salzedo | Leonard | Capriccio | MI | 13:13 | 1977 | |
1990 | Scelsi | Giacinto | Anagamin | MI | 6:57 | 1963 | |
1990 | Schenker | Friedrich | Hörstück mit Oboe | C+ | 15:25 | 1971 | |
1990 | Schubert | Giselher | Zum Kammerorchester im 20. Jahrhundert | Textbeitrag | 1990 | ||
1990 | Sikorski | Tomasz | Diario 87 | C | 7:33 | 1987 | |
1990 | Slavicky | Milan | Artikulationen 4 Teile |
MI | 14:12 | ||
1990 | Smetanin | Michael | Ladder of Escape | C+ | 3:20 | 1984 | |
1990 | Stockhausen | Karlheinz | Aus den sieben Tagen | C* | 7:00 | 1968 | |
1990 | Stockhausen | Karlheinz | Für kommende Zeiten | C* | 26:00 | 1968/70 | |
1990 | Stockhausen | Karlheinz | In Freundschaft | MI | 15:23 | 1977/78 | |
1990 | Stockhausen | Karlheinz | Solo I Solo II |
C* | 23 | 1966 | |
1990 | Stockhausen | Karlheinz | Tierkreis | MI | 20 | 1975/76 | |
1990 | Sumera | Lepo | 3. Sinfonie | MI | 1983-88 | ||
1990 | Szeremeta | Ryszard | Entering 1990 | C | 6:45 | 1989 | |
1990 | Tal | Josef | Concerto No. 6 for piano and Electronics | C+ | 14:00 | 1970 | |
1990 | Tessier | Roger | Hexade | C* | |||
1990 | Tisne | Antoine | Vide | C* | |||
1990 | Vaggione | Horacio | Thema | C+ | 10:00 | 1985 | |
1990 | Vasks | Peteris | Die Botschaft | MI | 1983-88 | ||
1990 | Vieru | Anatol | Giusto | C+ | 9:54 | 1989 | |
1990 | Vine | Carl | Café concertino | MI | 10:18 | 1984 | |
1990 | Vivier | Claude | Pulau Dewata | MI | 12:49 | ||
1990 | Walter | Caspar Johannes | Gugging | MI | 13:07 | 1986 | |
1990 | Wesley-Smith | Martin | White knight and beaver | MI | 9:28 | 1985 | |
1990 | Westlake | Nigel | Refractions at Summer Cloud Bay | MI | 13:50 | 1989 | |
1990 | Whitehead | Gillian | Manutaki | MI | 10:42 | 1986 | |
1990 | Whiticker | Michael | Min - Amé | MI | 4:27 | 1988 | |
1990 | Wolff | Christian | Braverman music | MI | 8:55 | 1979 | |
1990 | Xenakis | Iannis | Morsima - Amorsima (ST / 4-1,030762) | MI | 8:54 | 1962 | |
1990 | Zabelka | Mia | Drahtvenuskörper | P*+ | 60:02 | 1989 | |
1990 | Zapf | Helmut | Wandlungen II | C+ | 13:20 | 1986 | |
1990 | Zawadzka | Anna | Girare | C+ | 12:32 | 1985 | |
1990 | Zawadzka | Barbara | Greya | C | 13:02 | 1987 | |
1990 | Zykan | Otto M. | Lehrstück am Beispiel Schönberg | F | 1974 | ||
1990 | Zykan | Otto M. | Peripathese 1: Glauben Sie mir nichts Ich habe eine Erfindung gemacht Man muß auf der Hut sein / Vorherrschaft |
P | 10:15 | 1968 | |
1990 | Zykan | Otto M. | Peripathese 2: Klägerei | P | 3:54 | 1985 | |
1991 | Das Elektronische Studio des Konservatoriums der Musik-Akademie der Stadt Basel | Textbeitrag | |||||
1991 | Das Programmbuch Inventionen 91 | Impressum | 1991 | ||||
1991 | Abbado | Claudio | Mein stiller Freund | Textbeitrag | 1991 | ||
1991 | Almada Clay Järmann Kristinsson |
Daniel Art Olaf Gunnar |
44°15' auf 40° West | P* | 12:30 | 1990 | |
1991 | Alsina | Carlos Roque | Éloignements | MI | 16:15 | 1990 | |
1991 | Borio | Gianmario | Die Gegend des Prometheus. Beobachtungen zum Spätwerk Luigi Nonos | Textbeitrag | |||
1991 | Cage | John | 4'33'' | P | 4:33 | 1952 | |
1991 | Cage | John | Four Walls | MI | 65:00 | 1944 | |
1991 | Cage | John | In the Name of the Holocaust | MI | 6:00 | 1942 | |
1991 | Cage | John | One | MI | 9:50 | 1987 | |
1991 | Cage | John | Water Music | MI | 6:40 | 1952 | |
1991 | Castiglioni | Niccolo | Ricordo di Julius Bissier | MI | 1989 | ||
1991 | Dallapiccola | Luigi | Piccola musica notturna | MI | 1954 | ||
1991 | Donatoni | Franco | Cloches | MI | |||
1991 | Dreyblatt | Arnold | Who's Who in Central and East Europe 1933 | P* | 60:00 | 1990 | 1991 |
1991 | Globokar | Vinko | Cri des Alpes | MI | 7:30 | 1986 | |
1991 | Goebbels | Heiner | Befreiung | C* | 16:00 | 1989 | |
1991 | Haller | Hans Peter | Wir sollten studieren den Klang - suchen - probieren | Textbeitrag | 1991 | ||
1991 | Haller Hertling Kropfinger Lachenmann Richard Rihm Stenzl Sartorius |
Luigi Nono Symposium | Vortrag | 1991 | |||
1991 | Heiniger | Wolfgang | Another Winter of our Discontent | C* | 10:55 | 1990 | |
1991 | Holliger | Heinz | Cardiophonie | C* | 11:40 | 1971 | |
1991 | Katzer | Georg | Dialog imaginär 3 | C+* | 16:30 | 1990 | 1991 |
1991 | Kessler | Thomas | Kontrabaß-Control | C* | 8:00 | 1990 | |
1991 | Kropfinger | Klaus | Wege - nicht Werke | Textbeitrag | 1991 | ||
1991 | Kubo | Mayako | Am Fenster | C* | 13:00 | 1991 | |
1991 | Leukert | Bernd | ANMERKUNGEN ZU WERK UND PERSON Heiner Goebbels |
Textbeitrag | |||
1991 | Lucier | Alvin | Amplifier and Reflector I | C* | 13:00 | 1991 | |
1991 | Lucier | Alvin | Klangskulpturen | Ausstellung | 1991 | ||
1991 | Lucier | Alvin | Music for piano with amplivied sonorous Vessels | C* | 1991 | ||
1991 | Lucier | Alvin | Music for Solo Performer | C* | 7:00 | 1965 | |
1991 | Lucier | Alvin | Nothing is Real | C* | 22:00 | 1991 | |
1991 | Mache | François-Bernard | Khnoum | C* | 16:50 | 1990 | |
1991 | Mandolini | Ricardo | Vox veterrima | C+ | 19:00 | 1988/90 | |
1991 | Minard | Robin | Ré | C+ | 1991 | ||
1991 | Nono | Luigi | Canciones a Guiomar | MI | 11:00 | 1962/63 | |
1991 | Nono | Luigi | Con Luigi Dallapiccola | C* | 13:30 | 1979 | |
1991 | Nono | Luigi | Epitaph auf Federico García Lorca 1 - España en el corazón | MI | 15:00 | 1952 | |
1991 | Nono | Luigi | Guai ai gelidi mostri | C* | 33:00 | 1983 | |
1991 | Nono | Luigi | Ha venido, Canciones para Silvia | MI | 7:00 | 1960 | |
1991 | Nono | Luigi | Omaggio a Emilio Vedova | C | 4:54 | 1960 | |
1991 | Nono | Luigi | Risonanze erranti - a Massimo Cacciari | C* | 37:00 | 1985/87 | |
1991 | Nono | Luigi | Sarà dolce tacere | MI | 7:20 | 1960 | |
1991 | Nono | Luigi | Skizen und Partituren | Ausstellung | 1991 | ||
1991 | Obst | Michael | Nachtstücke | C* | 29:30 | 1990 | |
1991 | Riede | Bernd | LUIGI NONOS KOMPOSITION LA FABBRICA ILLUMINATA (DIE ERLEUCHTETE FABRIK) FÜR SOPRAN UND VIERSPURIGES TONBAND | Textbeitrag | |||
1991 | Satorius | Joachim | Fragmente - Stille, äußerste Verzweiflung | Textbeitrag | |||
1991 | Scelsi | Giacinto | Anahit | MI | 1965 | ||
1991 | Staude | Christoph | Morpheus | MI | 17:30 | 1990 | |
1991 | Ungeheuer | Elena | Zur Linea Nono in der Geschichte der elektronischen Musik | Textbeitrag | 1991 | ||
1991 | Ungvary | Tamas | Dis-Tanz | C+ | 10:00 | 1990 | 1991 |
1991 | Xenakis | Iannis | Idmen | MI | 14:10 | 1985 | |
1992 | Das Programmbuch Inventionen 92 | Impressum | 1992 | ||||
1992 | Einführung in Komposition und Klangsynthese mit dem NeXT-Computer | Workshop | 1992 | ||||
1992 | Klangsynthese und computergestützte Komposition im IRCAM | Workshop | 1992 | ||||
1992 | Ashley | Robert | eL / Aficionado | P | 90:00 | 1991 | |
1992 | Ashley | Robert | Improvement (Don Leaves Linda) | P | 90:00 | 1984/91 | |
1992 | Aufenanger | Friedhelm | Sous l'amour | MI | 13:40 | 1991 | |
1992 | Baginsky | Zbigniew | Nokturn – Kolysanka | MI | 1989 | ||
1992 | Beyer | Frank Michael | de lumine | MI | 11:57 | 1978 | |
1992 | Beyer | Frank Michael | Sinfonien für acht Stimmen | MI | 16:33 | 1988 | |
1992 | Bœuf | Georges | Nocturne | C+* | 18:15 | 1985/86 | |
1992 | Bredemeyer | Reiner | Sinfonie für drei Instrumentalgruppen | MI | 23:00 | 1974 | |
1992 | Cage | John | 1st Construction in metal | MI | 9:55 | 1939 | |
1992 | Cage | John | 3rd Construction | MI | 14:03 | 1941 | |
1992 | Cage | John | 4 | MI | 30:05 | 1989 | |
1992 | Cage | John | But what about the noise of crumpling paper which he used to do in order to paint the sries of "papiers froissés" or tearing up paper to make "papiers déchirés"? Arp was stimulated by water (sea, lake, and flowing waters like rivers), forests |
C* | 39:44 | 1985 | |
1992 | Cage | John | Freeman Etudes | MI | 97:33 | 1977/80 | |
1992 1994 | Cage | John | Music for Four | MI | 29:40 | 1984 | |
1992 | Cage | John | Music for piano No. 1 - 84 | MI | 88:30 | 1952/56 | |
1992 | Cage | John | String Quartet in Four Parts | MI | 22:25 | 1950 | |
1992 | Cage Cowell Harrison Thomas |
John Henry Lou Virgil |
Party Pieces | MI | |||
1992 | Calon | Christian | La disparition | C | 22:04 | 1987-88 | |
1992 | Chin | Unsuk | El Aliento de la Sombra | C | 18:30 | 1992 | 1992 |
1992 | Christou | Jani | The Strychnine Lady | MI | |||
1992 | Cowell | Henry | Pulse | C* | 4:20 | ||
1992 | Dalbavie | Marc-André | Diadèmes | C* | 1986 | ||
1992 | Dessau | Paul | Quintett für Klavier, Oboe, Klarinette, Fagott und Horn | MI | |||
1992 | Dittrich | Paul-Heinz | Kammermusik XI | MI | |||
1992 | Domagalla | Jacek | Septett | MI | 25:50 | 1991 | |
1992 | Ebbeke | Klaus | Berlin – und der Rest der Welt | Textbeitrag | 1992 | ||
1992 | Eloy | Jean Claude | Vortrag über sein Werk | Vortrag | 1992 | ||
1992 | Eloy | Jean-Claude | Anâhata III | C+ | 106:00 | 1984/86 | |
1992 | Eloy | Jean-Claude | Gaku-no-Michi | C | 240 | 1977/78 | |
1992 | Eloy | Jean-Claude | Libérations | C+* | 137:00 | 1989/91 | |
1992 | Eloy | Jean-Claude | Libérations | C+ | 137:00 | 1989/91 | |
1992 | Eloy | Jean-Claude | Libérations | C+ | 137:00 | 1989 | |
1992 | Enström | Rolf | Skisser från Berlin | C | 17:00 | 1991 | |
1992 | Enström | Rolf | The Dulcimer Report | C* | 12:11 | 1991 | |
1992 | Erbse | Heimo | 12 Aphorismen | MI | 7:00 | ||
1992 | Faust | Wolfgang Max | Das Wort, die Musik, das Schweigen – Notizen zu John Cage | Textbeitrag | 1992 | ||
1992 | Forward Kosugi |
Fast Takehisa |
Parabola | P* | 72:00 | 1992 | |
1992 | Glandien | Lutz | turbo mortale | C+* | 20:00 | 1992 | |
1992 | Goldmann | Friedrich | Vorherrschend gegensätzlich | MI | 9:47 | 1980 | |
1992 | Grisey | Gerard | Jour, contre-Jour | C+* | 21:20 | 1978/79/81 | |
1992 | Großkopf | Erhard | Chaos | MI | 15:00 | 1984 | |
1992 | Höller | York | Mythos | C+ | 20:00 | 1979-80 | |
1992 | Huber | Nicolaus A. | Trio mit Stabpandeira | MI | 15:22 | 1983 | |
1992 | Humel | Gerald | Universe | MI | 50:51 | 1981-87 | |
1992 | Hurel | Philippe | Fragment de lune | C+* | 19:30 | 1986/90 | |
1992 | Ishijima | Akemi | Urskogen | C | 5:00 | 1991 | |
1992 | Johnson | Tom | Wie soll man John Cage aufführen? | Textbeitrag | 1992 | ||
1992 | Kalitzke | Johannes | Trio infernal | MI | 25:08 | 1985 | |
1992 | Karlsson | Erik Mikael | Apostasy | C | 1990 | ||
1992 | Katzer | Georg | La Mettrie | MI | |||
1992 | Katzer | Georg | Musica oscura | MI | 11:55 | 1988 | |
1992 | Katzer | Georg | Schlagmusik 2 | MI | 14:00 | ||
1992 | Katzer | Georg | Trio avec Rimbaud | MI | |||
1992 | Klebe | Giselher | Römische Elegien | MI | 14:04 | 1952 | |
1992 | Klemke | Gerhard | Streichquartett | MI | 13:25 | 1978-82 | |
1992 | Kosk | Patrick | Distrak - Sillalla | C | 11:37 | 1985/92 | |
1992 | Kosk | Patrick | Vortrag über sein Werk | Vortrag | 1992 | ||
1992 | Kosugi | Takehisa | Klanginstallationen | SA | 1992 | ||
1992 | Lachenmann | Helmut | Allegro Sostenuto | MI | 35:05 | 1986-91 | |
1992 | Ligeti | Györgi | Poeme symphonique | MI | |||
1992 | Lindberg | Magnus | Joy | C* | 28:25 | 1989/90 | |
1992 | Losonczy | Andor | Tuba Mirum | MI | 8:50 | 1991 | |
1992 | Mello | Chico | Tem um copo de veneno | C* | 15:08 | 1992 | 1992 |
1992 | Monahan | Gordon | This Piano Thing | C* | 15:08 | 1989 | |
1992 | Moss | David | Music By, For, and Against John Cage | P C* | 41:40 | 1992 | |
1992 | Nilsson | Anders | Elegische Fragmente | C+ | 12:00 | 1991 | |
1992 | Nilsson | Bo | Bass | C* | 11:46 | 1977 | |
1992 | Olbrisch | Franz Martin | Viele Menschen suchen den Ochsen, doch Wenige haben ihn je gesehen | P*+ | 81:00 | 1992 | 1992 |
1992 | Parmerud | Åke | Les objets obscure | C | 1991 | ||
1992 | Parmerud | Åke | Yan | C+ | 14:10 | 1984 | |
1992 | Parmerud Blomqvist |
Åke Anders |
Tangent | P* | 11:00 | 1992 | |
1992 | Parmerud Blomqvist |
Åke Anders |
Trio | P* | 11:00 | 1992 | |
1992 | Parmerud Blomqvist Kroumata-Ensemble |
Åke Anders |
Team | C* | 11:00 | 1992 | |
1992 | Pfrengle | Roland | Coming up | C+ | 16:00 | 1991 | |
1992 | Platz | Robert HP | from fear of thunder, dreams … | C+ | 13:00 | 1987/88 | |
1992 | Portella | Patrick | Le voyage d'Hiver | C+ | 20:08 | 1990 | |
1992 | Reich | Steve | Come out | C | |||
1992 | Risset | Jean-Claude | Huit esquisses en duo pour un pianiste | C* | 19:06 | 1989 | |
1992 | Rózmann | Ákos | Orgelstycke nr. VI | C | |||
1992 | Rubbert | Rainer | …des lignes raides fuient dans la nuit | MI | 15:22 | 1987 | |
1992 | Ruschkowski | André | Autologous | C | 11:25 | 1991 | |
1992 | Saariaho | Kaija | Aer | C* | 17:46 | 1991 | |
1992 | Santos | Carles | La grenya de Pasqual Picanya, assessor juridic-administratiu | P* | 43:20 | 1991 | |
1992 | Santos | Carles | Sonderausstellung Inventionen 1992 | Ausstellung | 1992 | ||
1992 | Scelsi | Giacinto | 20 Canti del capricorno | C* | 39:30 | 1962/72 | |
1992 | Schenker | Friedrich | Hades | MI | 1977-80 | ||
1992 | Schmidt | Christfried | Aulodie | MI | 10:55 | 1975 | |
1992 | Schnebel | Dieter | Webern-Variationen | MI | 8:10 | ||
1992 | Schröder | Gesine | Fänge | Textbeitrag | 1992 | ||
1992 | Shimoyama | Hifumi | Fumon III | C+ | 11:00 | 1979 | |
1992 | Spahlinger | Matthias | 128 erfüllte Augenblicke | MI | 11:00 | ||
1992 | Stoianova | Ivanka | Auf der Suche nach dem „Sinnenden Feuer“ | Textbeitrag | 1992 | ||
1992 | Szalonek | Witold | Piernikiana per tuba sola | MI | 13:33 | 1977 | |
1992 | Szalonek | Witold | Quattro monologhi per Oboe solo | MI | 12:36 | 1972 | |
1992 | Teitelbaum | Richard Lowe | Golem | P+* | 1989 | ||
1992 | Therminarias | Jean-Luc | Pièce pour bande et guitare sur bande | C | 18:51 | 1990 | |
1992 | Ullmann | Jakob | Disappearing Musics for Six Players (More or Less) | MI | 34:10 | 1989-91 | |
1992 | Ungvary | Tamas | Istenem, Uram! | C | 12:32 | 1990 | |
1992 | Varèse | Edgard | Ionisation | MI | 6:00 | 1931/67 | |
1992 | Werner | André | …it wears, sir, as it grows… | C* | 12:40 | 1991 | 1992 |
1992 | Wolpe | Stefan | Piece for Two Instrumental Units | MI | 11:30 | ||
1992 | Xenakis | Iannis | Ikhoor | MI | 10:37 | 1978 | |
1992 | Young | LaMonte | Klaviermusik bis 1960 | MI | 1957/60 | ||
1992 | Young | LaMonte | The Melodic Version (1984) (UA) of The First Blossom of Spring from The Four Dreams of China (1962) | MI | 1962/1984 | ||
1992 | Young | LaMonte | Trio for Strings | MI | 60:00 | 1958/84 | |
1992 | Young Zazeela |
LaMonte Marian |
Dream House | SA | 1962-1992 | ||
1992 | Young Zazeela |
LaMonte Marian |
Sonderausstellung Inventionen 1992 | Ausstellung | 1992 | ||
1992 | Zapf | Helmut | Dreiklang II | MI | 20:33 | 1991 | |
1992 | Zapf | Helmut | Zusammenklang III | MI | |||
1994 | Stockhausen-Symposion | Vortrag | 1994 | ||||
1994 | Alvarez | Javier | Temazcal | C+ | 7:54 | 1983 | |
1994 | Barraque | Jean | Chant après Chant | MI | 20:33 | 1965/66 | |
1994 | Berg | Alban | Klaviersonate | MI | 11:56 | 1909 | |
1994 | Berio | Luciano | Diffèrences | C+ | 1959 | ||
1994 | Bertoncini | Mario | Tune | MI | 9:20 | 1965 | |
1994 | Beyer | Frank-Michael | Action | MI | 1991 | ||
1994 | Birtwistle | Harrison | Three Pieces | MI | 10:48 | 1993 | |
1994 | Bussotti | Sylvano | Cœur pour un batteur | MI | |||
1994 | Caesar | Rodolfo | Introduction to the Stone | C | 1989 | ||
1994 | Cage | John | 27'10,554 | MI | 27:10 | 1964/65 | |
1994 | Cage | John | Imaginary Landscape No. 2 | C* | 6:10 | 1942 | |
1994 | Cage | John | Imaginary Landscape No. 3 | C* | 3:30 | 1942 | |
1994 | Cage | John | Sixteen Dances | MI | 1951 | ||
1994 | Cairns | Elizabeth | Decadenza | C+ | 1993 | ||
1994 | Carow | Stefan | Music for Percussion, Pauken and 2 Pianos | MI | 1993 | 1994 | |
1994 1998 | Chin | Unsuk | allegro ma non troppo | C / C+ | 13:05 | 1994 | 1998 |
1994 | Crumb | George | Makrokosmos III | MI | 1974 | ||
1994 | Davies | Hugh | Das Schlagzeug in Klangskulpturen und Klanginstallationen | Textbeitrag | |||
1994 | Davies | Hugh | Einige persönliche Erinnerungen an Stockhausens Gebrauch des Schlagzeugs | Textbeitrag | |||
1994 | Decroupet | Pascal | Worte und Gedanken | Textbeitrag | |||
1994 | Decroupet Stockhausen |
Pascal Karlheinz |
Musikalische Nachtprogramme zu Stockhausen | Vortrag | |||
1994 | Donatoni | Franco | Darkness | MI | 10:05 | 1984 | |
1994 | Ebbeke | Klaus | Julius | Textbeitrag | 1985 | ||
1994 | Elgeti | Susanne | Zu den Kölner Kursen für Neue Musik 1963–68 | Textbeitrag | |||
1994 | Evangelisti | Franco | Spazio a 5 | C* | 12:40 | 1959/61 | |
1994 | Feiten | Bernhard | Physical Modeling am Beispiel von Schaginstrumenten | Vortrag | 1994 | ||
1994 | Feldman | Morton | The King of Denmark | MI | 1964 | ||
1994 | Ferneyhough | Brian | Bone Alphabet | MI | 7:52 | 1991 | |
1994 | Finnendahl | Orm | Wheel of Fortune | C* | 1994 | 1994 | |
1994 | Ford | Ron | Trarre | MI | 11:24 | 1987 | |
1994 | Garland | Peert | Nana & Victorio | MI | 1990/91 | ||
1994 | Garland | Peter | Love Songs | MI | 1993 | 1994 | |
1994 | Gertich | Frank | 40 Jahre elektronisches Studio der Technischen Universität Berlin | Textbeitrag | |||
1994 | Glandien | Lutz | … die, die abgestürtzt sind | C+* | 1993 | 1994 | |
1994 | Goto | Suguru | Transformation II | C+* | 1992 | ||
1994 | Grisey | Gerard | Talea ou la machine et les herbes folles | MI | 1986 | ||
1994 | Harrison | Lou | Varied Trio | MI | 1986 | ||
1994 | Hartmann | Karl-Amadeus | Konzert für Klavier, Schlagzeug und Bläser | MI | 1952/53 | ||
1994 | Hedman | Jens | Respirit | C+ | 1992/93 | 1994 | |
1994 | Hölszky | Adriana | Karawane: Reflexionen über den Wanderklang | MI | 1989/90 | ||
1994 | Huene Tenney |
Stephan von James |
Drum | SA | 1972-1993 | ||
1994 | Julius | Rolf | Konzert für vier leere Flächen (percussion) | P | 1994 | ||
1994 | Kagel | Mauricio | 4. Streichquartett | MI | 24:35 | 1993 | |
1994 | Kagel | Mauricio | Exotica | MI* | |||
1994 | Kagel | Mauricio | Transición II | C+ | 1958/59 | ||
1994 | Katzer | Georg | odd and even | MI | 1994 | 1994 | |
1994 | Knaifel | Alekxander | Cantus. Von der Stille zur Dunkelheit | MI | 1994 | 1994 | |
1994 | Knaifel | Alexander | Medea — Rußland, 20. Jahrhundert | MI | 1968 | ||
1994 | Kosk | Patrick | Der Raum Traum (der Najade) | C | 7:32 | 1992/93 | 1994 |
1994 | Kulenty | Hanna | Arcus | MI | 1988 | ||
1994 | Kurtz | Michael | Aus den sieben Tagen | Textbeitrag | |||
1994 | Lachenmann | Helmut | Interieur I | MI | 15:40 | 1966 | |
1994 | Lee | Yun Kyung | TAE | C+* | 1994 | 1994 | |
1994 | Loevendie | Theo | Timbo | MI | 3:40 | 1974 | |
1994 | Machajdìk | Peter | Intime Musik | P+* | 50:00 | 1993/94 | |
1994 | Marclay | Christian | Ausstellung | Ausstellung | 1994 | 1994 | |
1994 | Maros | Miklos | Picchiettato per strumenti a percussione | MI | 1987 | ||
1994 | Mason | Benedict | String Quartet No. 2 | MI | 20:27 | 1993 | |
1994 | Minard | Robin | Expansion | C+ | 13:00 | 1994 | |
1994 | Monahan | Gordon | Sound And The Machines That Make Them | P | 1994 | ||
1994 | Monk Feldman | Barbara | Verses for Metal, Wood and Drums | MI | 6:10 | 1994 | |
1994 | Moore | Adrian | ...And By His Suggestion... | C | 1993 | ||
1994 | Namtchylak | Sainkho | Roots and Vibrations | MI | 1994 | ||
1994 | Ortiz | Gabriella | Magna Sin | C+ | 1992 | ||
1994 | Otte | Hans | Raum | C | 59:10 | 1993/94 | 1994 |
1994 | Paci Dalò | Roberto | Auroras | P | 81:15 | 1994 | 1994 |
1994 | Reich | Steve | Drumming | MI | 85:00 | 1971 | |
1994 | Riches | Martin | Linear Percussion | SA | 1994 | 1994 | |
1994 | Riches Johnson |
Martin Tom |
Linear Percussion (Eight Pieces von Tom Johnson) | SA | 1994 | ||
1994 | Rzewski | Frederic | Whangdoodles | MI | 1990 | ||
1994 | Sandström | Sven David | Drums | MI | 1980 | ||
1994 | Sartorius | Joachim | Zu den Inventionen '94 | Textbeitrag | 1994 | ||
1994 | Satoh | Somei | Toko No Mon | MI | |||
1994 | Schnebel | Dieter | Monotonien I-V | C* | 1992-94 | ||
1994 | Schönberg | Arnold | Ode to Napoleon Buonaparte | MI | 15:02 | 1942 | |
1994 | Schönberg | Arnold | Sonett Nr 217 von Petrarca | MI | 3:20 | 1925 | |
1994 | Schönberg | Arnold | Streichtrio | MI | 19:00 | 1946 | |
1994 | Schönberg | Arnold | Phantasie for violin with Piano Accompaniment | MI | 8:31 | 1949 | |
1994 | Schubel | Dorothee | »... alles gesagt, was zu sagen war« | Textbeitrag | |||
1994 | Sciarrino | Salvatore | Codex purpureus | MI | 7:05 | ||
1994 | Stephan | Rudolf | Nachruf auf Klaus Ebbeke | Textbeitrag | |||
1994 | Stockhausen | Karlheinz | Chöre für Doris | MI | 1950 | ||
1994 | Stockhausen | Karlheinz | Choral | MI | 1950 | ||
1994 | Stockhausen | Karlheinz | Kinntanz |
C* | 1989 | ||
1994 | Stockhausen | Karlheinz | Klavierstück IX | MI | 1954, 1961 | ||
1994 | Stockhausen | Karlheinz | Klavierstück X | MI | 1954, 1961 | ||
1994 | Stockhausen | Karlheinz | Klavierstück I | MI | 1952/53 | ||
1994 | Stockhausen | Karlheinz | Klavierstück II | MI | 1:40 | 1952/53 | |
1994 | Stockhausen | Karlheinz | Klavierstück III | MI | 1952/53 | ||
1994 | Stockhausen | Karlheinz | Klavierstück IV | MI | 1952/53 | ||
1994 | Stockhausen | Karlheinz | Klavierstück V | MI | 1954 | ||
1994 | Stockhausen | Karlheinz | Klavierstück VII | MI | 5:26 | 1954 | |
1994 | Stockhausen | Karlheinz | Klavierstück VIII | MI | 1954 | ||
1994 | Stockhausen | Karlheinz | Klavierstück XI | MI, C | 5:55 | 1956 | |
1994 | Stockhausen | Karlheinz | Kontra-Punkte | MI | 1953 | ||
1994 | Stockhausen | Karlheinz | Kreuzspiel | MI | 1951 | ||
1994 | Stockhausen | Karlheinz | Kurzwellen | C* | 54:05 | 1968 | |
1994 | Stockhausen | Karlheinz | Mikrophonie 1 | C* | 26:27 | 1965 | |
1994 | Stockhausen | Karlheinz | Mikrophonie 2 | C+* | 14:00 | 1965 | |
1994 | Stockhausen | Karlheinz | Mixtur | C* | 1964 | ||
1994 | Stockhausen | Karlheinz | Momente | F | 1962/64 | ||
1994 | Stockhausen | Karlheinz | Nasenflügeltanz | C* | |||
1994 | Stockhausen | Karlheinz | Plus-Minus | MI | 1963 | ||
1994 | Stockhausen | Karlheinz | Refrain | MI | 11:36 | 1959 | |
1994 | Stockhausen | Karlheinz | Schlagtrio | MI | 15:15 | 1952 | |
1994 | Stockhausen | Karlheinz | Signale zur Invasion | C+* | |||
1994 | Stockhausen | Karlheinz | Spiel | MI | 16:01 | 1952 | |
1994 | Stockhausen | Karlheinz | Synthi-Fou | C+ | 1992 | ||
1994 | Stockhausen | Karlheinz | Telemusik | C | 17:29 | 1966 | |
1994 1994 | Stockhausen | Karlheinz | Zyklus | MI | 17:55 | 1959 | |
1994 | Suzuki | Akio | Cardboard Box Analapos |
P | 1994 | ||
1994 2002 | Tenney | James | Cognate Canons | MI | 22:08 | 1993 | 1994 |
1994 | Toop | Richard | Stockhausen — die ersten beiden Jahrzehnte | Textbeitrag | |||
1994 | Ungvary Lundén |
Tamas Peter |
Sentograffito-2 | C* | 30:00 | 1993 | |
1994 | Varèse | Edgard | Intégrales | MI | 10:35 | 1926 | |
1994 | Vaughan | Mike | Crosstalk | C | |||
1994 | Wallin | Rolf | Stonewave | MI | 1990 | ||
1994 | Webern | Anton | Quintett für Klavier und Streiquartett | MI | 11:20 | 1907 | |
1994 | Wolff | Christian | Merce | MI | 26:50 | 1993 | |
1994 | Wuorinen | Charles | Percussion Duo | MI | |||
1994 | Xenakis | Iannis | Persephassa | MI | 13:40 | ||
1994 | Xenakis | Iannis | Rebonds | MI | 1988 | ||
1994 | Zapf | Helmut | Canzone da gran Cassa | C* | 1992/93 | ||
1994 | Zechlin | Ruth | Akzente und Flächen | MI | 1994 | ||
1996 | Das Programmbuch Inventionen 96 | Impressum | 1996 | ||||
1996 | Bayle | François | La Main Vide | C | 42:41 | 1993/95 | |
1996 | Bayle Teruggi |
François Daniel |
Workshop Aakusmonium | Workshop | 1996 | ||
1996 | Birtwistle | Harrison | Chanson de Geste | C+ | 1973 | ||
1996 | Brümmer | Ludger | Ambre, Lilac | C | 21:45 | 1994 | |
1996 | Calon | Christian | The Standing Man | C | 42:10 | 1996 | 1996 |
1996 | Chion | Michel | Gloria | C | 1994 | ||
1996 | Dhomont | Francis | Novars | C | 19:07 | 1989 | |
1996 | Donato | François | Annam | C | 20:06 | 1993 | |
1996 | Dufour | Denis | Douze Melodies Acousmatiques | C | 24:59 | 1988 | |
1996 | Eckert | Gerald | aux mains de l'espace | C | 14:52 | 1993 | |
1996 | Ericsson | Hans-Ola | Melody to the Memory of a Lost Friend XIII | C+ | 1995 | ||
1996 | Favre | Marc | L'Illusion acoustique, 4° Grimoire | C | 18:53 | 1993 | |
1996 | Feiler | Dror | Schlafbrand | C+ | 1990 | ||
1996 | Feldman | Morton | Principal Sound | MI | 1980 | ||
1996 | González Arroyo | Ramón | De l'Infinito Universo et Mondi | C | 10:40 | 1996 | |
1996 | Grillo | Fernando | Arcana | C+ | 21:40 | 1988 | |
1996 | Grillo | Fernando | Gstüss | MI | 1975 | ||
1996 | Grillo | Fernando | Itesi | MI | 1972 | ||
1996 | Grillo | Fernando | Soror mystica | MI | 1978/79 | ||
1996 | Henry | Pierre | Echo d'Orphée | C | 39:58 | 1952/88 | |
1996 | Jentzsch | Wilfried | Kyoto Bells | C | 10:46 | 1994 | |
1996 | Klement | Katharina | 13 Miniaturen | C+ | 14 | 1993-94 | |
1996 | Kunze | Tobias | Melodies | C | 25:00 | 1996 | |
1996 | Lejeune | Jacques | Clamor meus veniat | C | 1994 | ||
1996 | Lundén | Peter | Big Bang on Wispering Water | C | 13:31 | 1995 | |
1996 | Mion | Philippe | Confidences | C | 1995 | ||
1996 | Mittendorf | Hans | Gesang der Winde | C | 8:30 | 1994 | |
1996 | Mitterer | Wolfgang | Mixture | C+ | 1996 | 1996 | |
1996 | Mitterer Ericsson |
Wolfgang Hans-Ola |
Hommage à Bonbonidodonido "for Arion …" Hommage à Richard P. Scott |
C+* | 1996 | ||
1996 | Mitterer Ericsson |
Wolfgang Hans-Ola |
Lied | C+* | 1996 | ||
1996 | Mutschler | Florian | ein aleatorischer Spaziergang durch die Stadt | SA | 1996 | ||
1996 | Neuwirth | Olga | Metal / Pallas | C | 8 | 1996 | |
1996 | Olbrisch | Franz Martin | studi and speaker | C | 11:39 | 1996 | 1996 |
1996 | Ollertz | Ralf R. | Cral'une | C | 4:47 | 1995 | |
1996 | Ollertz | Ralf R. | Pyrócua | C | 6 | 1995 | |
1996 | Parmegiani | Bernard | Trilogie Plain-temps | C | 22:32 | 1992 | |
1996 | Parmerud | Åke | Renaissance | C | 1995 | ||
1996 | Racot | Gilles | Diffluences | C+ | 22:39 | 1995 | |
1996 | Renouard Larivière | Régis | Futaie | C | 14:03 | 1996 | |
1996 | Ruschkowski | André | Succubus-Quartett | C | 20:27 | 1994 | |
1996 | Schaeffer | Pierre | Etude aux chemins de fer | C | 16:12 | 1948 | |
1996 | Schaeffer | Pierre | Etude aux sons animés | C | 4:12 | 1958/71 | |
1996 | Schaeffer | Pierre | Masquerage | C | 3:37 | 1952/71 | |
1996 | Singer | Nathalie | Von der musique concrète zur recherche musicale | Textbeitrag | |||
1996 | Stockhausen | Karlheinz | Awake 7. VII.70 | MI | 1975 | ||
1996 | Teruggi | Daniel | Instants d'hiver | C | 14 | 1993 | |
1996 | Teruggi | Daniel | Saxtenuto | C+ | 1994 | ||
1996 | Tutschku | Hans | Les invisibles | C | 12:30 | 1996 | |
1996 | Zanési | Christian | Arkhéion, les mots de Stockhausen | C | 16:24 | 1994 | |
1998 | 50 Jahre Musique concrète | Impressum | 1998 | ||||
1998 | Acousmatic Visions | Textbeitrag, Ausstellung | 1998 | ||||
1998 | Das Programmbuch Inventionen 98 | Impressum | 1998 | ||||
1998 | Hörkino | Textbeitrag | 1998 | ||||
1998 | Inventionen ’98: 50 Jahre Musique concrète | Textbeitrag | 1998 | ||||
1998 | Abel | Günter | Begrüßungsvortrag | Vortrag | 1998 | ||
1998 | Auinger Huber |
Sam Rupert |
shining | P* | 1998 | 1998 | |
1998 | Bayle | François | L’ invention du son | Vortrag | 1998 | ||
1998 | Bayle | François | La fin du bruit | C | 31 | 1978/79 | |
1998 | Bayle | François | Motion - Émotion | C | 22 | 1985 | |
1998 | Bayle Kamler |
François Piotr |
Lignes et Points | F | 7 | 1966 | |
1998 | Bousseur | Jean-Yves | La musique concrète et les arts plastiques | Vortrag | 1998 | ||
1998 | Brümmer | Ludger | Thrill | C | 1998 | ||
1998 | Cahen | Robert | Compositeurs à l’écoute – 50 ans de musique au GRM | F | 1998 | ||
1998 | Castagnoli | Giulio | Isole | C+ | 23 | 1998 | 1998 |
1998 | Cee | Werner | Berlin Indoors (Slow motion) | C | 9:25 | 1998 | 1998 |
1998 | Dallet | Sylvie | Grußadresse | Vortrag | 1998 | ||
1998 | Dhomont | Francis | Phonurgie | C | 12:30 | 1998 | 1998 |
1998 | Donato | François | Sept Jours | C | 10 | 1998 | |
1998 | Elste | Martin | Hindemiths Versuche „grammophonplatteneigener Stücke“ - wiederentdeckt | Vortrag | 1998 | ||
1998 | Ferrari | Luc | Hétérozygote | C | 26:20 | 1963/64 | |
1998 | Frisius | Rudolf | Musique concrète - unbeantwortete Fragen | Vortrag | 1998 | ||
1998 | Gertich | Frank | lautsprecher als musikinstrument | Vortrag | 1998 | ||
1998 | Gobeil | Gilles | Derrière la porte la plus éloignée | C | 12 | 1998 | |
1998 | Hein | Folkmar | Das Festival INVENTIONEN | Textbeitrag | 1998 | ||
1998 | Hein | Folkmar | Inventionen-Akusmonium | Textbeitrag | 1998 | ||
1998 | Henry Vertov |
Pierre Dziga |
L’homme à la caméra | F | 80 | 1929/1993 | |
1998 | Karlsson | Erik Mikael | Intensities and Interludes | C | 12 | 1998 | 1998 |
1998 | Köner Reble |
Thomas Jürgen |
Alchemie | F* | 60 | 1998 | |
1998 | Kosk | Patrick | Ice Bice | C | 12 | 1998 | 1998 |
1998 | Lämmert | Eberhard | Aufstand der Geräte. Die Künste im Zeitalter der apparativen Kommunikation | Vortrag | 1998 | ||
1998 | Minard | Robin | 4 Räume | C | 15 | 1998 | 1998 |
1998 | Mitterer | Wolfgang | uluru | C+* | 30 | 1998 | 1998 |
1998 | Mixner | Manfred | Bewusstseinsklänge oder Der Ort des Radios | Vortrag | 1998 | ||
1998 | Monolake | Mille Tableaux | P | 1998 | 1998 | ||
1998 | Motte-Haber | Helga de la | 50 Jahre Musique concrète | Textbeitrag | 1998 | ||
1998 | Motte-Haber | Helga de la | Was ist neu an der Musique concrète? | Textbeitrag | 1998 | ||
1998 | Olbrisch Poppe Herrmann |
Franz Martin Enno Arnulf |
Études aux roulements | C+ | 1998 | 1998 | |
1998 | Parmegiani Kamler |
Bernard Piotr |
Le Labyrinthe | F | 12 | 1970 | |
1998 | Röbel | Axel | Synthese konkreter Klänge mit Hilfe dynamischer Modelle von Klangattraktoren | Vortrag | 1998 | ||
1998 | Ruschkowski | André | Das Phantom lebt | Vortrag | 1998 | ||
1998 | Sanio | Sabine | Form und Konkretheit in der Musik | Vortrag | 1998 | ||
1998 | Shimazu | Takehito | Laughcry | C+* | 11 | 1998 | 1998 |
1998 | Singer | Nathalie | Musique invisible | Vortrag | 1998 | ||
1998 | Smirnov | Andre | Proto Musique concrète: Russian Futurism in the 1910s and 20s and early ideas of Sonic Art and Art of Noise | Vortrag | 1998 | ||
1998 | Smith | Julius O. | Virtual Concrete | Vortrag | 1998 | ||
1998 | Stuckenschmidt | Hanns Heinz | Pierre Schaeffer in Berlin | F | 1963 | ||
1998 | Teruggi | Daniel | Faut - il encore faire du bruit? | Vortrag | 1998 | ||
1998 | Teruggi | Daniel | Fugitives voix | C | 17 | 1997 | |
1998 | Teruggi | Daniel | GRM Paris: 50 years of new msuic, 1948 - 1998 | Vortrag | 1998 | ||
1998 | Ungeheuer | Elena | A la recherche du son trouvé | Vortrag | 1998 | ||
1998 | Wishart | Trevor | Two Women - Four Voiceprints | C | 23 | 1998 | 1998 |
1998 | Zanési | Christian | Saphir, sillons, silences | C | 18 | 1998 | |
2000 | Inventionen 2000 | Katalog | 2001 | ||||
2000 | Inventionen 2000 / Teil 1 | Impressum | 2000 | ||||
2000 | Inventionen 2000 / Teil 2 | Impressum | 2000 | ||||
2000 | Armstrong | Iain | Set Adrift in Stolen Moments | C | 11 | 1999 | |
2000 | Auinger Huber |
Sam Rupert |
ain't that a shame! | P | 2000 | 2000 | |
2000 | Bannerman | Alastair | In th'air or th'earth | C | 12 | 1997 | |
2000 | Batchelor | Peter | Reel | C | 13 | 1997 | |
2000 | Bayle | François | la forme du temps est un cercle: Si loin, si proche | C | 22 | 1999 | |
2000 | Bentley | James | Bruit | C | 1997/98 | ||
2000 | Bernardini | Nicola | Recordare | C | 6:30 | 1999 | |
2000 | Boschetto | Francesco | TRASUMANAR | C+ | 11:17 | 1985 | |
2000 | Brümmer | Ludger | The Gates of H. | C | 18:03 | 1993 | |
2000 | Ceccarelli | Luigi | exsultet | C | 18 | 1996 | |
2000 | Cipriani | Alessandro | aqua sapientiae | C+ | 1996 | ||
2000 | Dall’Ongaro | Michele | GRIMOIRE | C+* | 12 | 1998 | |
2000 | Doati | Roberto | A Moholy, l´ultimo giorno del tram a tariffa ridotta | F | 5:23 | 1998 | |
2000 | Donato | François | Corps de Compassion | C | 15:42 | 1999 | 2000 |
2000 | Dow | Robert | Season of Mists | C | 9 | 1996 | |
2000 | Ebbeke | Klaus | Luigi Nono | Textbeitrag | 1986 | ||
2000 | Giomi | Francesco | Agnaby | C | 10 | 1997 | |
2000 | Gobeil | Gilles | Point de passage | C | 11:44 | 1997 | |
2000 | Haas | Georg Friedrich | "Einklang freier Wesen für zehn Instrumente" / "... aus freier Lust ... verbunden ..." | MI | 1996 | ||
2000 | Haller | Hans Peter | Erinnerung an Venedig – Wege zu Nonos Prometeo | Textbeitrag | 1984 | ||
2000 | Harrison | Jonty | BEAST @ Inventionen | Textbeitrag | 2000 | ||
2000 2006 | Harrison | Jonty | Streams | C | 16:11 | 1999 | |
2000 | Johnson | Tom | Galileo | P | 11 | 2000 | |
2000 | Kropfinger | Klaus | Klangschmiede Prometeo | Textbeitrag | |||
2000 | Kubisch | Christina | Nostalgico | C+ | 14:49 | 1999 | |
2000 | Kubisch | Christina | Tafelmusik 2000 | SA | 7:20 | 1998 | 2000 |
2000 | Kuivila | Ron | Engel in Erdton | SA | 6:44 | 2000 | 2000 |
2000 | Kuivila | Ron | Impulsive Arcs | P | 6:54 | 2000 | |
2000 | Lewis | Andrew | Ascent | C | 10 | 1994 | |
2000 | Lillios | Elainie | Arturo | C | 12 | 1998 | |
2000 | Lucier | Alvin | On the Carpet of Leaves illuminated by the Moon | C* | 12:14 | 2000 | 2000 |
2000 | Lupone Bianchini Lucchino |
Michelangelo Laura Gianfranco |
Planofoni | SA | 2000 | ||
2000 | Martuscielo | Elio | A@TRAVERSO.IT | C | 8:36 | 1998 | |
2000 | McKinnon | Dugal | Horizont im Ohr | C | 10 | 1998 | |
2000 | Minciacchi | Diego | Mentre noi corravam la morte gora | C | 9:44 | 1998 | |
2000 | Mitterer | Wolfgang | zeit vergeht | SA+ | 29:21 | 2000 | 2000 |
2000 | Moore | Adrian | Ethereality | C | 14:55 | 2000 | 2000 |
2000 | Motte-Haber | Helga de la | Zwei Arbeiten von Martin Riches und Tom Johnson | Textbeitrag | 2000 | ||
2000 | Murphy | Pippa | Serpentina | C | 7:50 | 1999 | |
2000 | Neuwirth | Olga | Pallas / Construction | C* | 27:30 | 1996 | |
2000 | Neuwirth | Olga | Permin III | C* | 9:53 | 2000 | |
2000 | Nono | Luigi | Der rote Mantel | MI | |||
2000 | Nono | Luigi | Prometeo - Tragedia dell'ascolto | C+* | 133 | 1981-85 | |
2000 | Oliveros | Pauline | Ear Rings: Inventionen 2000 | MI | 45 | 2000 | |
2000 | Oliveros | Pauline | Red Shifts | C* | 16:10 | 2000 | |
2000 | Orts | José Antonio | Boreal | P | 26:13 | 2000 | |
2000 | Orts | José Antonio | Composición infinita | SA | 5:44 | 2000 | 2000 |
2000 | Osborn | Ed | Language Master - the early years | P | 15:38 | 1998 | |
2000 | Osborn | Ed | Recoil | SA | 4:23 | 1999 | 2000 |
2000 | Osborn Föllmer |
Ed Golo |
Komponistengespräch Osborn | Komponistengespräch | |||
2000 | Ospald | Klaus | schöne welt, schöne welt | MI | |||
2000 | Pappalardo | Emanuele | Audi Filia | C+ | 10 | 1996 | |
2000 | Prior | David | Love and Death | C | 13:14 | 2000 | 2000 |
2000 | Richard | André | Luigi Nono und das Experimentalstudio | Textbeitrag | 1999 | ||
2000 | Riches Johnson |
Martin Tom |
24 Piece Percussion Installation Do it yourself |
SA | 2000 | ||
2000 | Rihm | Wolfgang | Styx und Lethe | MI | |||
2000 | Saario | Antti | Nausea | C | 16:51 | 1999 | |
2000 | Sani Camurri Bernardini Pope Seno Brümmer Stegmaier Tutschku |
Nicola Antonio Nicola Stephen Lorenzo Ludger Karlheinz Hans |
Raumakustik / Auralisation / Raumklangsteuerung | Vortrag | 2000 | ||
2000 | Sanio | Sabine | Klangkunst auf dem Festival Inventionen 2000 | Textbeitrag | 2000 | ||
2000 | Smalley | Denis | Empty Vessels | C | 12 | 1997 | |
2000 | Steffens | Markus | Musikantischer Raum | Textbeitrag | 2000 | ||
2000 | Stenzl | Jürg | Prometeo – Ein Hörleitfaden | Textbeitrag | 1995 | ||
2000 | Tadini | Michele | Notturna | C+* | 11 | 1996 | |
2000 | Thomas | Jo | Dark Noise | C | 10 | 1999 | |
2000 | Tutschku | Hans | Epexergasia - Neun Bilder | C | 12 | 2000 | |
2000 | Tutschku | Hans | Zur Interpretation mehrkanaliger elektroakustischer Werke auf Lautsprecherorchestern – einige Gedanken zu GRM-Acousmonium und BEAST | Textbeitrag | 2000 | ||
2000 | Verandi | Mario | Evil Fruit | C | 10:25 | 2000 | 2000 |
2000 | Verandi Brümmer |
Mario Ludger |
Komponistengespräch Verandi | Komponistengespräch | |||
2002 | Inventionen 2002 | Impressum | 2002 | ||||
2002 | Musica Infinita | Textbeitrag | 2002 | ||||
2002 | Anderson | Elizabeth | Ether | C | 13:45 | 2001 | |
2002 | Barrett | Richard | M87 (Solo) | C* | 28 | 2002 | 2002 |
2002 | Barrett | Richard | Tutti 1 und Tutti 2 und Zugabe | C* | 45 | 2002 | |
2002 | Barrett Parker |
Richard Evan |
Duo | C* | 28 | 2002 | 2002 |
2002 | Bartetzki Minard Kemter |
André Robin Dieter |
RUMOR | SA | 2002 | 2002 | |
2002 | Battista | Tonino | C’est ça, c’est tout | C* | 2000 | ||
2002 | Behrman | David | Homemade Synthesizer Music with Sliding Pitches | C* | 21:20 | 1972/2002 | |
2002 | Behrman | David | Pen Light | SA | 1998 | ||
2002 | Behrman | David | View Finder | SA | 2001 | ||
2002 | Beil Scherer |
Michael Gerhard |
UND ACHT | AV+ | 11 | 2000 | |
2002 | Bianchini | Laura | Voix d’ailleurs | C+* | 2000 | ||
2002 | Block | René | Akademisch waren sie eigentlich nie | Textbeitrag | 2002 | ||
2002 | Blomqvist | Anders | Tass | C+ | 9:40 | 1999 | |
2002 | Blomqvist Doukkali |
Anders Josef |
Jaguar Revisited | Bildspeel | 1983 | ||
2002 | Blomqvist Doukkali |
Anders Josef |
Sincere | Bildspeel | 1989 | ||
2002 | Blondeau | Thierry | Etude au Doppler | C | 2002 | 2002 | |
2002 | Bodin | Lars Gunnar | Hälsnigar från syrenbersån | C | 11 | 1994 | |
2002 | Brown | Earle | Four Systems | C+* | 4:22 | 1954/97 | |
2002 | Brümmer | Ludger | Inferno der Stille | C | 23:38 | 2000 | |
2002 | Brunson Doukkali |
William Josef |
The Lute of Pythagoras | Bildspeel | 14:35 | 1995 | |
2002 | Casale | Emanuele | musica per cinque strumenti | MI | 2002 | ||
2002 | Coppe | Dimitri | Transparence – Déhiscence | C | 8:50 | 2000 | |
2002 | D'Adamo | Daniel Augusto | Die runde Zahl | MI | 13:13 | 1999 | |
2002 | Inventionen 2002 | Impressum | 2002 | ||||
2002 | Di Scipio | Agostino | Der Komponist als Rauschgenerator | Textbeitrag | 2002 | ||
2002 | Di Scipio | Agostino | Texture-multiple | C* | 12:25 | 1993/2000 | |
2002 | Drese | Ingrid | Tout autant | C | 9:42 | ||
2002 | Dunkelman | Stephan | Metharcana | C | 9:05 | 1998 | |
2002 | Eckel Teige Rumori Güther |
Gerhard Daniel Martin Eckehard |
Grenzenlose Freiheit | SA | 2002 | ||
2002 | Elggren Tankred |
Leif Kent |
Riot | Bildspeel | 1988 | ||
2002 | Enström | Rolf | Io | Bildspeel | 17 | 1996 | |
2002 | Estager Giroudon |
Jean François James |
Contours avec miroirs | C* | 2000 | ||
2002 | Forward | Fast | Signal to Noise | C* | 57:54 | 2002 | 2002 |
2002 | Fox | Terry | Bad installation | SA | 2002 | ||
2002 | Fox | Terry | Litanies of Interference | SA | 2002 | ||
2002 | Gaussin | Allain | Jardin Zen | C+ | 1998 | ||
2002 | Glandien Lup |
Lutz Veit |
hic et nunc | AV | 12 | 1996 | |
2002 | Grisey | Gerard | Le Noir de l’Etoile | C+ | 62:42 | 1989/90 | |
2002 | Haas | Georg Friedrich | … Zerstäubungsgewächse | MI | 13:13 | 1989 | |
2002 | Hanson | Sten | How are you? | C | 2:21 | 1969 | |
2002 | Hartman | Hanna | Die Schrauben, die die Welt zusammen halten | C | 16:34 | 2001 | |
2002 | Hedman | Andreas | Intersektionen | C | 10:34 | 2002 | 2002 |
2002 | Hein | Folkmar | Spiel oder Ernst? | Textbeitrag | 2002 | ||
2002 | Hennig | Ludger | eisen fern | SA | 2002 | ||
2002 | Johansson | Pär | The empty Palace | C | 24:04 | 2000 | |
2002 | Julius | Rolf | Monochrom bewegt | C | 2002 | 2002 | |
2002 | Justel | Elsa | Pieza en Forma de Té | C | 10:50 | 1999 | |
2002 | Katzer | Georg | Dialog imaginär 6 | C+ | 10 | 1997 | |
2002 | Kuivila | Ron | Outgoing Message / The Beatification of the Facsimile Tone |
C* | 30 | 2002 | |
2002 | Kuivila | Ron | Spark Vault | SA | 2002 | 2002 | |
2002 | Lang | Klaus | sei-jaku | MI | 39:56 | 2001 | |
2002 2008 2010 | Leitner | Bernhard | Ton-Raum TU Berlin | SA | 1984 | ||
2002 | Lévy | Fabien | Gérard Grisey, eine neue Grammatologie aus dem Phänomen des Klangs | Textbeitrag | 2002 | ||
2002 | Lévy | Fabien | Soliloque pour Francesco, Emanuele, Agostino et Nicola. Selbstgespräch eines Computers über ein von ihm missverstandenes Konzert |
C* | 15:45 | 2002 | 2002 |
2002 | Lévy | Fabien | Soliloque pour Ludger, Jean François, James, Tonino, Daniel, Laura, Rolf et Allain. Selbstgespräch eines Computers über ein von ihm missverstandenes Konzert |
C* | 15:45 | 2002 | 2002 |
2002 | Liljekvist | Jan | Global Bliss | C | 5:47 | 2002 | |
2002 | Lindström | Mats | Für die Jugend der Welt | C* | 2002 | ||
2002 | Lindström | Mats | Grindslanten | Bildspeel | 1:52 | 1998 | |
2002 | Lotis | Theodoros | Sibylla’s Voice | C | 15:10 | 2001 | |
2002 | Minard | Robin | SoundBIts | SA | 2001-02 | 2002 | |
2002 | Monahan | Gordon | Etheric Theremin Harmonic | SA | 2002 | 2002 | |
2002 | Monahan | Gordon | When it Rains | SA | 2002 | ||
2002 | Nilsson | Ivo | deaf-mute | C+ | 10:17 | 1997 | |
2002 | Nono | Luigi | Post-Prae-Ludium per Donau | C* | 13:38 | 1987 | |
2002 | Olbrisch | Franz Martin | Ein Quadratmeter Schwärze | MI | 1999 | ||
2002 | Olbrisch Haasler Hampel Lauber Lembke Mentrup Pilz Rutz Wankmüller Baumeister Osono Wang |
Franz Martin Gerrit Michael Ben Sven-Armin Marian Lorenz Hanns-Holger Jörg Roswitha Yaeko Yueyang |
I got involved in something I realize … | SA | 2002 | 2002 | |
2002 | Orts | Jose Antonio | Territorio Estelado | SA | 2002 | 2002 | |
2002 | Paredes | Hilda | Uy U T'an | MI | 1998 | ||
2002 | Parmerud | Åke | Les Flûtes en feu | C | 10:22 | 1999 | |
2002 | Pignon | Paul | Bildspel und Fylkingen | Textbeitrag | 2002 | ||
2002 | Podewils | Ulrich | 20 Jahre Inventionen | Textbeitrag | 2002 | ||
2002 | Prinzler | Hannah Leonie | _['d∧zn] | SA | 2002 | ||
2002 | Rydberg | Bo | Achtzehn Flaschen | C+* | 6:08 | 1992 | |
2002 | Sandell Arvidsson |
Sten Inger |
Gobi | Bildspeel | 1990 | ||
2002 | Sani | Nicola | Lo soffia il cielo | C+ | 15:47 | 1998 | |
2002 | Saunders | James | #290602 | P | 9 | 2002 | |
2002 | Scagliola | Francesco | Non D’atro et Tempestoso Notturno | C* | 2002 | ||
2002 | Schäfer Krebs |
Sabine Joachim |
TopoSonic Lines N'Rooms | SA | 30:27 | 2002 | 2002 |
2002 | Schmied | Wieland | Meine Erinnerungen an die Inventionen | Textbeitrag | 2002 | ||
2002 | Sciarrino | Salvatore | Quartetto n. 7 | MI | 2000 | ||
2002 | Sciarrino | Salvatore | Sei quartetti brevi | MI | 2000 | ||
2002 | Seelig Chamerska Kusitzky Morgenroth Franzke Wang |
Thomas Ewa Thomas Inge Nico Yueyang |
Several Species… | SA | 2002 | 2002 | |
2002 | Shin | Soo-Jung | 3 langsame Sätze | MI | 2000 | ||
2002 | Sienknecht | Johannes | reincarnation | SA AV | 2002 | ||
2002 | Suzuki Rohrmoser |
Kotoka Claudia |
Umidi Soni Colores | AV+ | 15:47 | 2002 | |
2002 | Teruggi | Daniel | Gira, gira | C | 2000 | ||
2002 | Todoroff | Todor | Voices Part II - Distant voices | C | 11:45 | 2000 | |
2002 | Tutschku | Hans | memory - fragmentation | C | 11:49 | 2000 | |
2002 | Tutschku | Hans | memory fragmentation | C | 12:50 | 1999 | |
2002 | Ungvary | Tamas | Im EMS und ums EMS herum | Textbeitrag | 2002 | ||
2002 | Vande Gorne | Annette | Sie sagten »akusmatisch«? | Textbeitrag | 2002 | ||
2002 | Vande Gorne | Annette | TAO | C | 25:59 | 1990 | |
2002 | Vande Gorne | Annette | Vox Alia | C | 25 | 1992 | |
2002 | Wiggen | Knut | Mass | C | 6:15 | 1974 | |
2002 | Witzthum | Emmanuel | Lounge Poetry | AV | 20 | 2002 | 2002 |
2002 | Zanési | Christian | Les voix de Pierre Schaeffer | C | 16:48 | 1996 | |
2002 | Zapf | Helmut | Canto del Aria | C+ | 12:55 | 1996 | |
2002 | Zwedberg | Tommy | Slow Reflection | C+ | 17:16 | 2002 | |
2004 | Inventionen 2004 | Programmübersicht | Impressum | 2004 | ||||
2004 2008 |
Auinger Odland |
Sam Bruce |
Requiem for fossil fuels | SA C+* | 48 | 2004/07/08 | 2004 |
2004 | DeMarinis | Paul | Firebirds | SA | 2004 | ||
2004 | DeMarinis | Paul | Tongues of Fire | SA | 2004 | ||
2004 | Di Scipio | Agostino | Audible EcoSystemics n. 1 (Impulse Response Study) | C* | 8 | 2002 | |
2004 | Di Scipio | Agostino | Audible EcoSystemics n. 2 (Feedback Study) | C* | 6 | 2003 | |
2004 | Dow | Robert | Black Ice | C | 14:08 | 2003 | |
2004 | Gál | Bernhard | belit | MI AV | 16 | 2004 | 2004 |
2004 | Imai | Shintaro | Motion and Glitch Study | AV* | 16:35 | 2004 | 2004 |
2004 | Julius | Rolf | Cello-Stück II | C+* | 11:50 | 2004 | |
2004 | Lucier | Alvin | The Queen of the South | AV* | 1972 | ||
2004 | Maierhof | Michael | splitting 22 | AV+ | 2003/04 | ||
2004 | Mitterer | Wolfgang | string quartet 1.3 | MI | 20 | 2004 | 2004 |
2004 | Mitterer | Wolfgang | string quartet 1.3 mit Live-Elektronik und Licht | C* | 40 | 2004 | 2004 |
2004 | Shin | Soo-Jung | treffen | MI | 8 | 2004 | 2004 |
2004 | Suzuki Rohrmoser |
Kotoka Claudia |
Kreisen | AV* | 10:24 | 2004 | 2004 |
2004 | Trayle | Mark | bitpool | AV* | 2004 | ||
2004 | Tutschku | Hans | Object - obstacle | C | 12:28 | 2004 | |
2004 | Verandi | Mario | Klang-Film | AV* | 12:12 | 2004 | 2004 |
2004 | Wishart | Trevor | Globalalia | C | 29 | 2004 | |
2005 | Inventionen 2005 / Musik im Juli | Impressum | 2005 | ||||
2005 | Audactor | Prof. Dr. Hortensia | Wie Pflanzen hören … | Textbeitrag | 2005 | ||
2005 | Bosshard de Campo Brusci |
Andres Alberto Lorenzo |
GardenOfCodes | SA* | 2005 | ||
2005 | Cee | Werner | Maschinerie der Polarlandschaft | C | 20:59 | 2004 | |
2005 | Collins | Nicolas | Pea Soup | SA | 1974/2005 | ||
2005 | Collins | Nicolas | Pea Soup | P | 1974/2005 | ||
2005 | Collins Straebel |
Nicolas Volker |
Konzertinstallationen | Komponistengespräch | 2005 | ||
2005 | Dhomont | Francis | Voyage-miroir | C | 14:50 | 2004 | |
2005 | di Scipio | Agostino | Audible EcoSystemics n. 3a (background noise Study) | C* | 2002/03 | 2005 | |
2005 | di Scipio | Agostino | Audible EcoSystemics n. 3b (backgroundnoise Study with mouth performer) | C* | 2002/03 | 2005 | |
2005 | di Scipio | Agostino | Paysages Historiques n.4 | C* | |||
2005 | di Scipio Mesa |
Agostino Giuliano |
Tiresia | C* | 2001 | ||
2005 | Djambazov | Vladimir | The Secret Life of a Snare Drum | C | 11:09 | 2005 | 2005 |
2005 | Donato | François | The Lights of B. | C | 15 | 2004 | |
2005 | Drese | Ingrid | Sept Œils Sauvage | C | 25 | 2005 | |
2005 | Kosk | Patrick | Das Kästchen & Tripitaka | C | 9:47 | 2005 | 2005 |
2005 2008 | Losa | Diego | Crónicas del tiempo | C | 17 | 2004 | |
2005 | Mandolini | Ricardo | Vox veterrima | C+* | 16:08 | 1988 | |
2005 | Minard | Robin | Das Buch der Räume | C | 36:21 | 2004 | |
2005 | Normandeau | Robert | StrinGDberg | C | 18:20 | 2001-03 | |
2005 | Racot | Gilles | Chronomorphoses | C | 23:50 | 2002/03 | |
2005 | Renouard Larivière | Régis | Errance essorante | C | 20 | 2004 | |
2005 | Risset | Jean-Claude | Resonant Soundscapes | C | 14:30 | 2002/04 | |
2005 | Ronchetti | Lucia | Come un acciar che non ha macchia alcuna | C+ | 8:52 | 2005 | 2005 |
2005 | Smalley | Denis | Resounding | C | 14:23 | 2004 | |
2005 | Smalley | Denis | Ringing down the Sun | C | 15 | 2004 | |
2005 | Teruggi | Daniel | Spaces of Mind | C | 17:46 | 2004 | |
2005 | Teruggi | Daniel | Symphonische Träume | C | 26 | 2000 | |
2005 | Vande Gorne | Annette | Space Figures | C | 12:40 | 2004 | |
2005 | Verandi | Mario | Acariciando lo áspero | C+ | 10:36 | 2005 | |
2006 | Inventionen 2006 Programmübersicht | Impressum | 2006 | ||||
2006 | Azguime | Miguel | Itinerário do Sal | AV P* | 50 | 2006 | 2006 |
2006 | Barrett | Natasha | Abemolpas | C | 10:17 | 2004/05 | |
2006 | Barroso | Edgar | ODD | C | 10:36 | 2006 | 2006 |
2006 | Barroso Röbel |
Edgar Axel |
Spectral Modeling Synthesis | Vortrag | 2006 | ||
2006 | Bilbao | Stefan | Klangsimulation durch physikalische Modelle | Vortrag | 2006 | ||
2006 | Brümmer | Ludger | Gestalt | C | 5:09 | 2002 | |
2006 2008 | Brümmer | Ludger | Glasharfe | C | 19:01 | 2006 | |
2006 | Brümmer | Ludger | Physikalische Modelle zur Partitur-, Klang- und Bildsynthese |
Vortrag | 2006 | ||
2006 | Brümmer | Ludger | Repetitions | C | 21:40 | 2005 | |
2006 | Brümmer | Ludger | Xronos | AV | 17:54 | 2002 | |
2006 | Calon | Christian | Time well | C | 17 | 2006 | |
2006 | Climent | Ricardo | Wall-Woodpeckers | C | 9:11 | 2005 | |
2006 | Delap | Gordon | Light Body Corpuscles | AV | 6:21 | 2005 | |
2006 | Dhomont | Francis | Vol d'Arondes | C | 11:28 | 1999/2002 | |
2006 | Geistweidt | Jason Ernest | Combine (after Rauschenberg) | C | 11:33 | 2006 | |
2006 | Gobeil | Gilles | Nuit Cendre | C | 12:21 | 1995 | |
2006 | Gottstein | Björn | Musik als Ars Scientia | Vortrag | 2006 | ||
2006 | McCurdy | Iain | Molten Liquid | C | 9 | 2006 | |
2006 | McCurdy Climent Mahinney |
Iain Ricardo Simon |
The Pope’s Piano | C* | 2006 | ||
2006 | Mitterer | Wolfgang | Labyrinth 4 | AV* | 27 | 2006 | |
2006 | Normandeau | Robert | Éden | C | 16:21 | 2003 | |
2006 | Normandeau | Robert | StrinGDberg | C | 18:20 | 2001-03 | |
2006 | Normandeau | Robert | Tangram | C | 27:05 | 1992/93 | |
2006 | Normandeau | Robert | Vortrag zu „deep-listening“ | Vortrag | 2006 | ||
2006 | O’Riain | Damian | Sekher’s Clock | C | 6 | 2006 | |
2006 | Robert | Jocelyn | Resident of Unit D | AV* | 15 | 2006 | |
2006 | Röbel | Axel | Die Schätzung der spektralen Hüllkurve und ihre Anwendung zur Klangmanipulation | Vortrag | 2006 | ||
2006 | Suzuki | Kotoka | Kreisen | SA* | 10:24 | 2006 | 2006 |
2006 | Tazelaar | Kees | Chroma | C | 12:00 | 2006 | |
2006 | Tazelaar | Kees | Phalanxes | C | 20:00 | 2005 | |
2006 | Vega | Henry | Light Dynamics | C | 2006 | ||
2006 | Verandi | Mario | Comme un jeu des images | C | 12:45 | 2006 | 2006 |
2006 | Wilson | Paul | Through the Rain | C | 12 | 2006 | |
2008 | Inventionen 2008 | Pressemitteilung 19.6.2008 | Pressekonferenz | |||||
2008 | Inventionen 2008 Impressum | Impressum | 2008 | ||||
2008 | Kommentar zum Festival Inventionen 2008 | Textbeitrag | 2008 | ||||
2008 | Agger Einbond Farhang Leventhal |
Savannah Aaron Alireza Chelsea |
diverse Werke als Studien-Abschluss ECMCT | C* | 2008 | ||
2008 | Alsina | Carlos Roque | Klavierstück Nr. 6 | C+ | 18 | 1986 | |
2008 | Aperghis | George | Alter-Face | MI | 10 | 2004 | |
2008 | Applebaum | Mark | Pre-Composition | C | 11:39 | 2003 | |
2008 | Auinger Offenhuber Strobl stadtmusik |
Sam Dietmar Hannes |
besenbahn kapitel 3 felsen m18 mauerpark zurückbleiben bitte |
AV | 2001-07 | ||
2008 | Auinger & Studenten der UdK Berlin (Sound Studies) | Sam | Klangspeicher | SA | 2008 | ||
2008 | Battier | Marc | What the GRM brought to music: from musique concrète to acousmatic music | Textbeitrag | 2007 | ||
2008 | Bayle | François | Univers nerveux in memoriam K. Stockhausen | C | 22:30 | 2005 | |
2008 | Bedard | Martin | Excavations | C | 10 | 2008 | |
2008 | Blackburn | Manuella | Origami | C | 5:10 | 2007 | |
2008 | Blinkhorn | Daniel | Jeu fabriqué | C | 9:59 | 2007 | |
2008 | Boucourechliev | André | Archipel 4 | MI | 20 | 1970 | |
2008 | Boulez | Pierre | Structures - Livre II | MI | 12 | 1961 | |
2008 | Brown | Earle | Octet I | C | 3:22 | 1952/53 | |
2008 | Brümmer | Ludger | Move | AV+* | 17:04 | 2006 | |
2008 | Cheung | Ka Ho | FishyBahn | C | 9:48 | 2008 | |
2008 | Chin | Unsuk | Gradus ad infinitum II | C | 11:11 | 1990 | |
2008 | Chippewa | Jef | DUO | C | 2:41 | 1997/98 | |
2008 | Chowning | John | Turenas | C | 12:33 | 1972 | |
2008 | Chrysakis | Thanos | INSCAPES 11-10 | C | 10:20 | 2005 | |
2008 | Debussy | Claude | Clair de lune | MI | 6 | 1890 | |
2008 | Debussy | Claude | En blanc et noir - Caprices | MI | 16 | 1915 | |
2008 | Dennis | Georg | Electric Sheep | C | 5:04 | 2008 | |
2008 | Di Scipio | Agostino | ohne Titel | SA* | 2008 | ||
2008 | Donatoni | Franco | Quartetto III | C | 5:00 | 1961 | |
2008 | Dufourt | Hugues | Meeresstille | MI | 16 | 1997 | |
2008 | Dutilleux | Henri | Quatre Figures de Résonances | MI | 9 | 1970-76 | |
2008 | Ferrari | Luc | Und so weiter | C+* | 12 | 1966 | |
2008 | Garavaglia | Javier Alejandro | Pathétique | C | 15:30 | 2008 | |
2008 | Gobeil | Gilles | castalie | C | 10:35 | 2008 | 2008 |
2008 | Gobeil | Gilles | Trilogie d’ondes | C+ | 13:02 | 1988-89 | |
2008 | Gobeil | Gilles | Trilogie d’ondes | C+* | 11:20 | 1990-91 | |
2008 | Gobeil | Gilles | Trilogie d’ondes | C+ | 23 | 1999-2002 | |
2008 | Goeyvaerts | Karel | Compositie Nr. 5 met zuivere tonen | C | 2:40 | 1953 | |
2008 | Gottstein | Björn | Der Traum vom Raum | Textbeitrag | 2008 | ||
2008 | Gottstein Teruggi |
Björn Daniel |
pour le piano Acousmatic Music and French Piano Music |
Textbeitrag | |||
2008 | Hartman | Hanna | Measures of Control | C | 8:00:00 | 2008 | 2008 |
2008 | Hein | Folkmar | Klangkunst <-> Inventionen | Textbeitrag | 2008 | ||
2008 | Henderson | Douglas | The 103rd Thing and the 104th Thing | C | 11:35 | 2003-06 | |
2008 | Hennes | Volker | The Maelstrom Method | C | 7:07 | 2007/08 | |
2008 | Henry | Pierre | Labyrinthe! | C | 25 | 2003 | |
2008 | Iges | José | La Ciudad Resonante | P* AV | 45 | 1999 | |
2008 | Jentzsch | Wilfried | Dream of B | C | 15 | 2007 | |
2008 | Kalantzis | Ioannis | Parastaseis A B C D | C | 7 | 2003-06 | |
2008 | Kosk | Patrick | Mondweiß | C | 13:24 | 2007/08 | |
2008 | Kuhn | Hans Peter | undefined landscape 2 | SA | 2008 | ||
2008 | Leitner | Bernhard | sound : space | Vortrag | 1968-2008 | ||
2008 | López-Lezcano | Fernando | ECMCT-Workshop, Diskussion, Aufführungen | Workshop | 2008 | ||
2008 | López-Lezcano | Fernando | iICEsCcRrEeAaMm | C | 1999/2004/08 | ||
2008 | Maida | Clara | Doppelklänger | C* | 13:39 | 2008 | 2008 |
2008 | Maida Fischer |
Clara Christine |
DAAD-Komponistengespräch Maida | Komponistengespräch | 2008 | ||
2008 | Makino | Yutaka | Ephemera | C | 10:10 | 2008 | |
2008 | Messiaen | Olivier | Livre du Saint Sacrement | MI | 1984 | ||
2008 | Messiaen | Olivier | Visions de l’Amen | MI | 47 | 1943 | |
2008 | Modler Studenten der HfG |
Paul | sOUNDsPHERE - hOERkUGEL | SA* | 2008 | ||
2008 | Moser | Michael | Resonant Cuts | SA | 2008 | ||
2008 | Moser | Michael | Resonant Cuts | P | 2008 | ||
2008 | Motte-Haber | Helga de la | Tongemische und Raumwirkungen in der Klaviermusik des frühen 20. Jahrhunderts | Textbeitrag | 2008 | ||
2008 | Nyström | Erik | Multiverse | C | 11:07 | 2008 | |
2008 | Osborn | Ed | Wandering Eye Studies | AV | 47:09 | 2006 | |
2008 | Parmegiani | Bernard | Au gré du souffle...le son s’envole | C | 20 | 2006 | |
2008 | Parmerud | Åke | Dreaming in Darkness | C | 11:30 | 2005/08 | 2008 |
2008 | Pousseur | Henri | Gamelag celtibère aus Voix et Vues planétaires | AV | 20 | 2003/04 | |
2008 | Risset | Jean Claude | Sud | C | 24 | 1985 | |
2008 | Ritz | John | In the Very Eye of Night | C | 8:50 | 2004 | |
2008 | Ruttmann | Walter | Weekend | C | 10:50 | 1930 | |
2008 | Salem | Sam | They Sing for Themselves | C | 2008 | ||
2008 | Shi | Pei Yu | Fall aus der Zeit … | C | 10 | 2006 | |
2008 | Shi | Pei Yu | Slow, slow tune | C* | 10 | 2008 | |
2008 | Sistermanns | Johannes S. | horizon t | C | 17:40 | 2008 | 2008 |
2008 | Smalley | Denis | Pentes | C | 12:30 | 1974 | |
2008 | Suppan | Wolfgang | Excenter mit Prototypen | C* | 2008 | 2008 | |
2008 | Suppan Kager |
Wolfgang Reinhard |
DAAD-Komponistengespräch Suppan | Komponistengespräch | 2008 | ||
2008 | Suzuki | Akio | oto-date NA GI SA | SA | 2008 | ||
2008 | Tazelaar | Kees | Crosstalk | C | 16 | 2008 | |
2008 | Teruggi | Daniel | Autumn Song | C+ | 17 | 2008 | |
2008 | Teruggi | Daniel | Birds | C | 22:09 | 2006 | |
2008 | Teruggi | Daniel | The GRM celebrates this year its 50th anniversary! | Textbeitrag | 2008 | ||
2008 | Tutschku | Hans | Zellen - Linien | C* | 18 | 2007 | |
2008 | Tutschku | Hans | Zwei Räume | C | 21:08 | 2008 | 2008 |
2008 | Vaggione | Horacio | Arenas | C | 20 | 2007 | |
2008 | Vande Gorne | Annette | Yawar Fiesta (opera) | C | 10 | 2007 | |
2008 | Wishart | Trevor | Vox 5 | C | 6 | 1986 | |
2008 | Zanesi | Christian | Tours et détours en 78 tours | C | 20 | 2008 | |
2010 | Inventionen 2010 | Impressum | 2010 | ||||
2010 | Armstrong | Iain | Matchine | C | 6:20 | 2005 | |
2010 | Barreiro | Daniel | Maresia | C | 11:55 | 2005-06 | |
2010 | Barrett | Richard | SIMORGH | C | 10:59 | 2010 | 2010 |
2010 | Bartetzki | André | Z0 | C | 2010 | ||
2010 | Batchelor | Peter | Kaleidoscope | C | 18:10 | 2004 | |
2010 | BEAST | Birmingham ElectroAcoustic Sound Theatre | Textbeitrag | 2010 | |||
2010 | Bejamin | Garfield | Re:# akou a sema | C | 13:13 | 2010 | |
2010 | Berezan | David | Baoding | C | 7:24 | 2002 | |
2010 | Bumstead | Eric | BlckWnd | C | 9:53 | 2009 | |
2010 | Carpenter | James | Tangle | C | 9:50 | 2010 | |
2010 | Coull | Rosalyn | Stress Vs Piece 2: Ambivalence | C | 10:10 | 2010 | |
2010 | DeMarinis | Paul | Buried in Noise | Katalog | 2010 | ||
2010 | DeMarinis | Paul | Dust | SA | 2009 | ||
2010 | DeMarinis | Paul | Pneuma | SA | 2010 | ||
2010 | Dhomont | Francis | Les travail du rêve | C | 17:12 | 1986/2010 | |
2010 | Emmerson | Simon | Memory Machine | SA | 12:00 | 2009/10 | 2010 |
2010 | Enström | Rolf | Dagbrott | C | 7:51 | 1983 | |
2010 | Fennis | Maurits | Nuages | C | 5:01 | 2010 | |
2010 | Gobeil | Gilles | Les lointains noirs et rouges | C | 10:43 | 2009 | |
2010 | Gough | Helena | Tephra | C | 7:14 | 2010 | |
2010 | Guillamat | Julien | De part et d'autre | C | 2010 | ||
2010 | Harrison | Jonty | BEASTory | C | 8:07 | 2010 | |
2010 | Hegenbart-Matsui | Boris | ebenen-2000 | C | 2010 | ||
2010 | Hindmarch | David | Nature Room | C | 11:00 | 2008-09 | |
2010 | Imai | Shintaro | Figure in Aperture | AV* | 2010 | 2010 | |
2010 | Kim | Suk Jun | Painting Nahhamu | C | 11:11 | 2010 | |
2010 | Knotts | Shelly | For Piano | C | 2010 | ||
2010 | Kontos | Constantino | The Passage | C | 10:48 | 2010 | |
2010 | Kuivila | Ron | Study (in gray) | C | 12:02 | 2010 | |
2010 | Leitner | Bernhard | HörSaal | SA | 27:00 | 2010 | |
2010 | Lewis | Andrew | Cable Bay | C | 10:00 | 1999, 2008 | |
2010 | Lillios | Elainie | Dreams in the Desert | C | 10:48 | 2001 | |
2010 | MacDonald | Alistair | Dreel | C | 10:47 | 1996 | |
2010 | Mahtani | Annie | Cricrió | C | 9:59 | 2010 | |
2010 | Makino | Yutaka | Pulsar | SA* | 2010 | 2010 | |
2010 | Makino | Yutaka | Systema | C | 2010 | ||
2010 | Murphy | Pippa | Caspian Retreat | C | 10:28 | 2003 | |
2010 | Paul | Anup Kumar | Eigenfrequency | C | 6:16 | 2010 | |
2010 | Ronchetti | Lucia | Interlude 1 und 2 | C | 10:52 | 2008/09 | |
2010 | Shi | Pei-Yu | Movements | C | 3:54 | 2010 | |
2010 | Smalley | Denis | Valley Flow | C | 16:57 | 1991-92 | |
2010 | Stahl | Julius | Flaechen [ II ] | SA* | 2010 | 2010 | |
2010 | Steen-Andersen | Simon | Next To Beside Besides - Kamikazeversion | P* | 12 | 2010 | |
2010 | Stollery | Pete | Onset / Offset | C | 7:28 | 1996 | |
2010 | Suzuki | Kotoka | Automata | C | 8:34 | 2010 | 2010 |
2010 | Tarren | Chris | Steel Curtain | C | 10:22 | 2010 | |
2010 | Tremblay | Pierre Alexandre | La cloche fêlée | C | 8:06 | 2003-04 | |
2010 | Tutschku | Hans | Firmament-schlaflos | C | 20:25 | 2010 | |
2010 | Verandi | Mario | unlike - untold | C | 14:45 | 2010 | |
2010 | Wilson | Scott | Böse | C | 9:30 | 2010 | |
2010 | Wishart | Trevor | Encounters in the Republic of Heaven | C | 20:00 | 2010 |